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Musical criticism --- Musicians in literature --- Music appreciation --- Romanticism in music --- Critique musicale --- Musiciens dans la littérature --- Musique --- Romantisme dans la musique --- History --- Histoire --- Appréciation --- Music --- Philosophy and aesthetics --- Philosophy and aesthetics. --- Musiciens dans la littérature --- Appréciation --- Music appreciation. --- Music - France - Philosophy and aesthetics - 19th century --- Music - Germany - Philosophy and aesthetics - 19th century --- Music - Philosophy and aesthetics.

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This is the first study to recognise the broad impact of opera in early-modern French culture._Downing A. Thomas considers the use of operatic spectacle and music by Louis XIV as a vehicle for absolutism; the resistance of music to the aesthetic and political agendas of the time; and the long-term development of opera in eighteenth-century humanist culture. He argues that French opera moved away from the politics of the absolute monarchy in which it originated to address Enlightenment concerns with sensibility and feeling. The book combines close readings of significant seventeenth-century and eighteenth-century operatic works, circumstantial writings and theoretical works on theatre and opera, together with a measure of reception history. Thomas examines key works by Lully, Rameau, and Charpentier, among others, and extends his reach from the late seventeenth century to the end of the eighteenth.

Theatrical science --- anno 1600-1699 --- anno 1700-1799 --- Opera --- Music and state --- Enlightenment --- Music --- Opéra --- Musique --- Siècle des Lumières --- History --- Philosophy and aesthetics --- Politique gouvernementale --- Histoire --- Philosophie et esthétique --- History. --- Philosophy and aesthetics. --- -Music --- -Music and state --- -Opera --- -Comic opera --- Lyric drama --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- State and music --- Cultural policy --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Aufklärung --- Eighteenth century --- Philosophy, Modern --- Rationalism --- History and criticism --- Social aspects --- -Philosophy and aesthetics --- -Drama --- Comic opera --- Opéra --- Siècle des Lumières --- Philosophie et esthétique --- -State and music --- Gluck-Piccinni controversy --- Querelle des Bouffons --- France --- 17th century --- 18th century --- Opera - France - 17th century. --- Opera - France - 18th century. --- Music and state - France - History. --- Enlightenment - France. --- Music - France - Philosophy and aesthetics. --- Opera - France - 18th century --- Music and state - France - History --- Enlightenment - France --- Music - France - Philosophy and aesthetics

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Opera --- Music and language. --- Music and literature. --- Metaphor. --- Music --- Opéra --- Musique et langage --- Musique et littérature --- Métaphore --- Musique --- Philosophy and aesthetics. --- Philosophie et esthétique --- Lully, Jean Baptiste, --- Rameau, Jean Philippe, --- Music and language --- Music and literature --- Metaphor --- Philosophy and aesthetics --- Opéra --- Musique et littérature --- Métaphore --- Philosophie et esthétique --- Rameau, Jean-Philippe, --- Lully, Jean-Baptiste, --- Opera - France - 17th century --- Opera - France - 18th century --- Music - France - Philosophy and aesthetics