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While Plato recommended expelling poets from the ideal society, W. H. Auden famously declared that poetry makes nothing happen. The 19 contributions to the present book avoid such polarized views and, responding in different ways to the “ethical turn” in narrative theory, explore the varied ways in which narratives encourage readers to ponder matters of right and wrong. All work from the premise that the analysis of narrative ethics needs to be linked to a sensitivity to esthetic (narrative) form. The ethical issues are accordingly located on different levels. Some are clearly presented as thematic concerns within the text(s) considered, while others emerge through (or are generated by) the presentation of character and event by means of particular narrative techniques. The objects of analysis include such well-known or canonical texts as Biblical Old Testament stories, Mark Twain’s Huckleberry Finn , J. R. R. Tolkien’s The Lord of the Rings , Vladimir Nabokov’s Lolita , Jonathan Littell’s The Kindly Ones , Ann Radcliffe’s The Italian and Matthew Lewis’s The Monk . Others concentrate on less-well-known texts written in languages other than English. There are also contributions that investigate theoretical issues in relation to a range of different examples.
Ethics in literature --- Literature and morals --- Narration (Rhetoric) --- Fiction --- Moral and ethical aspects --- Ethics in literature - Congresses --- Literature and morals - Congresses --- Narration (Rhetoric) - Moral and ethical aspects - Congresses --- Fiction - Moral and ethical aspects - Congresses --- Ethics in literature. --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Moral and ethical aspects. --- Philosophy
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Against the backdrop of the polarized debate on the ethical significance of storytelling, Hanna Meretoja's The Ethics of Storytelling: Narrative Hermeneutics, History, and the Possible develops a nuanced framework for exploring the ethical complexity of the roles narratives play in our lives. Focusing on how narratives enlarge and diminish the spaces of possibilities in which we act, think, and re-imagine the world together with others, this book proposes a theoretical-analytical framework for engaging with both the ethical potential and risks of storytelling. Further, it elaborates a narrative hermeneutics that treats narratives as culturally mediated practices of (re)interpreting experiences and articulates how narratives can be oppressive, empowering, or both. It also argues that the relationship between narrative unconscious and narrative imagination shapes our sense of the possible. In her book, Meretoja develops a hermeneutic narrative ethics that differentiates between six dimensions of the ethical potential of storytelling: the power of narratives to cultivate our sense of the possible; to contribute to individual and cultural self-understanding; to enable understanding other lives non-subsumptively in their singularity; to transform the narrative in-betweens that bind people together; to develop our perspective-awareness and capacity for perspective-taking; and to function as a form of ethical inquiry. This book addresses our implication in violent histories and argues that it is as dialogic storytellers, fundamentally vulnerable and dependent on one another, that we become who we are: both as individuals and communities. The Ethics of Storytelling seamlessly incorporates narrative ethics, literary narrative studies, narrative psychology, narrative philosophy, and cultural memory studies. It contributes to contemporary interdisciplinary narrative studies by developing narrative hermeneutics as a philosophically rigorous, historically sensitive, and analytically subtle approach to the ethical stakes of the debate on the narrative dimension of human existence.
Storytelling. --- Narration (Rhetoric) --- Self-perception in literature. --- Social perception in literature. --- Awareness in literature. --- Imagination in literature. --- Narrative (Rhetoric) --- Narrative writing --- Story-telling --- Telling of stories --- Moral and ethical aspects. --- Psychological aspects. --- Social aspects. --- Storytelling --- Self-perception in literature --- Social perception in literature --- Awareness in literature --- Imagination in literature --- Moral and ethical aspects --- Psychological aspects --- Social aspects --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Oral interpretation --- Children's stories --- Folklore --- Oral interpretation of fiction --- Performance --- Erzähltheorie. --- Ethik. --- Hermeneutik. --- LITERARY CRITICISM / Semiotics & Theory. --- Literatur. --- PHILOSOPHY / Mind & Body. --- PSYCHOLOGY / Social Psychology. --- Wahrnehmung. --- Narration (Rhetoric) - Moral and ethical aspects --- Narration (Rhetoric) - Psychological aspects --- Narration (Rhetoric) - Social aspects --- Philosophy / mind & body. --- Literature
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