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Wie findet Lernen im Kontext von Projektorganisationen statt? Und wie kann sich vor diesem Hintergrund eine Projektorganisation entwickeln? Am Beispiel von zwei Musikevents wird gezeigt, wie jenseits von Change Management und Personalpolitik Kompetenzentwicklung als Voraussetzung von Organisationsentwicklung stattfinden kann. How does learning happen in the context of project organisations? And how can the organisation of a project develop against this backdrop? The example of two music events shows how competence development can take place beyond change management and personnel policy as a prerequisite for organisational development.

Education --- Organizational learning. --- Music festivals --- Management. --- Musical festivals --- Performing arts festivals --- Learning organizations --- Learning --- Communities of practice --- Knowledge management --- Betriebliches Lernen --- Corporate Learning --- Density Description --- Dichte Beschreibung --- Festivals

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This book has an original focus and is structured in two parts: the first discusses broad issues affecting music festivals globally, especially in the context of rural revitalisation. The second part looks in more detail at a range of types of festivals commonly found throughout North America, Europe and Australasia, such as country music, jazz, opera and alternative music festivals. The authors draw on in-depth research undertaken over the past five years in a range of Australian places and makes clear conclusions on their significance for rural and regional change

Music festivals --- Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Musical festivals --- Performing arts festivals --- Social aspects

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This is the first book whose subject is the music, sounds and silences of Antarctica. From 2011 until 2014, Australia marked its long-standing connection with Antarctica by celebrating the centenary of the Australasian Antarctic Expedition. The icy continent, with its extremes of climate and environment and unique soundscapes, offers great potential for creative achievements in the world of music and sound. This book demonstrates the intellectual and creative engagement of artists, musicians, scientists and writers. Consciousness of sounds -- in particular, musical ones -- has not been at the forefront of our aims in polar endeavours, but listening to and appreciating them has been as important there as elsewhere.

Antarctica -- Discovery and exploration -- Congresses. --- Antarctica -- Songs and music -- Congresses. --- Music festivals -- Australia -- Canberra (A.C.T.). --- Music Literature --- Music --- Music, Dance, Drama & Film --- Music festivals --- Antarctica --- Discovery and exploration --- Songs and music --- Musical festivals --- Antarctic regions --- Performing arts festivals --- Polar regions --- Australasian Antarctic Expedition --- Centennial celebrations, etc.

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muziekgeschiedenis --- Music --- Belgium --- Music festivals --- Avant-garde (Music) --- Festivals de musique --- Musique expérimentale --- History --- History and criticism --- Histoire --- Histoire et critique --- Ars Musica --- Ars Musica (Music festival : Brussels, Belgium) --- Musique expérimentale --- Festivals --- Ars Musica (festival) --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Musical festivals --- Performing arts festivals --- Ars Musica Brüssel --- Music festivals - Belgium - Brussels --- Music - Belgium - Brussels - History and criticism --- History and criticism.

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Most histories of nineteenth-century music portray 'the people' merely as an audience, a passive spectator to the music performed around it. Yet, in this reappraisal of choral singing and public culture, Minor shows how a burgeoning German bourgeoisie sang of its own collective aspirations, mediated through the voice of celebrity composers. As both performer and idealized community, the chorus embodied the possibilities and limitations of a participatory, national identity. Starting with the many public festivals at which the chorus was a featured participant, Minor's account of the music written for these occasions breaks new ground not only by taking seriously these often-neglected works, but also by showing how the contested ideals of German nationhood suffused the music itself. In situating both music and festive culture within the milieu of German bourgeois liberals, this study uncovers new connections between music and politics during a century that sought to redefine both spheres.

Choral music --- Nationalism in music. --- Music --- Music festivals --- Musique chorale --- Nationalisme dans la musique --- Musique --- Festivals de musique --- Political aspects --- History --- Aspect politique --- Histoire --- Mendelssohn-Bartholdy, Felix, --- Liszt, Franz, --- Brahms, Johannes, --- Wagner, Richard, --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Social aspects --- Musical festivals --- Performing arts festivals --- Nationalism and music --- National music --- Choruses --- Choruses, Sacred --- Choruses, Secular --- Music, Choral --- Sacred choral music --- Secular choral music --- Church music --- Vocal music --- History and criticism