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Le temps de le prendre : journal musical (1967/...)
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ISBN: 2841740730 Year: 1997 Publisher: Paris : Kimé,

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Tuba mirum : music theatre for prepared tuba, electrically operated audio-visual mutes, tape, and lighting
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Year: 1982 Publisher: Birmingham : Arts Lab Music,

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The new music theater : seeing the voice, hearing the body
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ISBN: 9780195099362 Year: 2008 Publisher: Oxford ; New York : Oxford University Press,

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New music theatre in Europe : transformations between 1955-1975
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ISBN: 9781138323018 1138323012 Year: 2019 Publisher: Abingdon, Oxon Routledge

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Between 1955 and 1975 music theatre became a central preoccupation for European composers digesting the consequences of the revolutionary experiments in musical language that followed the end of the Second World War. The `new music theatre' wrought multiple, significant transformations, serving as a crucible for the experimental rethinking of theatrical traditions, artistic genres, the conventions of performance, and the composer's relation to society. This volume brings together leading specialists from across Europe to offer a new appraisal of the genre. It is structured according to six themes that investigate: the relation of new music theatre to earlier and contemporaneous theories of drama; the use of new technologies; the relation of new music theatre to progressive politics; the role of new venues and environments; the advancement of new conceptions of the performer; and the challenges that new music theatre lays down for music analysis. Contributing authors address canonical works by composers such as Berio, Birtwistle, Henze, Kagel, Ligeti, Nono, and Zimmermann, but also expand the field to figures and artistic developments not regularly represented in existing music histories. Particular attention is given to new music theatre as a site of intense exchange - between practitioners of different art forms, across national borders, and with diverse mediating institutions.


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IPEM Bandotheek Band 624.
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Year: 1963 Publisher: Gent : IPEM,

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Nothing like a dame
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ISBN: 019994122X 9780199941223 1306290899 9781306290890 9780199941209 0199941203 0190208856 Year: 2014 Publisher: New York

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In Nothing Like a Dame, theater journalist Eddie Shapiro opens a jewelry box full of glittering surprises, through in-depth conversations with twenty leading women of Broadway. He carefully selected Tony Award-winning stars who have spent the majority of their careers in theater, leaving aside those who have moved on or occasionally drop back in. The women he interviewed spent endless hours with him, discussing their careers, offering insights into the iconic shows, changes on Broadway over the last century, and the art (and thrill) of taking the stage night after night. Chita Rivera describes


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Musique et théâtre : la musique de Jean-Jacques Lemêtre au Théâtre du Soleil : entretien délectable et inachevé avec Jean-Jacques Lemêtre, musicien du Théâtre du Soleil
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ISBN: 9782336008592 2336008599 Year: 2013 Publisher: Paris: L'Harmattan,

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An der Schnittstelle von Mensch und Maschine : das Theater der Wiederholungen von Bernhard Lang
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ISBN: 9783487159232 3487159236 Year: 2020 Publisher: Hildesheim Georg Olms Verlag

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Music, the market, and the marvellous : Parisian féerie, 1864-1900
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ISBN: 9780198930938 0198930933 9780198930945 0198930941 0197267734 Year: 2024 Publisher: Oxford ; New York : Oxford University Press,

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Music, the market, and the marvellous" examines 'féerie', the French fairy play, in the last third of the nineteenth century. It is among the first book-length studies on the genre, the first in a language other than French, and the first from a musicological perspective. Sabbatini demonstrates that, contrary to conventional wisdom, 'féerie' was still thriving during the fin de siècle, giving rise to innovations such as composerly 'féerie' and scientific 'féerie'. The plays, the theatre industry, and urban geography are discussed together, as befits a commercial genre where the marvellous was shaped by the market. Recovering this forgotten - but once hugely influential - repertoire provides an occasion to rethink generic taxonomies of Parisian theatre and the ontology of nineteenth-century 'popular' theatre.


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The frequency of imagination : auditory distress and aurality in contemporary music theatre: academisch proefschrift
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Year: 2009 Publisher: Amsterdam

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