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Music and romanticism --- Musique romantique --- Muziek [Romantische ] --- Romanticism in music --- Romantiek in de muziek --- Romantische muziek --- Romantisme en musique --- Music --- Philosophy and aesthetics --- Wagner, Richard --- Aesthetics --- 19th century --- Belgium --- Music and state --- Germany

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Music and romanticism --- Musique romantique --- Muziek [Romantische ] --- Romanticism in music --- Romantiek in de muziek --- Romantische muziek --- Romantisme en musique --- Music --- -Music --- -Romanticism in music --- Musical romanticism --- Romanticism (Music) --- Style, Musical --- Neoromanticism (Music) --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism --- Opera --- Europe --- 18th century --- 19th century --- Symphony

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A travers l'étude de partitions, de traités, de correspondances de musiciens et de textes littéraires, l'auteur examine comment le romantisme a pu progressivement qualifer des objets musicaux. Le romantisme est abordé comme un mot polémique témoignant d'une nouvelle façon d'entendre la musique.

Music and romanticism --- Musique romantique --- Muziek [Romantische ] --- Romanticism in music --- Romantiek in de muziek --- Romantische muziek --- Romantisme en musique --- Music --- Romantisme dans la musique --- Musique --- History and criticism --- Histoire et critique --- Music and literature --- Art and music. --- Historiography. --- Philosophy and aesthetics --- Philosophy and aesthetics. --- 19th century --- Music - Historiography. --- Music - 19th century - Philosophy and aesthetics --- Music - Philosophy and aesthetics.

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What can music tell us - without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In this book five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn, and Schumann. Their work challenges us to reconsider our musical practices and the voices manifested in them, and it encourages the creation of an art that is both historical and transcendental.

Music and romanticism --- Musique romantique --- Muziek [Romantische ] --- Romanticism in music --- Romantiek in de muziek --- Romantische muziek --- Romantisme en musique --- Academic collection --- 78 "18" --- 78 "18" Muziek--19e eeuw. Periode 1800-1899 --- Muziek--19e eeuw. Periode 1800-1899 --- Musical analysis --- Music --- Analyse musicale --- Romantisme dans la musique --- Musique --- Interpretation (Phrasing, dynamics, etc.) --- Interprétation --- 19th century --- Compositietechnieken --- Stijlstudies --- Romantiek --- 19e eeuw

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Romanticism in music. --- Music --- Romantisme dans la musique --- Musique --- History and criticism. --- Histoire et critique --- -Romanticism in music --- Musical romanticism --- Romanticism (Music) --- Style, Musical --- Neoromanticism (Music) --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism --- Music and romanticism --- Musique romantique --- Muziek [Romantische ] --- Romanticism in music --- Romantiek in de muziek --- Romantische muziek --- Romantisme en musique --- 19th century