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Transdisciplinary and intermedial analysis of the experience of music. Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well. Music, Analysis, Experience brings together contributions by semioticians, performers, and scholars from cognitive sciences, philosophy, and cultural studies, and deals with these fundamental questionings. Transdisciplinary and intermedial approaches to music meet musicologically oriented contributions to classical music, pop music, South American song, opera, narratology, and philosophy
Music --- Semiotics. --- Academic collection --- Sémiotique et musique --- Music - Semiotics.
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Twelve-tone system. --- Music --- Semiotics. --- Music - Semiotics. --- Semiotique et arts --- Musique --- Finlande --- 20e siecle
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Sémiotique et musique --- Music --- Semiotics --- Semiotics. --- Sémiotique et musique --- Music - Semiotics
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Music --- Music appreciation. --- Sémiotique et musique --- Musique --- Semiotics. --- Appréciation --- Music appreciation --- Semiotics --- Sémiotique et musique --- Appréciation --- Music - Semiotics
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Music --- Musical analysis --- Sacred vocal music --- Church music --- Semiotics --- Analysis, appreciation --- Catholic Church --- Liturgy --- Research --- Methodology --- Music - Semiotics --- Sacred vocal music - Analysis, appreciation --- Church music - Catholic Church
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Music --- Musical analysis. --- Philosophy and aesthetics. --- Semiotics. --- Philosophy and aesthetics --- Semiotics --- Music - Semiotics. --- Musical analysis --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Analysis, Musical --- Analytical guides (Music) --- Music analysis --- Music appreciation --- Philosophy --- Analysis, appreciation --- Analytical guides --- Instruction and study
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Peut-on dégager des propriétés communes à toues les arts du point de vue de leur structure ? Est-il possible d'étudier les formes artistiques en termes de consonance, de rythme ou de tempo ? Peut-on parler effectivement d'une "musique du poème" ou d'une "musique du tableau" ? Pour répondre à ces questions qui hantent depuis longtemps les théoriciens de l'art, cet ouvrage étudie le paradigme musical qui traverse le romantisme allemand, le symbolisme français et le formalisme de la fin du XIXe siècle. En explorant les rapports entre sens et musicalité à la lumière de la théorie sémiotique, l'auteur propose un modèle transversal d'analyse des arts, et invite à repenser le symbolisme dans le cadre d'une histoire des formes synthétiques.
Music and literature --- Symbolism in literature --- Romanticism --- Musique et littérature --- Symbolisme dans la littérature --- Romantisme --- History --- Histoire --- Music --- Art and music --- Symbolism in music --- Philosophy and aesthetics --- Semiotics --- Music - 19th century - Philosophy and aesthetics --- Art and music - History - 19th Century --- Music and literature - History - 19th century --- Music - Semiotics
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"We communicate multimodally. Everyday communication involves not only words, but gestures, images, videos, sounds and of course, music. Music has traditionally been viewed as a separate object that we can isolate, discuss, perform and listen to. However, much of music's power lies in its use as multimodal communication. It is not just lyrics which lend songs their meaning, but images and musical sounds as well. The music industry, governments and artists have always relied on posters, films and album covers to enhance music's semiotic meaning. This book considers musical sound as multimodal communication, examining the interacting meaning potential of sonic aspects such as rhythm, instrumentation, pitch, tonality, melody and their interrelationships with text, image and other modes, drawing upon, and extending the conceptual territory of social semiotics. In so doing, this book brings together research from scholars to explore questions around how we communicate through musical discourse, and in the discourses of music. Methods in this collection are drawn from Critical Discourse Analysis, Social Semiotics and Music Studies to expose both the function and semiotic potential of the various modes used in songs and other musical texts. These analyses reveal how each mode works in various contexts from around the world often articulating counter-hegemonic and subversive discourses of identity and belonging."--Bloomsbury Publishing.
Music --- Semiotics --- Music and society --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Political aspects. --- Social aspects. --- Semiotics. --- #KVHA:Taalkunde --- #KVHA:Muzikaal discours --- #KVHA:Multimodaliteit --- Musique et politique --- Musique --- Misique --- Aspect social --- Sémiotique --- Political aspects --- Social aspects --- Sémiotique. --- Musique et politique. --- Aspect social. --- Music - Political aspects --- Music - Social aspects --- Music - Semiotics --- Sémiotique.
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Dans l'interprétation des phénomènes musicaux, le discours métaphorique, ainsi que le discours technique et formel, revêt une fonction cognitive fondamentale. Cet ouvrage propose une hypothèse explicative des mécanismes à l'oeuvre dans la réception de musiques qui "inviteraient" à les décrire par des métaphores matérielles. Par une démarche interdisciplinaire, ce texte se propose donc d'expliciter le lien entre les dimensions corporelles et les dimensions imaginatives dans l'expérience d'écoute musicale.
Music --- Music appreciation --- Sémiotique et musique --- Musique --- Semiotics --- Philosophy and aesthetics --- Appréciation --- Philosophie et esthétique --- Musical analysis --- Musical analysis. --- Sémiotique et musique. --- Analyse musicale. --- Semiotics. --- Philosophy and aesthetics. --- Philosophie et esthétique. --- Sémiotique et musique --- Appréciation --- Philosophie et esthétique --- Music appreciation. --- Cognition --- Esthétique musicale. --- Perception de la musique. --- Sémiologie musicale. --- Écoute musicale. --- Musique. --- Aspect psychologique. --- History and criticism --- Religious aspects --- Histoire et critique --- Aspect religieux --- Messiaen, Olivier, --- 783 --- 78 MESSIAEN, OLIVIER --- Music in worship --- Religion and music --- 783 Kerkmuziek. Religieuze muziek --- Kerkmuziek. Religieuze muziek --- 78 MESSIAEN, OLIVIER Muziek--MESSIAEN, OLIVIER --- Muziek--MESSIAEN, OLIVIER --- Messian, O., --- Mesianas, O., --- Criticism and interpretation. --- Messiaen, Olivier --- Messian, O. --- Mesianas, O. --- Music - Semiotics --- Music - Philosophy and aesthetics --- Sémiotique et musique. --- Philosophie et esthétique.
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