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muziekgeschiedenis --- Music --- barokmuziek --- France --- Music, Baroque --- Musique --- Musique baroque --- History and criticism. --- Histoire et critique --- 17th century --- History and criticism --- 18th century --- 78.25 --- Music - France - 17th century - History and criticism. --- Music - France - 18th century - History and criticism.

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Castrati --- Vocal music --- History and criticism --- France --- Castrati - France --- Vocal music - France - 17th century - History and criticism --- Vocal music - France - 18th century - History and criticism --- History of France --- anno 1600-1699 --- anno 1700-1799 --- Versailles

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Les quelque cinquante contributions inédites réunies au sein de ce volume parcourent avec une exceptionnelle variété les champs d'étude de la musique baroque. Explorant avec liberté les multiples domaines de la musicologie, ces travaux ont été regroupés en cinq sections thématiques. La première, intitulée "Transmettre : catalogues et collections", s'attache à éclairer des patrimoines musicaux méconnus. La deuxième, "Des sources à l'interprétation", témoigne du nécessaire dialogue entre les musicologues et les interprètes. Le thème "Musique, verbe, images" couvert par la troisième partie ouvre à la fois vers l'iconographie musicale et vers l'apport que représentent les grands textes théoriques. Au sein de la section "Musique à la scène. Théâtre et danse (XVIIe-XIXe siècle)" se révèle toute la richesse des approches interdisciplinaires entre musicologues et spécialistes de littérature. La cinquième et dernière partie, "Musiciens en société en France et en Italie (xvne-xvInc siècle)" met en lumière l'importance de la pratique musicale loin du cercle versaillais. La richesse de cet ouvrage en hommage à Jean Duron, fondateur de l'Atelier d'études du Centre de musique baroque de Versailles, est à l'image de ce chercheur hors norme qui occupe depuis plusieurs décennies un rôle central dans la redécouverte et la mise en valeur du patrimoine musical des XVIe-XVIIIe siècles.

Music --- History and criticism. --- History and criticism --- Music - France - 17th century - History and criticism --- Music - France - 18th century - History and criticism --- Music - Europe - 17th century - History and criticism --- Music - Europe - 18th century - History and criticism

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It is the aim of this study to give as full an accounting as possible of basse continue performance as it is documented in the numerous seventeenth and eighteenth century treatises produced in France.This comprehensive study basse continue practice supplements an already sizeable body of literature on thorough bass accompaniment, the emphasis of which has clearly been Italian and German theoretical works. The numerous French accompaniment treatises written during the XVIIth and XVIIIth centuries seem to have been, with only a few choice exceptions, unjustifiably dismissed by many modern scholars as little more than harmonic tutors, and the discipline of musicology - particularly as it relates to historical performance practice - has definitely suffered as a result. These works certainly do not deserve such a fate, for they provide not only unique documentation of French harmonic theory as it evolved over the course of more than a century, but a wealth of important information regarding XVIIth and XVIIIth century French performance practice as well. It is the aim of this study to give as full an accounting as possible of basse continue performance as it is documented in the numerous XVIIth and XVIIIth century treatises produced in France, beginning with Nicholas Fleury´s Méthode pour facilement a toucher le théorbe sur la basse-continuë (1660) and continuing through Pierre-Joseph Roussier´s Traité des accords, et de leur succession (1764) and his L´harmonie pratique, ou exemples pour le Traité des accords (1775). The issues dealt with in the treatises are treated systematically, and provide the framework for the entire study.

Basse continue --- Basso continuo --- Thorough bass --- Continuo --- Musical accompaniment --- Music --- Accompagnement (Musique) --- Musique --- Early works to 1800 --- History and criticism. --- Ouvrages avant 1800 --- Histoire et critique --- History and criticism --- France --- 17th century --- 18th century --- 78.52 --- 78.63 --- Continuo - France --- Music - France - 17th century - History and criticism --- Music - France - 18th century - History and criticism --- Barok --- Uitvoeringspraktijk

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France --- Frankrijk --- Musique --- Muziek --- Music --- Historiography --- History and criticism --- Early works to 1800 --- Theory --- Historiographie --- Histoire et critique --- Ouvrages avant 1800 --- Théorie --- Historiography. --- History and criticism. --- -Music --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- -Historiography --- Théorie --- Musicology --- Methods --- Theory, etc. --- Musicologie (discipline) --- Music - Historiography. --- Music - France - 17th century - History and criticism. --- Music - France - 18th century - History and criticism. --- histoire --- théorie --- musique --- misque --- medieval --- civilisation