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Piano à  queue (1/2 queue) : facteur : "L. DE SMET/BRUXELLES" N° de fabrication : 7941. Bois : Acajou

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La Belgique musicale, 1830-2005 : quelques souvenirs de nos grands compositeurs et de nos meilleurs facteurs d'instruments [exposition] : Musée communal de Nivelles, 12 novembre - 11 décembre 2005
Authors: --- ---
Year: 2005 Publisher: S.l. s.n.

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La Belgique musicale, 1830-2005 : quelques souvenirs de nos grands compositeurs et de nos meilleurs facteurs d'instruments : Musée communal de Nivelles, 12 novembre - 11 décembre 2005
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Year: 2005 Publisher: S.l. s.n.

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Lutnictwo : wstep do sztuki lutniczej

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Communes de moins de 10.000 habitants de la Métropole : statistiques des comptes pour l'exercice 1987
Year: 1987 Publisher: Paris Ministère de l'economie, des finances et du budget

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La facture des instruments de musique en Belgique.
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Year: 1935 Publisher: Bruxelles : [Presses des établissements Degrace à Huy],

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Recherches sur les facteurs de clavecins et les luthiers d'Anvers depuis le seizième jusqu'au dix-neuvième siècle
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Year: 1863 Publisher: Bruxelles : Hayez,

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Le "clavecin parfait" de Bartolomeo Jobrernardi
Authors: ---
Year: 1953 Publisher: Barcelona Instituto Español de Musicologia del C.S.I.C.

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Fender : The Official Illustrated History.
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ISBN: 0760387311 9780760387313 Year: 2023 Publisher: Minneapolis : Quarto Publishing Group USA,

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Gorgeously illustrated and authoritatively written, Fender®is the officially licensed celebration of the legendary brand's iconic guitars, amps, and basses.


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Shaping sound and society : the cultural study of musical instruments
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ISBN: 0367816075 9780367816070 0367417553 1000928969 9780367417550 Year: 2023 Publisher: London Routledge

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This volume brings together leading voices from the new wave of research on musical instruments to consider how we can connect the material aspects of instruments with their social function, approaches that have been otherwise too frequently separated in musical scholarship. Shaping Sound and Society: The Cultural Study of Musical Instruments locates the instruments at the center of cultural interactions. With contributions from ten scholars spanning a variety of methodologies and a wide range of both contemporary and historic music cultures, the volume is divided into three sections. Contributors discuss the relationships between makers, performers and their local communities, the different meanings that instruments accrue as they travel over time and place, and the manner in which instruments throw new light on historic music cultures. Alongside the scholarly chapters, the volume also includes a selection of shorter interludes based on interviews with makers of comparatively new instruments, offering further insights into the process of musical instrument innovation. An essential read for students and academics in the fields of music and ethnomusicology, this volume will also interest anyone looking to understand how the cultural interaction of musical instruments is deeply informed and influenced by social, technological, and cultural change.

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