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The series MythosEikonPoiesis begins with the publication of contributions to an international conference held at Castelen-Augst near Basle. The conference laid new foundations in examining the interdependence of myth, ritual and Greek literature in many different genres (Homeric epic, lyric poetry, Presocratic and Platonic philosophy, tragedy, comedy, satyr plays, historiography, Hellenistic poetry, and the novel) with regard to their textual structure and poetics. Working in interdisciplinary cooperation, some participants also direct their attention towards Egypt, the Near East, Rome, and to the reception of these poetological principles in modern literature.

Greece -- Religion -- Congresses. --- Greek poetry -- History and criticism -- Congresses. --- Mythology, Greek, in literature -- Congresses. --- Languages & Literatures --- Greek & Latin Languages & Literatures --- E-books --- Greek poetry --- Mythology, Greek, in literature --- History and criticism --- Greece --- Religion --- Greece -- Religion -- Congresses --- Greek poetry -- History and criticism -- Congresses --- Mythology, Greek, in literature -- Congresses --- Poésie grecque --- Mythologie grecque dans la littérature --- Congresses --- Histoire et critique --- Congrès --- Grèce --- Congresses.

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This collection of essays brings innovative perspectives to the study of ancient mythography, that is, the writings of Greeks and Romans about their own mythical traditions. It treats a range of sources from the beginnings of myth criticism in the 5th century BCE to the end of antiquity in the 5th century CE, highlighting mythography's centrality to ancient views of myth and moving beyond seeing mythographic texts as valuable primarily for the preservation of details about traditional stories. Important individual mythographers are treated (e.g., Ps.-Apollodorus and Hyginus), but throughout there is an emphasis on the connections of mythography with more literary genres, such as epic, and more prestigious prose genres, such as historiography and geography. This makes the volume of interest for those who work on myth in Greek and Roman society, but also for anyone working on ancient intellectual history more broadly, including those who study rhetoric, education, literary composition, art and ancient scholarly traditions.

Greek mythology in literature --- Griekse mythologie in de literatuur --- Mythologie [Griekse ] in de literatuur --- Mythologie [Romeinse ] in literatuur --- Mythologie grecque dans la littérature --- Mythologie romaine dans la littérature --- Mythology [Greek ] in literature --- Mythology [Roman ] in literature --- Mythology, Classical --- Mythologie ancienne --- Antiquité --- --Mythe --- --Mythologie antique --- --Mythology, Greek --- Mythology, Roman --- Mythology, Greek, in literature --- Mythology, Roman, in literature --- Historiography --- Mythology, Greek --- Classical literature --- History and criticism --- Congresses --- Mythe --- Mythologie antique --- Mythology, Greek - Historiography - Congresses --- Mythology, Roman - Historiography - Congresses --- Mythology, Greek, in literature - Congresses --- Mythology, Roman, in literature - Congresses

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Iron age --- History of ancient Greece --- Bronze age --- Archeology --- Homer --- Asian Turkey --- Congresses --- Criticism and interpretation --- Congrès --- Critique et interprétation --- Epic poetry, Greek --- Mythology, Greek, in literature --- Civilization, Homeric --- History, Ancient --- Greek philology --- History and criticism --- -Epic poetry, Greek --- -Greek philology --- -History, Ancient --- -Ancient history --- Ancient world history --- World history --- Classical philology --- Greek language --- Greek literature --- Greek epic poetry --- Epic poetry, Classical --- Greek poetry --- Homeric civilization --- -Congresses --- -Criticism and interpretation --- Congresses. --- -Hóiméar --- Hūmīrūs --- Homeros --- Homerus --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- -Homer --- Homère --- Congrès --- Critique et interprétation --- History and criticism&delete& --- Hóiméar --- Epic poetry, Greek - History and criticism - Congresses --- Mythology, Greek, in literature - Congresses --- Civilization, Homeric - Congresses --- History, Ancient - Congresses --- Greek philology - Congresses --- Homer - Criticism and interpretation - Congresses

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Written Voices, Spoken Signs is a stimulating introduction to new perspectives on Homer and other traditional epics. Taking advantage of recent research on language and social exchange, the nine essays in this volume focus on performance and audience reception of oral poetry. These innovative essays by leading scholars of Homer, oral poetics, and epic invite us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in recounting a past that is alive. Tackling the question of full-length performance of the monumental Iliad, Andrew Ford considers the extent to which the work was perceived as a coherent whole in the archaic age. John Miles Foley addresses questions about spoken signs and the process of reference in epic discourse, and Ahuvia Kahane studies rhythm as a semantic factor in the Homeric performance. Richard Martin suggests a new range of performance functions for the Homeric simile. And Gregory Nagy establishes the importance of one feature of epic language, the ellipsis. These six essays centered on Homer engage with fundamental issues that are addressed by three essays primarily concerned with medieval epic: those by Franz Bäuml on the concept of fact; by Wulf Oesterreicher on types of orality; and by Ursula Schaefer on written and spoken media. In their Introduction the editors highlight the underlying approach and viewpoints of this collaborative volume.Reviews of this book: "Despite its wide range of topics and approaches, the volume has a clear thematic focus. All contributors seek to leave behind the more formal concerns of past generations of scholars and aim instead at an understanding of orality as that which is (conceptually or actually) close, immediate, or performed. In their joint search for the new picture, classicists, linguists, and medievalists discover a range of different 'oralities'." --J. Haubold, Classical Review

Epic poetry --- Literature, Comparative --- Mythology, Greek, in literature --- Written communication --- Oral interpretation of poetry --- Oral-formulaic analysis --- Oral tradition --- History and criticism --- Theory, etc. --- Congresses. --- Greek and medieval --- Medieval and Greek --- Comparative literature --- Theory, etc --- Poésie épique --- Littérature comparée --- Poésie --- Communication écrite --- Analyse des formules orales --- Tradition orale --- Congresses --- Histoire et critique --- Théorie, etc. --- Congrès --- Grecque et médiévale --- Lecture publique --- Homer --- Criticism and interpretation --- Greek and Medieval --- Formulaic analysis, Oral --- Poetry reading --- Reading poetry aloud --- Heroic poetry --- Tradition, Oral --- Oral communication --- Folklore --- Oral history --- Folk literature --- Poetry --- Written discourse --- Written language --- Communication --- Discourse analysis --- Language and languages --- Visual communication --- Philology --- Methodology --- Oral interpretation --- Homeros --- Homère --- History and criticism&delete& --- Homerus --- Europe --- Epic poetry [Greek ] --- Epic poetry [Medieval ] --- Literature [Comparative ] --- Greece --- Oral tradition - Europe - Congresses. --- Epic poetry, Greek - History and criticism - Theory, etc. - Congresses. --- Epic poetry, Medieval - History and criticism - Theory, etc. - Congresses. --- Literature, Comparative - Greek and medieval - Congresses. --- Literature, Comparative - Medieval and Greek - Congresses. --- Oral interpretation of poetry - Congresses. --- Written communication - Greece - Congresses. --- Oral-formulaic analysis - Congresses. --- Oral tradition - Greece - Congresses. --- Hóiméar --- Hūmīrūs --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Epic poetry - History and criticism - Theory, etc. - Congresses. --- Mythology, Greek, in literature - Congresses.