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Book
Artistic Experimentation in Music : An Anthology
Authors: ---
ISBN: 9789462700130 9462700133 Year: 2014 Publisher: Leuven University Press

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Abstract

This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus Research Centre in Music (ORCiM) in Ghent, Belgium. The book critically examines experimentation in music of different historical eras. It is essential reading for performers, composers, teachers, and others wanting to inform themselves of the issues and the current debates in the new field of artistic research as applied to music. The publication is accompanied by a CD of music discussed in the text, and by an online resource of video illustrations of specific issues.


Book
Alte Musik in unserer Zeit : Referate und Diskussionen der Kasseler Tagung 1967.
Year: 1968 Publisher: Kassel : Bärenreiter-Verlag,


Book
Die Wiederentdeckung der Matthäuspassion im 19. Jahrhundert : die zeitgenössischen Dokumente und ihre ideengeschichtliche Deutung
Author:
Year: 1967 Publisher: Regensburg G. Bosse


Book
Romantic anatomies of performance
Author:
ISBN: 9780520279391 0520279395 Year: 2014 Publisher: Berkeley : University of California Press,

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" ... Is concerned with the very matter of musical expression: the hands and voices of virtuosic musicians."--Jacket. "Romantic Anatomies of Performance is concerned with the very matter of musical expression: the hands and voices of virtuosic musicians. Rubini, Chopin, Nourrit, Liszt, Donzelli, Thalberg, Velluti, Sontag, and Malibran were prominent celebrity pianists and singers who plied their trade between London and Paris, the most dynamic musical centers of nineteenth-century Europe. In their day, performers such as these provoked an avalanche of commentary and analysis, inspiring debates over the nature of mind and body, emotion and materiality, spirituality and mechanism, artistry and skill. J.Q. Davies revisits these debates, examining how key musicians and their contemporaries made sense of extraordinary musical and physical abilities. This is a history told as much from scientific and medical writings as traditionally musicological ones. Davies describes competing notions of vocal and pianistic health, contrasts techniques of training, and explores the ways in which music acts in the cultivation of bodies."--Publisher's description.

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