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Nabil, Youssef --- Poynton, Deborah --- Schreuders, Claudette --- Searle, Berni --- Payne, Tracy --- Southwood, Doreen --- Hlobo, Nicholas --- Goldblatt, David --- Gaba, Meschac --- Odita, Odili Donald --- Maluka, Mustafa --- Kannemeyer, Anton --- Ruga, Athi-Patra --- Botes, Conrad --- Botha, Wim --- Hugo,Pieter --- Muholi, Zanele --- Tillim, Guy --- Mntambo, Nandipha --- Mudzunga, Samson --- Nel, Hylton

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Art --- paintings [visual works] --- drawings [visual works] --- sculpture [visual works] --- photography [process] --- video art --- hell [doctrinal concept] --- heaven --- purgatory --- Divina Commedia (kunst) --- Geers, Kendell --- Shonibare, Yinka --- Tayou, Pascale Marthine --- Alvim, Fernando --- Andrianomearisoa, Joël --- Baloji, Sammy --- Bickle, Berry --- Botha, Wim --- Bouabdellah, Zoulikha --- Bourouissa, Mohammed --- Dante Alighieri --- Chiurai, Kudzanai --- Gasteli, Jellel --- Goodman, Frances --- Henda, Kiluanji Kia --- Hlobo, Nicholas --- Karray, Mouna --- Kenawy, Amal --- Khattari, Majida --- Koko Bi, Jems Robert --- Konaté, Abdoulaye --- Kossentini, Nicène --- Mihindou, Myriam --- Mntambo, Nandipha --- Musa, Hassan --- Mutu, Wangechi --- Nabil, Youssef --- Nasr, Moataz --- Tillim, Guy --- Tshabangu, Andrew --- Vári, Minnette --- Alexander, Jane --- Zinkpè, Dominique --- Lo, Ndary --- Malinda, Ato --- Mwangi Hutter --- Boutros, Nabil --- Fanny, Franck Abd-Bakar --- Muluneh, Aïda --- Pefura, Maurice --- Chagas, Edson --- Chikwa, Lawrence --- Dixie, Christine Beatrice --- Fagbohoun, Dimitri --- Gbaguidi, Pélagie --- Naji, Lamia --- Niass, Cheikh --- Tsimba, Freddy --- Amer, Ghada --- Bidjocka, Bili --- Sedira, Zineb --- Cherinet, Loulou --- Mehretu, Julie --- Attia, Kader --- anno 2000-2009 --- anno 2010-2019 --- Sub-Saharan Africa

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Art --- art [discipline] --- Islamic World, The --- Kim, Atta --- Teh-Chun, Chu --- Gyatso, Gonkar --- Matsutani, Takesada --- Paik, Nam June --- Gupta, Subodh --- Huang, Yong Ping --- Morimura, Yasumasa --- Ono, Yoko --- Zhang Huan --- Lee, Bul --- Adnan, Etel --- Alem, Raja --- Alem, Shadia --- Aram, Kamrooz --- Bae, Bien-U --- Balasubramaniam, Alwar --- Banerjee, Rina --- Banisadr, Ali --- Dawood, Shezad --- Dube, Anita --- Essaydi, Lalla --- Feng Mengbo --- Ganesh, Chitra --- Hashimoto, Jacob --- Hsieh, Tehching --- Hwang, Changha --- Joo, Michael --- Kallat, Jitish --- Kami, Y.Z. --- Kanwar, Amar --- Kimsooja --- Kawamata, Tadashi --- Lé, Dinh Q. --- Lee, Bae --- Liu Ye --- Masuyama, Hiroyuki --- Lee, Mingwei --- Moshiri, Farhad --- Nabil, Youssef --- Nayar, Yamini --- Pich, Sopheap --- Raad, Walid --- Sawada, Tomoko --- Shahbazi, Shirana --- Shiota, Chiharu --- Sikander, Shahzia --- Suh, Do Ho --- Wang Du --- Wang Keping --- Yoshida, Kimiko --- Zarina --- Zhang Hongtu --- Liu, Bolin --- Cai Guo Qiang --- Waqif, Asim --- Burki, Fahd --- Zhenjun, Du --- Halaby, Samia --- Hwang, Ran --- Im, Sangbin --- Izu, Kenro --- Lipi, Tayeba --- Nai, Manish --- Fan, Ru Xiao --- Hatoum, Mona --- Mori, Mariko --- Sarkis --- Tan, Fiona --- Tiravanija, Rirkrit --- Neshat, Shirin --- Amer, Ghada --- Kusolwong, Surasi --- Lee, Ufan --- anno 1990-1999 --- anno 2000-2009 --- Asia

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Contemporary Art: World Currents is the first comprehensive worldwide survey of contemporary art from the 1980s to the present day.



Author Terry Smith argues that, in recent decades, a global shift from modern to contemporary art has occurred: artists everywhere have embraced the contemporary world’s teeming multiplicity, its proliferating differences and its challenging complexities and new technologies. Alongside more than 350 carefully selected color images of key works, Terry Smith offers the first account of these changes, from their historical beginnings to the present day. Exploring key works by both well known
and little-known artists, the author shows how contemporary art achieved definitive force in the markets and museums of the major art centres during the 1980s and then became a global phenomenon as artworlds everywhere began to connect more closely: new communicative technologies and expanding social media are now shaping the future of art.


