Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Motion picture music --- Television music --- Suburban life in popular culture --- Popular culture --- Background music for television --- Music for television --- Music --- Music videos --- History and criticism.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"How does music enrich and define cult television series? This book analyzes theme tunes and scoring on television to reveal how composers construct a series' identity using musical idioms and instruments. Characters and plot developments, similarly, are enhanced by their musical accompaniment. The different scoring strategies employed in science fiction and horror-based genres, comprising for example Star Trek or Dr. Who, are considered alongside cult shows set in our reality, such as Dexter, The Sopranos and Queer as Folk. These discussions are complimented by in-depth case studies of musical approaches in three high-profile series: Buffy the Vampire Slayer, Battlestar Galactica and Lost. Written from a musicological standpoint but fully accessible to non-musicologists, the book significantly advances television and music studies."--Back cover.

Television music. --- Cult television programs. --- Background music for television --- Music for television --- Music --- Music videos --- Television programs --- Battlestar Galactica television programs. --- Television and music. --- Buffy, the vampire slayer (Television program) --- Lost (Television program) --- Music and television --- Science fiction television programs

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"When Twin Peaks debuted on the ABC network on the night of April 8, 1990, thirty-five million viewers tuned in to some of the most unusual television of their lives. Centered on an eccentric, coffee-loving FBI agent's investigation into the murder of a small town teen queen, Twin Peaks brought the aesthetic of arthouse cinema to a prime time television audience and became a cult sensation in the process. Part of Twin Peaks' charm was its unforgettable soundtrack by Angelo Badalamenti, a frequent and reoccurring collaborator of film director and Twin Peaks co-creator David Lynch. Badalamenti's evocative music, with its haunting themes and jazzy moodscapes, served as a constant in a narrative that was often unhinged and went on to become one of the most popular and influential television soundtracks of all time. How did a unique collaborative process between a director and composer result in a perfectly post-modern soundtrack that ran the gamut of musical styles from jazz to dreamy pop to synthesizer doom and beyond? And how did Badalamenti's musical cues work with Twin Peaks' visuals, constantly evolving and having the ability to break with television convention; playing off viewers' expectations and associations? Under the guidance of Angelo Badalamenti's diverse sonic palette Clare Nina Norelli delves deep into the world of Twin Peaks to answer all of these questions and more."--Bloomsbury Publishing.

Television music --- Background music for television --- Music for television --- Music --- Music videos --- History and criticism. --- Badalamenti, Angelo --- Badale, Andy --- Badalamenti, Andzhelo --- Бадаламенти, Анджело --- Criticism and interpretation. --- Twin Peaks (Television program) --- Individual composers & musicians, specific bands & groups

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

An in-depth examination of the music and the composers who worked on the iconic TV series, The Twilight Zone.

Television music --- Background music for television --- Music for television --- Music --- Music videos --- History and criticism. --- Steiner, Fred, --- Goldsmith, Jerry --- Herrmann, Bernard, --- Van Cleave, Nathan, --- Van Cleave, --- Cleave, Nathan van, --- Cleave, Van, --- Van Cleave, Norman, --- Van Cleave, N. --- Hermann, Bernard, --- Herrman, Bernard, --- Goldsmith, Jerrald, --- Steiner, Frederick, --- Criticism and interpretation. --- Twilight zone (Television program : 1959-1964)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Sound --- Motion picture music --- Television music --- Computer game music --- Mixed media (Music) --- Computer art --- Music --- Arts and Humanities --- Literature --- Film, Musique de. --- Télévision, Musique de. --- Jeux, Musique de. --- Œuvres multimédias (Musique) --- Art numérique. --- Art, Computer --- Computer craft --- Digital art --- Multi-media (Music) --- Multimedia (Music) --- Background music for computer games --- Background music for television --- Music for television --- Computer game music. --- Motion picture music. --- Sound. --- Television music. --- New media art --- Music theater --- Music videos --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Background music for motion pictures --- Film music --- Movie music --- Moving-picture music --- Dramatic music --- Film scores --- Music History & Criticism, Vocal --- Computer art. --- Film, Musique de --- Télévision, Musique de --- Jeux, Musique de --- Motion pictures