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Bibliogr. : p. 281-300
Music - Psychological aspects --- Musical perception --- Music --- Music psychology --- Auditory perception --- Psychological aspects --- Psychology
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Composition (Music) --- Cognitive science --- Composition (Musique) --- Sciences cognitives --- Connectionism --- Psychological aspects --- Connectionism. --- Psychological aspects. --- Composition (Music) - Psychological aspects
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The Musical Mind, published in 1985, was written by the relatively unknown John Sloboda. It made ground-breaking inroads in raising crucial questions relating to music's status as a form of human expression and has become the seminal text in the field of music psychology. The scope of that book was impressive: from music perception to production, embracing topics as diverse as music's origin and the circumstances that encourage its skill acquisition. Musical structure, grouping, and perceptual processing, including memory, were key areas where John Sloboda had made early empirical investigations. Discussion of emotional responses and creative processes were far more inductively written, based on his own personal experiences. The Musical Mind laid a research agenda in asking those crucial 'how' and 'why' questions that have since occupied a growing body of researchers from all over the world. Following a quarter of a century after that seminal work, Music and the Mind celebrates the life and work of John Sloboda whilst taking stock of where the field of music psychology stands 25 years after The Musical Mind first appeared. It reviews key areas of current research in the field, written by world-leading authors, each making a significant and original academic contribution. Offering a timely review of the field of music psychology in the 21st Century, the contributors to Music and the Mind also reflect on how the field has been significantly stimulated by the influential work of John Sloboda. This book is fascinating reading for students and researchers in music psychology and musicology, as well as music professionals.
Music --- Musique --- Psychological aspects. --- Aspect psychologique --- Sloboda, John A. --- Psychological aspects --- Music and society --- Music - Psychological aspects
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Music --- 571 --- Music psychology --- Psychological aspects --- Muziekpsychologie --- Psychology --- Psychological aspects. --- Musique --- Psychologie --- 620 --- Muziekpedagogie --- Music - Psychological aspects --- Music - Psychology
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Psychoanalysis and music --- Music --- Musique --- --Psychanalyse --- --Musicothérapie --- Psychological aspects --- 3253 --- --Psychological aspects --- Music - Psychological aspects --- Psychanalyse --- Musicothérapie
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Pourquoi la musique provoque-t-elle autant d'émotions en nous ? Dans son nouveau livre, Bernard Lechevalier nous propose de nous aventurer avec lui dans l'analyse de la musique et des états affectifs qu'elle suscite. S'appuyant sur les découvertes les plus récentes en neuropsychologie, il nous montre notamment que la perception musicale relève d'un processus complexe qui engage la structure de l'oeuvre elle-même, les associations d'idées et d'affects qu'elle fait naître et, enfin, le contexte de son interprétation et de son écoute. De Beethoven à Brassens en passant par Debussy et Duke Ellington, une exploration du plaisir musical, tous genres confondus, à partir des émotions qu'elle procure et du sens qu'elle véhicule. Le plaisir musical aux trois stades de la création, de l'interprétation et de l'écoute, sans séparer musique classique, variété ou jazz !
Music --- Neuropsychology --- Emotions in music --- Musical perception --- Psychological aspects --- Neuropsychology. --- Perception de la musique --- Neuropsychologie --- Psychological aspects. --- Music - Psychological aspects
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Music --- Music therapy --- Brain --- Musique --- Musicothérapie --- Cerveau --- Psychological aspects --- Physiological aspects --- Aspect psychologique --- Aspect physiologique --- Musicothérapie --- Music - Psychological aspects --- Music - Physiological aspects --- Physiologie. --- Aspect psychologique.
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The 2nd edition of the Oxford Handbook of Music Psychology updates the original landmark text and provides a comprehensive review of the latest developments in this fast growing area of research. Covering both experimental and theoretical perspectives, each of the 11 sections is edited by an internationally recognised authority in the area. The first ten parts present chapters that focus on specific areas of music psychology: the origins and functions of music; music perception, responses to music; music and the brain; musical development; learning musical skills; musical performance; composition and improvisation; the role of music in everyday life; and music therapy. In each part authors critically review the literature, highlight current issues and explore possibilities for the future. The final part examines how, in recent years, the study of music psychology has broadened to include a range of other disciplines. It considers the way that research has developed in relation to technological advances, and points the direction for further development in the field. With contributions from internationally recognised experts across 55 chapters, it is an essential resource for students and researchers in psychology and musicology.
Music --- Music therapy. --- Musique --- Musicothérapie --- Psychological aspects. --- Aspect psychologique --- Music therapy --- Psychological aspects --- Musicothérapie --- Musicothérapie. --- Aspect psychologique. --- Music - Psychological aspects --- Muziekpsychologie
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Is there any artistically important connection between music and emotions? Budd examines the theories of music that support and deny such a correction.
Music --- Music psychology --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy and aesthetics. --- Psychological aspects. --- Psychology --- Philosophy --- Music - Philosophy and aesthetics --- Music - Psychological aspects --- Emotions in music
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Music - Psychological aspects --- Emotions in music --- Music --- Emotions --- Musique --- Psychological aspects. --- Aspect psychologique --- #PBIB:2001.4 --- Music psychology --- Psychological aspects --- Psychology --- Affective and dynamic functions --- Emotions in music.
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