Listing 1 - 5 of 5 |
Sort by
|
Choose an application
Cage, John --- Composers --- Aleatory music --- Compositeurs --- Musique aléatoire --- Biography --- Biographies --- Cage, John. --- Musique aléatoire
Choose an application
Discusses the theory and performance realization of Icare obstine, Pousseur's composition for piano. Presents the performance materials (cards, tables, etc.) and explains their use. Includes introductory essay by Herman Sabbe concerning broader aspects of composition and the composer's premiere realization in staff notation designated as vol no. 1.
Aleatory music --- Aleatory music. --- Piano music --- Musique aléatoire --- Piano, Musique de --- History and criticism. --- Pousseur, Henri.
Choose an application
Kagel, Mauricio --- Aleatory music --- Musique aléatoire --- History and criticism. --- Histoire et critique --- Criticism and interpretation. --- #LMAT --- Musique aléatoire --- Aleatorism --- Chance composition --- Chance operations (Music) --- Indeterminacy (Music) --- Composition (Music) --- Improvisation (Music) --- History and criticism --- Kagel, Mauricio Raúl
Choose an application
Aleatory music --- Musique aléatoire --- Lucier, Alvin --- Musique aléatoire --- Composers --- Musique concrète --- Concrete music --- Music, Concrete --- Tape recorder music --- Electronic music --- Aleatoric music --- Chance compositions --- Chance music --- Indeterminate music --- Music --- Interviews --- Interviews. --- Compositeurs --- History and criticism. --- Entretiens --- Histoire et critique
Choose an application
Experimentations provides a detailed historical and theoretical analysis of the first three decades of experimental composer John Cage's aesthetic production (ca. 1940-1972). Paying particular attention to Cage's inter- and cross-disciplinary engagements with the visual arts and architecture during this period, the book sheds new light on some of Cage's most controversial and influential innovations, such as the use of noise, chance techniques, indeterminacy, electronic technologies, and computerization, as well as upon lesser known but important ideas and strategies such as transparency, multiplicity, virtuality, and actualization. Ultimately, it traces the development of Cage's avant-garde aesthetic and political project as it transformed from the emulation of historical avant-garde precedents such as futurism and the Bauhaus, to the development of important precedents for the post-World War II movements of happenings and Fluxus, to its ultimate abandonment in the aftermath of problems encountered in the vast, multimedia composition HPSCHD (1967-69).
Avant-garde (Music) --- Avant-garde (Aesthetics) --- Music --- Art and music. --- Music and architecture. --- Aleatory music --- Musique expérimentale --- Avant-garde (Esthétique) --- Musique --- Art et musique --- Musique et architecture --- Musique aléatoire --- History and criticism --- History --- Philosophy and aesthetics. --- History and criticism. --- Histoire et critique --- Histoire --- Philosophie et esthétique --- Cage, John --- Criticism and interpretation. --- Influence. --- 72.01 --- 78.01 --- Architectuurtheorie --- Architectuur (theorie) --- Muziekfilosofie --- Musique expérimentale --- Avant-garde (Esthétique) --- Musique aléatoire --- Philosophie et esthétique
Listing 1 - 5 of 5 |
Sort by
|