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"The gorgeous illustrations in this season-by-season chronology of every musical comedy, operetta, comic opera, burlesque, and revue performed on a major New York City stage from 1851 through May 2001 might be enticement enough to acquire this set. Entries for more than 3,000 plays include details such as the full cast, crew, production staff, venues, number of performances, creative personnel, and songs, which are listed as they occur within acts when this information is known. Three indexes cover song titles, show names, and names of principal players and famous chorus members. Leaving appraisal and plot summaries to other classic references, these volumes are the most in-depth documentary source on the New York musical stage available, with a chapter that carries the timeline for selected plays back to 1750."--"The Best of the Best Reference Sources," American Libraries, May 2003.
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Music, the Market, and the Marvellous examines féerie, the fairy play, recovering a large swathe of the theatrical landscape of nineteenth-century Paris. Forgotten plays are rediscovered, familiar works take on new meanings, and traditional historiographical narratives about drama and 'musical theatre' are thrown into question.
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Packed full of new archival evidence that reveals the interconnected world of music theatre during the 'Classical era', this interdisciplinary study investigates key locations, genres, music, and musicians. Austin Glatthorn explores the extent to which the Holy Roman Empire delineated and networked a cultural entity that found expression through music for the German stage. He maps an extensive network of Central European theatres; reconstructs the repertoire they shared; and explores how print media, personal correspondence, and their dissemination shaped and regulated this music. He then investigates the development of German melodrama and examines how articulations of the Holy Roman Empire on the musical stage expressed imperial belonging. Glatthorn engages with the most recent historical interpretations of the Holy Roman Empire and offers quantitative, empirical analysis of repertoire supported by conventional close readings to illustrate a shared culture of music theatre that transcended traditional boundaries in music scholarship.
Musical theater --- History --- History. --- Musical theater.
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Opera --- Musical theater
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eebo-0015
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Musical theater --- Music
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