Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Biographers --- Biographers. --- Musicologists --- Musicologists. --- Philosophers --- Philosophers. --- Aristoxenus, --- Aristoxenus. --- Greece. --- Historians, Music --- Music historians --- Musicians --- Scholars --- Authors --- Aristoxenos --- Aristoxène --- Aristosseno --- Aristoksenos --- Aristoxenus --- Aristoxenos aus Tarent --- Music researchers --- Music scholars --- Musical researchers --- Musical scholars --- Scholars of music

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

German literature --- Music --- Germany --- Music and literature --- Musicologists --- Psychoanalysis and music --- Music and psychoanalysis --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Historians, Music --- Music historians --- Musicians --- Scholars --- Literature and music --- Literature --- Philosophy and aesthetics --- Philosophy --- Music researchers --- Music scholars --- Musical researchers --- Musical scholars --- Scholars of music

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Licensed under the Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States license"--Title page verso.

Musicology --- Musicologists --- Chronic pain --- Gay musicologists --- Music --- Moral and ethical aspects. --- Patients. --- Cheng, William, --- Musical research --- Research, Musical --- Popular music --- Music and morals --- Persistent pain --- Diseases --- Pain --- Historians, Music --- Music historians --- Musicians --- Scholars --- Research --- Historiography --- Music researchers --- Music scholars --- Musical researchers --- Musical scholars --- Scholars of music

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In Composition and Cognition, renowned composer and theorist Fred Lerdahl builds on his careerlong work of developing a comprehensive model of music cognition. Bringing together his dual expertise in composition and music theory, he reveals the way in which his research has served as a foundation for his compositional style and how his intuitions as a composer have guided his cognitively oriented theories. At times personal and reflective, this book offers an overall picture of the musical mind that has implications for central issues in contemporary composition, including the recurrent gap between method and result, and the tension between cognitive constraints and utopian aesthetic views of musical progress. Lerdahl’s succinct volume provides invaluable insights for students and instructors, composers and music scholars, and anyone engaged with contemporary music.

Music --- Composition (Music) --- Musical analysis. --- Psychological aspects. --- cognitive constraints and musical progress. --- composers. --- composition and music theory. --- comprehensive model of music cognition. --- contemporary composition. --- contemporary music. --- gap between method and result. --- instructors. --- music cognition. --- music scholars. --- overall picture of musical mind. --- personal. --- reflective. --- students. --- succinct.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This first major examination the interrelationships of music and surfing explores different ways that surfers combine surfing with making and listening to music. Tim Cooley uses his knowledge and experience as a practicing musician and avid surfer to consider the musical practices of surfers in locations around the world, taking into account ideas about surfing as a global affinity group and the real-life stories of surfers and musicians he encounters. In doing so, he expands ethnomusicological thinking about the many ways musical practices are integral to human socializing, creativity, and the condition of being human. Cooley discusses the origins of surfing in Hawai'i, its central role in Hawaiian society, and the mele (chants) and hula (dance or visual poetry) about surfing. He covers instrumental rock from groups like Dick Dale and the Del Tones and many others, and songs about surfing performed by the Beach Boys. As he traces trends globally, three broad styles emerge: surf music, punk rock, and acoustic singer-songwriter music. Cooley also examines surfing contests and music festivals as well as the music used in a selection surf movies that were particularly influential in shaping the musical practices of significant groups of surfers. Engaging, informative, and enlightening, this book is a fascinating exploration of surfing as a cultural practice with accompanying rituals, habits, and conceptions about who surfs and why, and of how musical ideas and practices are key to the many things that surfing is and aspires to be.  

Music --- Surf music --- Surfing --- Body surfing --- Surf riding --- Surfboard riding --- Surfboarding --- Surfriding --- Aquatic sports --- Surf rock --- Rock music --- Music and society --- Social aspects. --- History and criticism. --- History. --- america. --- beach boys. --- cultural practices. --- del tones. --- dick dale. --- ethnomusicologists. --- ethnomusicology. --- genre studies. --- global surfers. --- hawaiian society. --- hula. --- human socializing. --- instrumental rock. --- mele. --- music and culture. --- music festivals. --- music genres. --- music scholars. --- music studies. --- musical practices. --- musicians. --- punk rock. --- singer songwriters. --- surf movies. --- surf music. --- surfers. --- surfing contests. --- surfing culture. --- surfing music. --- surfing origins. --- surfing.