Listing 1 - 4 of 4 |
Sort by
|
Choose an application
This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus Research Centre in Music (ORCiM) in Ghent, Belgium. The book critically examines experimentation in music of different historical eras. It is essential reading for performers, composers, teachers, and others wanting to inform themselves of the issues and the current debates in the new field of artistic research as applied to music. The publication is accompanied by a CD of music discussed in the text, and by an online resource of video illustrations of specific issues.
Musique expérimentale --- History --- Experimentelle Musik. --- Musikalische Aufführungspraxis. --- Experimentele muziek --- Avantgarde
Choose an application
Music --- Musique --- music (discipline) --- Musikalische Aufführungspraxis. --- Kongress --- Oude muziek. --- Uitvoeringspraktijk. --- History and criticism. --- Interpretation (Phrasing, dynamics, etc.) --- Histoire et critique. --- Interprétation --- History and criticism
Choose an application
Music --- Music appreciation --- Musique --- Rezeption --- Musikalische Aufführungspraxis. --- 19e siècle --- History and criticism. --- Histoire et critique --- Bach, Johann Sebastian, --- Mendelssohn-Bartholdy, Felix, --- Bach, Johann Sebastian --- Mendelssohn Bartholdy, Felix --- Bach, Johann Sebastian. --- Matthäuspassion (Bach, Johann Sebastian) --- 1800-1899 --- Geschichte 1829-1833
Choose an application
" ... Is concerned with the very matter of musical expression: the hands and voices of virtuosic musicians."--Jacket. "Romantic Anatomies of Performance is concerned with the very matter of musical expression: the hands and voices of virtuosic musicians. Rubini, Chopin, Nourrit, Liszt, Donzelli, Thalberg, Velluti, Sontag, and Malibran were prominent celebrity pianists and singers who plied their trade between London and Paris, the most dynamic musical centers of nineteenth-century Europe. In their day, performers such as these provoked an avalanche of commentary and analysis, inspiring debates over the nature of mind and body, emotion and materiality, spirituality and mechanism, artistry and skill. J.Q. Davies revisits these debates, examining how key musicians and their contemporaries made sense of extraordinary musical and physical abilities. This is a history told as much from scientific and medical writings as traditionally musicological ones. Davies describes competing notions of vocal and pianistic health, contrasts techniques of training, and explores the ways in which music acts in the cultivation of bodies."--Publisher's description.
Music --- Musique --- History and criticism. --- Performance --- History. --- Histoire et critique --- Exécution --- Histoire --- Music. --- Virtuose. --- Virtuosität. --- Anatomie. --- Musikalische Aufführungspraxis. --- Virtuosité (musique) --- Voix --- Pianistes --- Musikframträdanden --- Uppförandepraxis --- histoire. --- Performance. --- Aspect physiologique --- Physiologie --- historia. --- 1800-1899. --- 1800-talet. --- Exécution --- History and criticism --- Performance&delete& --- History --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)
Listing 1 - 4 of 4 |
Sort by
|