Contemporary Art: World Currents breaks new ground in tracing how modern, traditional and indigenous art became contemporary in each cultural region of the world, ranging across Western, East and Central Europe, North and South America and the Caribbean, Oceania, Africa, and the Middle East. Terry Smith lays the groundwork for a new comparative approach to contemporary art, emphasizing its relationships to all aspects of contemporary life. He argues that it is cultural diversity and individual artistic inventiveness, not a convergence towards sameness, which makes today’s art contemporary.


Contemporary Art: World Currents brings the subject right up-todate, highlighting the concerns of contemporary artists while giving the reader an invaluable insight to art today.

Art --- art [discipline] --- ecology --- globalization --- kunstsociologie --- kunst en politiek --- Jorn, Asger --- Immendorff, Jörg --- Andre, Carl --- Baselitz, Georg --- Cragg, Tony --- Mohamedi, Nasreen --- Rakowitz, Michael --- Cunningham, Merce --- Chan, Paul --- Geers, Kendell --- Perjovschi, Lia --- Heisig, Bernhard --- Gego --- Oiticica, Hélio --- Perjovschi, Dan --- Shonibare, Yinka --- Prieto, Wilfredo --- Caro, Anthony --- El Anatsui --- Bartana, Yael --- Stella, Frank --- Hazoumè, Romuald --- Breitz, Candice --- Chen, Zhen --- Deller, Jeremy --- Gaba, Meschac --- Gupta, Subodh --- Huang, Yong Ping --- Muniz, Vik --- Murakami, Takashi --- Piccinini, Patricia --- Zhang Huan --- Duchamp, Marcel --- Lee, Bul --- Los Carpinteros --- Haacke, Hans --- Blu --- Bradford, Mark --- Bruguera, Tania --- Camnitzer, Luis --- Fang Lijun --- Morris, Robert --- Gonzales-Torres, Felix --- Hsieh, Tehching --- Christo --- Jacir, Emily --- Kac, Eduardo --- Kngwarreye, Emily Kame --- Smithson, Robert --- Lee, Hyungkoo --- Ma Liuming --- Meckseper, Josephine --- Beuys, Joseph --- Nabil, Youssef --- Neuenschwander, Rivane --- Parr, Mike --- Raad, Walid --- Sikander, Shahzia --- Song Dong --- Suh, Do Ho --- Todosijević, Raša --- Richter, Gerhard --- Long, Richard --- Kawara, On --- Boltanski, Christian --- Alexander, Jane --- Kabakov, Ilija Iosefovich --- Koons, Jeff --- Xu Bing --- Yang Fudong --- Zhou Xiaohu --- Allora and Calzadilla --- Heizer, Michael --- Cai Guo Qiang --- Serra, Richard --- Sherman, Cindy --- Schneemann, Carolee --- Hatoum, Mona --- Kiefer, Anselm --- Wall, Jeff --- Viola, Bill --- Goldsworthy, Andy --- Rauschenberg, Robert --- Holzer, Jenny --- Kentridge, William --- Meireles, Cildo --- Salcedo, Doris --- Judd, Donald --- Eliasson, Olafur --- Turrell, James --- Clark, Lygia --- Dean, Tacita --- Demand, Thomas --- Emin, Tracey --- Fischli, Peter --- Gursky, Andreas --- Hirschhorn, Thomas --- Hirst, Damien --- Kapoor, Anish --- Kingelez, Bodys Isek --- Mori, Mariko --- Ofili, Chris --- Tan, Fiona --- Tiravanija, Rirkrit --- Walker, Kara --- Weiss, David --- Alÿs, Francis --- Rosler, Martha --- Neshat, Shirin --- Huyghe, Pierre --- Genzken, Isa --- Gormley, Antony --- Kuitca, Guillermo --- Lin, Maya --- Mendieta, Ana --- Opałka, Roman --- Orta, Lucy --- Oursler, Tony --- Samba, Cheri --- Solakov, Nedko --- Whiteread, Rachel --- Wodiczko, Krysztof --- Dimitrijević, Braco --- Jaar, Alfredo --- Sierra, Santiago --- Kollwitz, Käthe --- Ai Weiwei --- Botero, Fernando --- Sekula, Allan --- Kaprow, Allan --- Kosuth, Joseph --- Art & Language --- IRWIN [Ljubljana] --- AES+F --- Critical Art Ensemble --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009 --- Middle East --- Czech Republic --- Hungary --- Baltic Area --- Eastern and Central Europe --- Yugoslavia --- Romania --- Europe --- China --- South Korea --- Japan --- Taiwan --- India --- Pakistan --- Iran --- Iraq --- Israel --- Jordan --- Palestine --- Thailand --- Indonesia --- Philippines --- Asia --- Africa --- Central America --- Cuba --- Mexico --- Brazil --- Argentina --- Chile --- Colombia --- Latin America --- New Zealand --- Australia --- Oceania with Australia