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Stravinski, Igor --- Igor Fyodorovich Stravinsky 1882-1971 (°Rusland) --- Muziek ; componisten ; Igor Stravinsky --- 78.07 --- Musici, componisten, zangers --- Composers --- Russia --- Biography --- Stravinsky, Igor,
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Biografie van de componist Wolfgang Amadeus Mozart, gebaseerd op brieven van hemzelf en zijn omgeving
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Conversing with Cage draws on over 150 interviews with John Cage conducted over four decades to draw a full picture of his life and art. Filled with the witty aphorisms that have made Cage as famous as an esthetic philosopher as a composer, the book offers both an introduction to Cage's way of thinking and a rich gathering of his many thoughts on art, life, and music. John Cage is perhaps this century's most radical classical composer. From his famous ""silent"" piece (4'33"") to his proclamation that ""all sound is music,"" Cage stretched the aesthetic boundaries of what could be performed i
Composers --- Cage, John --- C., J. --- Cage, John Milton, --- J. C. --- Keidž, Džon --- Keĭdzh, Dzhon --- Kēji, Jon --- 78.07 --- Musici, componisten, zangers --- Cage, John.
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The Rock-and-Roll Hall of Fame inductee and co-founder of Talking Heads presents a celebration of music that offers insight into the roles of time, place and recording technology, discussing how evolutionary patterns of adaptations and responses to cultural and physical contexts have influenced music expression throughout history and culminated in the 20th century's transformative practices. This work is an account of a life in music and an explanation of how and why music works from one of the world's most accomplished performers. With his albums for Talking Heads, his work with Brian Eno or his solo output, the author has been consistently at the forefront of musical, and artistic, innovation. In this book he explores why the past matters and what the future might bring. From personal accounts of devising and performing his most famous work, to an exploration of the possibilities of new technologies, he discovers that artistic creation is less about an internal creative spark than we thought and more about external factors such as history, architecture and technology. "The universe of music follows broad and basic evolutionary patterns-as does birdsong, to take one example. It seems the will only triumphs if the context is amenable, just as in Darwinian adaptation. What we hear is determined by what we want to hear, by what can be heard, and by the circumstances that allow it to come into being."
Music --- Musicians --- 781.1 --- 78.07 --- 78.01 --- Muziek ; componisten ; David Byrne --- New Wave --- Pop en rock --- Byrne, David °1952 (°Dumbarton, Schotland, Groot-Brittannië) --- Artists --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Music psychology --- Music and society --- Social aspects --- Psychological aspects --- History and criticism --- Philosophy and aesthetics --- Geluidskunst --- Musici, componisten, zangers --- Muziek ; theorie, filosofie, esthetica --- Philosophy --- Psychology --- Byrne, David,
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Since 1968, Bernhard Leitner has been creating sound spaces, meaning he considers sound to be an architectural, sculptural material. His first work in this regard was a model of Soundcube, a walkable cube with a grid of 384 loudspeakers lining its six inner walls. Moving sound through individually controlled loudspeakers distributed over an area creates spaces that are entirely auditory in nature. Initial empirical studies conducted by the artist were followed by approximately 150 sound space sculptures created between the mid-1970s and the present, each a unique calibration of the relationship between the bodily perception and sound spaces as they emerge in physical space and in time. Every one of Leitner's sculptures can be experienced as an interior (visitors can walk, sit, lie down in them), and each reveals new psycho-physiological dimensions of experience. This is the first volume to comprise all of the artist's sound space investigations, sound space sculptures, and sound space installations.
Beeldhouwkunst ; installaties ; 2de h. 20ste eeuw --- Beeldende kunst ; geluid in de hedendaagse kunst --- Kunst en muziek ; 20ste eeuw ; klankkunst ; geluidskunst --- Klankkunst ; geluidskunst --- Beeldende kunst, video en geluidskunst --- Leitner, Bernhard (°1938, Feldkirch, Oostenrijk) --- 78.07 --- Musici, componisten, zangers, geluidskunstenaars --- Art --- sculpture [visual works] --- installations [visual works] --- environments [sculpture] --- interactive art --- sound art --- Leitner, Bernhard
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Visual Music' is a one-of-a-kind guided tour through the visual art of creative polymath Brian Eno. Featuring more than 300 images of Eno's installation, light, and video artwork, this exquisite volume is the definitive monograph of a contemporary master. In addition to page after page of full-color art, Visual Music features Eno's personal notebook pages, his essay "Perfume, Defense, and David Bowie's Wedding," an interview with the artist, scholarly essays, and an original-for-the-book piece of free downloadable music. We're frequently asked to bring this book back into print and here it is now for the first time in a deluxe paperback edition.
Musicians as artists --- Musiciens artistes --- Eno, Brian, --- Criticism and interpretation. --- 78.07 --- Artists --- Musici, componisten, zangers, geluidskunstenaars --- 778.5.07 --- 7.07 --- 781.1 --- Muziek en beeldende kunst --- Eno, Brian ( Brian Peter George St. John le Baptiste de la Salle Eno) °1948 (°Woodbridge, Suffolk, Groot-Brittannië) --- Sound Art --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Geluidskunst
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Illusion Brought Me Here maps out the extensive body of work of Mexican artist Mario García Torres for the first time. New essays by Sophie Berrebi, Julia Bryan-Wilson, Rulo David, Vincenzo de Bellis, Caroline Dumalin, and Tom McDonough look at the way García Torres's work addresses ideas of failure, uncertainty, and memory, and at how the counter-narratives he weaves invite us to revisit and rethink the legacies of conceptual art in the Americas and Europe. This catalogue, published on the occasion of the artist's first survey exhibition in the US and in Europe, also features a richly illustrated and annotated selection of nearly fifty works, the most comprehensive compilation of the artist's practice available in print. - "In Spanish, my native tongue, 'ilusión' has more than one meaning. It can suggest a misinterpretation of the senses, something like a deceptive appearance, or a figment of the imagination. But the word can also be used to convey a sense of hope, of favorable expectations: 'Ilusión me trajo aquí' is thus both an anticipation that something fortuitous might happen here, and a misleading view, the figment or mirage that launched a personal journey into art." (Mario García Torres)
performance --- performances --- kunst --- kunst en muziek --- muziek --- video-installaties --- installaties --- fotografie --- film --- eenentwintigste eeuw --- 7.071 GARCIA TORRES --- concept art --- conceptuele kunst --- Mexico --- García Torres Mario --- Exhibitions --- installations [visual works] --- photography [process] --- video art --- art criticism --- Conceptual --- Garcia Torres, Mario --- 7.07 --- 778.5.07 --- 78.07 --- Garcia Torres, Mario 1975 (°Monclova, Mexico) --- Avant-garde kunst en muziek --- Tentoonstellingscatalogi ; Brussel ; Wiels --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- Musici, componisten, zangers --- García Torres, Mario,
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