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Comparative literature --- Literature --- Fiction --- Narration (Rhetoric) --- Criticism, Textual --- History and criticism --- Congresses. --- Fiction - History and criticism - Congresses. --- Narration (Rhetoric) - Congresses. --- Criticism, Textual - Congresses.

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Der Band lotet das methodologische Potenzial der zentralen narratologischen Kategorie der ,Stimme' im Verhältnis zur ,Person' aus und spezifiziert diese Kategorie vor allem vor dem Hintergrund von Genette und Bachtin. Neben theoretisch orientierten Beiträgen kommen Fallbeispiele zur Sprache, die stets mit einem allgemeineren methodologischen Erkenntnisinteresse verknüpft sind. Im Fokus stehen vor allem Grenzfälle eindeutig bestimmbarer Sprech(er)positionen in Texten. Die Beiträge fragen u. a. danach, welche Position und Funktion der Text selbst als literarische ,Stimme' einnimmt und ob Polyphonie als Vielfalt ,autonomer Stimmen' ohne Rückgriff auf das Konzept der ,Person' beschreibbar ist. Sie entwerfen neue theoretische Konzepte der ,Stimme' in der Narratologie, diskutieren das Phänomen der ,Mehrstimmigkeit' in literarischen Texten und untersuchen die Kategorie der ,Stimme' in Bezug auf ihre Tragfähigkeit als Instrument der Textanalyse. Der Band geht dem Verhältnis von Erzähler- und Figurenrede innerhalb des Dreiecks von Autor, Erzähler und Figur in all seinen Facetten nach und bezieht dabei historische sowie kognitions- und rezeptionspsychologische Aspekte mit ein. Er bietet insofern innovative Grundlagenforschung zu zentralen Fragen der modernen Erzähltheorie. The volume sounds out the methodological potential of the central narratological category of 'voice' in its relation to 'person' and specifies this category principally against the background of Genette and Bachtin. In addition to papers with a theoretical orientation, there are also case studies, these always being linked with more general methodological concerns. The main focus is on borderline cases for unequivocally determining the position of the speaker or speech in texts. The papers examine, for example, the position and function of the text itself as a literary 'voice', and whether polyphony can be described as a variety of 'autonomous voices' without recourse to the concept of 'person'. The authors draw up new concepts of 'voice' in narrative theory, discuss the phenomenon of 'multiple voices' in literary texts and examine the category of 'voice' for its relevance as an instrument of textual analysis. The volume investigates all aspects of the relationship between the narrator's speech and that of the narrative figures within the triad of author, narrator and figure, drawing in historical aspects and insights from the psychology of cognition and reception. In this it presents innovative fundamental research on central questions of modern narrative theory.

Fiction --- Literary rhetorics --- Poétique --- --Esthétique --- --Narration (Rhetoric) --- 82-3 --- Proza. Fictie. Narratologie --- Discourse analysis. --- Narration (Rhetoric) -- Congresses. --- Narration (Rhetoric). --- 82-3 Proza. Fictie. Narratologie --- Narration (Rhetoric) --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Esthétique --- Narration (Rhetoric) - Congresses

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Canon (Literature) --- Culture in motion pictures. --- Language and culture --- Literature and society --- Motion pictures and literature --- Motion pictures --- Narration (Rhetoric) --- Social aspects --- Congresses --- Narration (Rhetoric) - Congresses. --- Canon (Literature) - Congresses. --- Motion pictures - Social aspects - Congresses. --- Motion pictures and literature - Congresses.

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"What Is Narratology?" sees itself as contributing to the intensive international discussion and controversy on the structure and function of narrative theory. The 14 papers in the volume advance proposals for determining the object of narratology, modelling its concepts and characterising its status within cultural studies.

82-3 --- 82-3 Proza. Fictie. Narratologie --- Proza. Fictie. Narratologie --- Fiction --- Literary rhetorics --- Pragmatics --- Narration (Rhetoric) --- Discourse analysis, Narrative --- Narrative discourse analysis --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Rhetoric --- Narratees (Rhetoric) --- Narration (Rhetoric) - Congresses --- Discourse analysis, Narrative - Congresses

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When readers become victims of the murder mysteries they are immersed in, when superheroes embark on a quest to challenge their authors or when the fictional rock band Gorillaz flirt with Madonna during their performance, then metalepsis in popular culture occurs. Metalepsis describes the transgression of the boundary between the fictional world and (a representation of) the real world. This volume establishes a transmedial definition of metalepsis and explores the phenomenon in twelve case studies across media and genres of popular culture: from film, TV series, animated cartoons, graphic novels and popular fiction to pop music, music videos, holographic projections and fan cultures. Narrative studies have considered metalepsis so far largely as a phenomenon of postmodern or avant-garde literature. Metalepsis in Popular Culture investigates metalepsis' ties to the popular and traces its transmedial importance through a wealth of examples from the turn of the 20th century to this day. The articles also address larger issues such as readerly immersion, the appeal of complexity in popular culture, or the negotiation of fiction and reality in media, and invite readers to rethink these issues through the prism of metalepsis.

Fiction --- Literary rhetorics --- 82-3 --- Proza. Fictie. Narratologie --- Metalepsis --- Narration (Rhetoric) --- Popular culture --- 82-3 Proza. Fictie. Narratologie --- Figures of speech --- Literary style --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Metalepsis - Congresses --- Popular culture - Congresses --- Narration (Rhetoric) - Congresses --- Media. --- Metafiction. --- Narrative. --- Popular Culture. --- Transmediality. --- Culture de masse --- Culture populaire --- Métalepse