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Music / Social aspects --- Music and globalization --- Dissemination of music
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This unique edited volume offers a distinctive theoretical perspective and advanced insights into how music is impacted by the interaction of global forces with local conditions. As the first major book to apply the timely notion of "glocality" to music, this collection features robust scholarship on genres and practices from many corners of the world: from studies of European opera professions and the oeuvre of several contemporary art music composers, to music in Uzbekistan and Indonesia, urban street musicians, and even the didjeridoo.The authors interrogate theories of glocalization, distinguishing this notion from globalization and other more familiar concepts, and demonstrate how its application illuminates the mechanisms that link changing musical practices and technologies with their social milieu. This incisive book is relevant to scholars of many different specializations, particularly those with a deep interest in relationships between music and society, both past and present. More broadly, its discussions will be of value to those concerned with how changing policies and technologies impact cultural heritage and the creative approaches of performing artists worldwide.
Music --- Music and globalization. --- Dissemination of music. --- Social aspects.
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"Seachanges brings together original essays examining human and cultural mobility from a musical perspective. Musicians have always been migratory frontrunners, and musical encounters have always generated nodes of cultural complexity. But hearing past musicking that took place in diaspora and foreign lands requires new methodologies designed to center unsettled lives and ephemeral practices in history. Employing interpretive strategies from musicology, ethnomusicology, historical performance practice, sociolinguistics, and cultural history, the contributors intentionally complicate national and regional accounts of music from 1550 to 1800. Repertorial subjects include Spanish guitar music in Italy, Italian songs in Bohemia, Turkish songs in France, Jewish rituals on Corfu, Jesuit hymns in the Greek archipelago, and Ottoman court music; further chapters recover the experiences of indigenous musicians in colonial Latin America, the diaspora of Neapolitan singers, fictional cartographies of Baroque opera, and the careers of enslaved black musicians in Venice and pre-revolutionary Haiti. They promote a new theoretical vocabulary that coalesces around orality, voice, performers, and performance as matters to foreground in mobility studies. Seachanges illustrates how musical microhistories can address mobility at the macro level of Mediterranean and Atlantic studies while respecting the tempo of individual human lives and musical timeframes"--Page 4 of cover.
Music --- Music and globalization --- Social aspects --- History --- History and criticism
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Ethnomusicology --- Musicology --- Ethnomusicologie --- Musicologie --- Congresses --- Congrès --- Music and globalization --- Congrès --- Music and globalization - Congresses --- Ethnomusicology - Congresses --- Musicology - Congresses --- Musique et mondialisation --- Musique --- 1990 --- -Music and globalization --- -Musique et mondialisation --- 1990-
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"Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding, and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. Above all, music continually changes as it crosses cultural, linguistic, and political boundaries. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels-with or without its makers-including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Over one hundred audiovisual examples throughout the book demonstrate the application of particular concepts, and six interactive digital maps visually present music's global reach"-- Provided by publisher.
Dissemination of music. --- Music and globalization. --- Music --- Social aspects. --- Music and society --- Globalization and music --- Globalization --- Dissemination of music --- Circulation of music --- Music dissemination --- Music and globalization --- Circulation
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Ethnomusicology --- Ethnomusicology. --- Globalization --- Globalization. --- Music and globalization --- Music and globalization. --- Sound recording industry --- Sound recording industry. --- World music --- World music. --- History. --- History. --- History. --- History. --- History and criticism.
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Réflexions envisageant diverses problématiques du monde de la musique et de la musicologie associées à la notion de mondialisation : les métissages, le modèle économique, les migrations et leurs influences, la sauvegarde des cultures traditionnelles, etc.
Music and globalization --- Musique et mondialisation --- Congresses --- Congrès --- 78.31 --- 78.16 Paris 2008
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"In this book, Timothy D. Taylor explores just how pervasively capitalism has shaped music over the last few decades. Examining changes in the production, distribution, and consumption of music, he offers an incisive critique of the music industry's shift in focus from creativity to profits, as well as stories of those who are laboring to find and make musical meaning in the shadows of the mainstream cultural industries. Taylor explores everything from the branding of musicians to the globalization of music to the emergence of digital technologies in music production and consumption. Drawing on interviews with industry insiders, musicians, and indie label workers, he traces both the constricting forces of bottom-line economics and the revolutionary emergence of the affordable home studio, the global internet, and the mp3 that have shaped music in different ways. A sophisticated analysis of how music is made, repurposed, advertised, sold, pirated, and consumed, Music and Capitalism is a must read for anyone who cares about what they are listening to, how, and why"--Provided by publisher.
Music trade. --- Music --- Music and globalization. --- Capitalism. --- Economic aspects. --- Social aspects.
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In Crossing Traditions: American Popular Music in Local and Global Contexts, a wide range of scholarly contributions on the local and global significance of American popular music examines the connections between selected American blues, rock and roll, and hip-hop music and their equivalents from Senegal, Nigeria, England, India, and Mexico. Contributors show how American popular music promotes local and global awareness of such key issues as economic inequality and social marginalization while inspiring cross-cultural an
Popular music --- Music and globalization --- Globalization and music --- Globalization --- Dissemination of music --- History and criticism.
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