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Musicians as authors. --- Music --- Philosophy and aesthetics.
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Musiciens --- Rimski-Korsakov, Nikolaï, --- Composers --- Musicians as authors --- Music --- Biography --- Attitudes --- History and criticism --- Rimsky-Korsakov, Nikolay Andreyevich
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Musicians as authors. --- Music --- History and criticism. --- Composition (Music) --- Musical analysis. --- Music appreciation --- Performance --- History and criticism --- Social aspects
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Musicians as authors --- Composers --- Music --- Piano Music --- Attitudes --- Philosophy and aesthetics --- History and criticism --- Sources --- Musique --- Philosophy and aesthetics. --- Philosophie et esthétique. --- Muziek --- Filosofie en esthetica
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Musicians as authors --- Music --- Ecrits de musiciens --- Musique --- History and criticism --- Histoire et critique --- Liszt, Franz, --- Correspondance. --- Composers --- Attitudes --- Sources --- Europe --- 19th century --- Liszt, Franz --- Addresses, essays, lectures --- Biografieën --- Muziekgeschiedenis --- 19e eeuw
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Comment, de l'Antiquité à nos jours, la musique a-t-elle été définie, conçue, vécue ? Du chant homérien des sirènes à la musique des coeurs de Rousseau, de la musique harmonieuse des sphères au Moyen Age à la science mallarméenne des rapports de timbres objectifs, la musique a été pensée de multiples façons en Occident. Cette anthologie rassemble pour la première fois une centaine de textes littéraires, anthropologiques ou philosophiques, rassemblés et introduits par Vincent Vivès. Les oeuvres choisies dans des époques et des genres très variés - poésie épique et lyrique, démonstration philosophique, étude musicale, roman, programme esthétique - rendent compte de l'hétérogénéité de ce qui constitue la musique. Une définition mouvante et toujours déplacée finit par se dégager, surplombant les questions que chaque moment de l'histoire s'est posées.
Music in literature --- Musicians as authors --- Music theory --- Music --- Musique dans la littérature --- Ecrits de musiciens --- Théorie musicale --- Musique --- Literary collections --- Philosophy and aesthetics --- Anthologies --- Philosophie et esthétique --- Musique dans la littérature --- Théorie musicale --- Philosophie et esthétique --- 78.81 --- Musique et littérature --- Philosophie et esthétique.
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This book deals with three aspects that have been neglected in the burgeoning field of music and literature. The "First Movement" of the book considers writers from German Romanticism to the present who, like Robert Schumann, first saw themselves as writers before they turned to composition, or, like E. T. A. Hoffmann and Anthony Burgess, sought careers in music before becoming writers. It also considers the few operatic composers, such as Richard Wagner and Arnold Schoenberg, who wrote their own libretti. The "Second Movement" turns to literary works based specifically on musical compositions. This group includes, first and more generally, prose works whose author chose a specific musical form such as sonata or fugue as an organizational model. And second, it includes novels based structurally or thematically on specific compositions, such as Bach's Goldberg Variations. The "Finale" concludes with a unique case: efforts by modern composers to render musically the compositions described in detail by Thomas Mann in his novel Doktor Faustus. This book, which addresses itself to readers interested generally in music and literature and is written in a reader-friendly style, draws attention to unexplored dimensions of the music-literature relationship and to the sometimes unrecognized talents of certain writers and composers.
Theodore Ziolkowski is ProfessorEmeritus of German and Comparative Literature, Princeton University.
Music and literature. --- Musicians as authors. --- Musique et littérature --- Ecrits de musiciens --- Komponist. --- Literatur. --- Musik. --- Musikalische Form. --- Rezeption. --- Romantik. --- Schriftsteller. --- Deutschland. --- Frankreich. --- Authors --- Literature and music --- Literature --- German literature. --- German music. --- comparative literature. --- moden composers. --- music and literature. --- music composition. --- music theory. --- musicology. --- romanticism. --- scholarship.
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Musicians as authors --- Avant-garde (Music) --- Music --- Women composers --- Composition (Music) --- Philosophy and aesthetics. --- Attitudes. --- Saariaho, Kaija. --- Geschriften over muziek --- Composers --- Composing (Music) --- Music composing --- Music composition --- Musical composition --- Concertante style --- Philosophy and aesthetics --- Composition --- Saariaho, Kaija --- Saariaho, K. --- Songwriters --- Musicians --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy
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