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Music theory --- Music --- Musical theory --- Theory of music --- Theory --- Music theory - Early works to 1800. --- Muziektheorie

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Music --- Music theory --- Acoustics and physics --- Music - Acoustics and physics - Early works to 1800 --- Music theory - Early works to 1800

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"Herlinger deserves the thanks of the scholarly community for having prepared both edition and translation with the most meticulous of critical methods and the greatest of care."--Leeman L. Perkins, 'Renaissance Quarterly' "An almost archetypal example of unpretentious and honest scholarship."--Alejandro Enrique Planchart, 'Journal of the American Musicological Society'

Music theory --- Gregorian chants --- Instruction and study --- Music theory - Early works to 1800 --- Gregorian chants - Instruction and study - Early works to 1800

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Traduction du traité de Burmeister (1564-1629) et de passages de ses précédents ouvrages, qui traitent de la rhétorique musicale en envisageant les parties décisives de l'art, dans la grande tradition antique. La réflexion porte sur la prononciation du discours musical, les qualités du discours, le meilleur registre, l'imitation, la disposition et la convenance.

Renaissance --- renaissance muziek --- Music --- muziekgeschiedenis --- Music theory --- Théorie musicale --- History --- Sources --- Histoire --- German musicology --- 17th century --- Critical edition --- Théorie musicale --- Early works to 1800 --- Music theory - Early works to 1800

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Zonder onderwerpscode: muziek --- facsimile's --- anno 1500-1599 --- Spain --- Improvisation (Music) --- Music theory --- Clavichord --- Instruction and study --- Improvisation (Music) - Early works to 1800 --- Music theory - Early works to 1800 --- Clavichord - Instruction and study - Early works to 1800