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It is commonly assumed that Franz Schubert (1797-1828), best known for the lyricism of his songs, symphonies, and chamber music, lacked comparable talent for drama. Challenging this view, Drama in the Music of Franz Schubert provides a timely re-evaluation of Schubert's operatic works, while demonstrating previously unsuspected locations of dramatic innovation in his vocal and instrumental music. The volume draws on a range of critical approaches and techniques, including semiotics, topic theory, literary criticism, narratology, and Schenkerian analysis, to situate Schubertian drama within its musical and cultural-historical context. In so doing, the study broadens the boundaries of what might be considered 'dramatic' within the composer's music and offers new perspectives for its analysis and interpretation. Drama in the Music of Franz Schubert will be of interest to musicologists, music theorists, composers, and performers, as well as scholars working in cultural studies, theatre, and aesthetics. - JOE DAVIES is College Lecturer in Music at Lady Margaret Hall, University of Oxford. JAMES WILLIAM SOBASKIE is Associate Professor of Music at Mississippi State University. Contributors: Brian Black, Lorraine Byrne Bodley, Joe Davies, Xavier Hascher, Marjorie Hirsch, Anne Hyland, Christine Martin, Clive McClelland, James William Sobaskie, Lauri Suurpää, Laura Tunbridge, Susan Wollenberg, Susan Youens

Dramatic music --- Opera --- History and criticism. --- Schubert, Franz, --- Music --- Music, Dramatic --- Music, Theatrical --- Music for the stage --- Stage music --- Theatrical music --- History and criticism --- Schubert, Franz --- Schubert, Franz Peter, --- Shu-po-tʻe, --- Shubert, F. --- Shubert, Frant︠s︡, --- Šubertas, F. (Francas), --- Šubertas, Francas Peteris, --- שוברט, פרנץ --- Criticism and interpretation. --- Aesthetics. --- Artistic interpretation. --- Chamber music. --- Cultural context. --- Cultural studies. --- Drama. --- Franz Schubert. --- Intellectual and cultural bent. --- Music. --- Musical analysis. --- Musical innovation. --- Musicology. --- Symphonies. --- Vocal music.

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A free ebook version of this title is available through Luminos, University of California Press's new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Player pianos, radio-electric circuits, gramophone records, and optical sound film-these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson's fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts.

Musical instruments --- Music and technology --- Electronic musical instruments --- Music --- History --- Philosophy and aesthetics --- Civil engineering. --- Communication. --- Engineering. --- Mass media. --- Musical instruments. --- MUSIC / History & Criticism. --- History. --- Philosophy and aesthetics. --- 20th century music history. --- developing new musical instruments. --- developing new musical technology. --- electronic musical instruments. --- history of music. --- jorg mager. --- mechanical instruments. --- media instruments. --- music and technology. --- music appreciation. --- music composition. --- music theory. --- music. --- musical aesthetics. --- musical automation. --- musical innovation. --- musical inscription. --- new music. --- new musical instruments in the 20th century. --- sound technology. --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Technology and music --- Technology --- Mass communication --- Media, Mass --- Media, The --- Communication --- Construction --- Industrial arts --- Electronic instruments (Music) --- Electrophonic musical instruments --- Musical instruments, Electronic --- Instruments, Musical --- Organology (Music) --- Instrumental music --- Communication, Primitive --- Sociology --- Engineering --- Public works --- Philosophy --- History and criticism --- 78.48