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Conductors (Music) --- Music patrons --- Impresarios --- Sacher, Paul --- Sacher, Paul,
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"Interest in music sociability during the eighteenth century, including domestic and semi-domestic music-making, has been steadily growing. As scholars have noted, musical salons were crucial in providing a space where women could perform in public, which was otherwise impossible, for the most part. In this book, music scholar and performer Rebecca Cypess focuses on the figure of the salonnière, the female host at the center of most musical salons in Europe and America in the second half of the eighteenth century. Through case studies include the salons of Anne-Louise Brillon in Paris, Marianna Martines in Vienna, Sara Levy in Berlin, Elizabeth Graeme in Philadelphia, and the painter Angelika Kauffman in Rome, Cypess addresses several far-reaching issues in Enlightenment musical culture. Among them are questions having to do with collaboration and improvisation vs. authorship, sensual vs. intellectual experiences, the role of women in 'governing' the salons and collecting musical scores and instruments, and how these collections can function as texts that illuminate the lived experiences of eighteenth-century music. In this richly written book, Cypess draws on letters, diaries, and other written documents, as well as iconography, to make connections with non-musical practices, including games, and to recreate the salon as an immersive musical and creative environment"--
Women musicians --- Women composers --- Women music patrons --- Women music patrons --- Salons --- Salons --- Music --- Music --- History --- History --- History --- History --- History --- History --- History and criticism --- History and criticism
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Music patrons --- Women art patrons --- Literary patrons --- Artists and patrons --- Biography --- Polignac, Winnaretta,
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Ce volume étudie les cardinaux et l’art musical à l’époque moderne. À travers le prisme de l’innovation musicale, il examine la question de la musique comme outil de la puissance cardinalice, revient sur le phénomène du patronage et montre qu’un cardinal mélomane est davantage qu’un noble amateur de musique.
Music --- Music patronage --- Music patrons --- Music, Influence of. --- Europe --- Europe --- Church history --- Church history
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Women music patrons --- Music patronage --- Music --- Music, Dance, Drama & Film --- Music Literature --- History and criticism --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- United States --- 19th century --- 20th century --- Women music patrons - United States. --- Performing arts sponsorship --- Music patrons --- Women benefactors --- History and criticism.
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Il y a cent ans, Ferdinant Halphen mourait d'une maladie contractée au front. Fils d'une riche famille israélite parisienne, rien ne le prédestinait à créer et diriger pendant deux ans et demi l'orchestre officiel des armées du nord. Les mélodies et la musique de chambre qu'il a composées reflètent l'atmosphère raffinée des salons de la IIIe République, âge d'or de la mélodie française. Le riche fonds d'archives qu'il avait réuni permet de retracer avec précision le parcours d'un compositeur français à une époque dominée par la mode wagnérienne et l'affaire Dreyfus. Proche de Gabriel Fauré et élève au Conservatoire, où il côtoie Reynaldo Hahn, Henri Büsser, Alfred Cortot, Charles Koechlin et Edouard Risler, avant d'obtenir le second prix de Rome, il aida fiancièrement les musiciens toute sa vie et même au-delà, prévoyant un important legs en faveur des élèves du Conservatoire, institué et soutenu par sa veuve Alice.
Halphen, Fernand --- Composers [French ] --- Composers --- Jewish composers --- Music patrons --- Conductors (Music) --- Military music --- Compositeurs --- Compositeurs juifs --- Mécènes de la musique --- Chefs d'orchestre --- Musique militaire --- Composers. --- Jewish composers. --- Military music. --- Music patrons. --- History and criticism. --- Histoire et critique. --- Halphen, Fernand, --- Geschichte 1872-1917. --- France. --- Compositeurs juifs . --- Critique et interprétation.
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Music patrons --- Music patrons --- Music patronage --- Mécènes de la musique --- Mécènes de la musique --- Musique --- Diaries --- Correspondence --- History --- Journaux intimes --- Correspondance --- Mécènat --- Histoire --- Burney, Susanna, --- Diaries --- England --- Angleterre --- Social life and customs --- Moeurs et coutumes
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Music --- Women music patrons --- Social aspects --- History --- History and criticism. --- History. --- Maria Theresa --- Contributions in music --- Austria --- Vienna (Austria) --- 18th century --- History and criticism --- 19th century --- Intellectual life --- 78.21.2 Wien --- 78.26
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Keyboard instrument music --- Music patrons --- History and criticism --- History --- Byrd, William, --- Criticism and interpretation --- Friends and associates --- Nobility --- Noble class --- Noble families --- Nobles (Social class) --- Peerage --- Upper class --- Aristocracy (Social class) --- Titles of honor and nobility --- Patrons, Music --- Benefactors --- Keyboard music --- Recorded accompaniments (Keyboard instrument) --- Neville family. --- Byrde, William, --- Bird, William, --- Byred, William, --- Byrd, W. --- Criticism and interpretation. --- Friends and associates. --- Keyboard instrument music - History and criticism --- Music patrons - England - History - 16th century --- Byrd, William, - 1539 or 1540-1623 - Keyboard music --- Byrd, William, - 1539 or 1540-1623 - Criticism and interpretation --- Byrd, William, - 1539 or 1540-1623 - Friends and associates --- Byrd, William, - 1539 or 1540-1623
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Music patrons --- Music --- Mécènes de la musique --- Musique --- Biography. --- History and criticism --- Biographies --- Histoire et critique --- Polignac, Winnaretta, --- Mécènes de la musique --- Art --- anno 1900-1999 --- France --- United States --- Polignac, Winnaretta --- Biography --- Singer, Winnaretta --- United States of America --- Book
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