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Die Bibliothek und das Schrifttum Guido Adlers (1855-1941), des prominentesten Vertreters der Musikwissenschaft der Universität Wien, wurde von den Nationalsozialisten unter reger Beteiligung von Mitarbeitern der Universität Wien geraubt und später nur zum Teil zurückgegeben. Im Rahmen der NS-Provenienzforschung an der Universitätsbibliothek Wien konnten Restbestände der Bibliothek Guido Adlers festgestellt werden. Auch ein Nachlassfragment wurde als bedenklich identifiziert und mit den Buchbeständen 2012/13 restituiert.

Political Science --- Political science --- Adler, Guido, --- Library. --- Universität Wien --- Universitätsbibliothek Wien. --- Universität Wien. --- Libraries. --- Austria --- National Socialism --- Nazi-looted --- musical life --- provenance research --- Nationalsozialismus --- NS-Raub --- Musikleben --- Bibliothek --- Göttingen --- Guido Adler (Musikwissenschaftler) --- Musikwissenschaft --- Österreichisches Staatsarchiv --- Wien

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Die Bibliothek und das Schrifttum Guido Adlers (1855-1941), des prominentesten Vertreters der Musikwissenschaft der Universität Wien, wurde von den Nationalsozialisten unter reger Beteiligung von Mitarbeitern der Universität Wien geraubt und später nur zum Teil zurückgegeben. Im Rahmen der NS-Provenienzforschung an der Universitätsbibliothek Wien konnten Restbestände der Bibliothek Guido Adlers festgestellt werden. Auch ein Nachlassfragment wurde als bedenklich identifiziert und mit den Buchbeständen 2012/13 restituiert.

Political Science --- Political science --- Political Science --- National Socialism --- Nazi-looted --- musical life --- provenance research --- Nationalsozialismus --- NS-Raub --- Musikleben --- Bibliothek --- Göttingen --- Guido Adler (Musikwissenschaftler) --- Musikwissenschaft --- Österreichisches Staatsarchiv --- Wien --- Adler, Guido, --- Adler, Guido, --- Library. --- Universität Wien --- Universitätsbibliothek Wien. --- Universität Wien. --- Universitätsbibliothek Wien. --- Libraries. --- Austria --- Political Science --- National Socialism --- Nazi-looted --- musical life --- provenance research --- Nationalsozialismus --- NS-Raub --- Musikleben --- Bibliothek --- Göttingen --- Guido Adler (Musikwissenschaftler) --- Musikwissenschaft --- Österreichisches Staatsarchiv --- Wien

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Rethinking Hanslick: Music, Formalism, and Expression' is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century musical life. Bringing together eminent scholars from several disciplines, this volume examines Hanslick's contribution to the aesthetics and philosophy of music and looks anew at his literary interests. The essays embrace ways of thinking about Hanslick's writings that go beyond the polarities that have long marked discussion of his work such as form/expression, absolute/program music, objectivity/subjectivity, and formalist/hermeneutic criticism. This approach takes into consideration both Hanslick's important 'On the Musically Beautiful' and his critical and autobiographical writings, demonstrating Hanslick's rich insights into the context in which a musical work is composed, performed, and received. 'Rethinking Hanslick' serves as an invaluable companion to Hanslick's prodigious scholarship and criticism, deepening our understanding of the major themes and ideas of one of the most influential music critics of the nineteenth century. Dr Nicole Grimes is a Marie Curie Fellow at University College Dublin (UCD), and the University of California, Irvine. Dr Siobhán Donovan is a College Lecturer at the School of Languages and Literatures, UCD. Dr Wolfgang Marx is a Senior Lecturer at the School of Music, UCD.

Musical criticism --- Music --- Hermeneutics (Music) --- Music criticism --- Journalism --- History --- Philosophy and aesthetics. --- History and criticism --- Hanslick, Eduard, --- Hanslik, Eduard, --- Гансликъ, Эдуардъ, --- Ganslik, Ėduard, --- Music - 19th century - Philosophy and aesthetics --- Musical criticism - History - 19th century --- Hanslick, Eduard, - 1825-1904 --- Eduard Hanslick. --- absolute/program music. --- aesthetics. --- form/expression. --- formalist/hermeneutic criticism. --- literary interests. --- nineteenth-century musical life. --- objectivity/subjectivity. --- philosophy of music.

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Uses the rare depictions of musical instruments and musical sources found on the Eglantine Table to understand the musical life of the Elizabethan age and its connection to aspects of culture now treated as separate disciplines of historical study.

E-books --- Musical instruments --- Music --- Musical instruments in art. --- History --- History and criticism. --- England --- Intellectual life --- 78 --- 78.24 --- 78.10 --- 1500-1599 --- Eglantine Table. --- Elizabethan age. --- Elizabethan music. --- art history. --- cultural history. --- historical instruments. --- marquetry. --- material culture. --- music instruments. --- musical heritage. --- musical life. --- musical sources. --- social history.

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Juan Esquivel was a cathedral choirmaster and composer, active in Spain during the period c.1580-c .1623 in which all aspects of the arts flourished, and one of the few peninsula composers of his generation to see his works published. He is known to have produced three large volumes of sacred polyphony - masses, motets, hymns, psalms, magnificats, and Marian antiphons - under the titles Liber primus missarum, Motecta festorum((both published 1608) and Tomus secondus, psalmorum, hymnorum... et missarum (published 1613); they reveal him to be a highly skilled craftsman. This first full-length study of his life and works presents a critical assessment of the man and his music, setting him within the social and religious context of the so-called Counter-Reformation. Beginning by outlining the facts of his life, the book goes on to offer an analysis and assessment of his output.

Church music --- Catholic Church --- Esquivel Barahona, Juan, --- Criticism and interpretation. --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- History and criticism --- Religious aspects --- Christianity --- Barahona de Esquivel, Juan, --- Barahona, Juan Esquivel, --- Esquivel de Barahona, Juan, --- Esquivel, Joannes, --- Esquivel, Juan Barahona de, --- Counter-Reformation. --- Juan Esquivel. --- Marian antiphons. --- Spanish musical life. --- early seventeenth centuries. --- hymns. --- late sixteenth. --- magnificats. --- masses. --- motets. --- psalms. --- religious context. --- sacred polyphony. --- social.