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The earliest surviving hautboy solo is a Symphonia by Johann Christoph Pez from the 1690's or early 1700's. This piece survives in two versions, as a Sonata for violin and a Symphonia for hautboy, and the differences between the two enable a comparison of how Pez viewed the character and technical capabilities of each instrument. The purpose of this edition is to show how Pez's Symphonia can be used as a template to find other works that might become hautboy solos (treble/bass) from the last third or so of the seventeenth century when the instrument came into use. Thus Pez points the way

Music --- Baroque music --- Classical period music --- Music, Baroque --- Music, Classical period --- Music, Renaissance --- Renaissance music

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This book is the first more comprehensive effort dedicated to the interdisciplinary study of Renaissance music in Croatia. On the pages of this book the dramatis personae comprise priests and heretics, noblemen and tradesmen, men of learning and illiterate fishermen, ladies from high society and courtesans, printers and scribes, patrons of the arts and their protégés ? in other words, people participating in one way or another in cultural and artistic events. In spite of grave political problems during the 15th and 16th centuries (the Turks established their power in the north and eastern regions), the Croatian soil was a theatre of vivid musical life. The variety of cultural influences (most important coming from Italy) has been reflected in some specific phenomena in the Croatian cultural and musical life. Among them are the Catholic liturgy in the native language, the Petrarchan poetry in the Italian language, with which some Dalmatian poets managed to attract the attention of contemporary Italian composers, and finally, the fact that the Croatian coastland was the extreme south-eastern point reached by the widely spreading Netherlandish Renaissance polyphony. This book focuses on identifying, contextualising and presenting this less known European musical heritage to the wider international public.

Music, Renaissance --- Music --- Renaissance --- Musique de la Renaissance --- Musique --- History --- Histoire --- History of civilization --- music [performing arts] --- anno 1400-1499 --- anno 1500-1599 --- 78.24 --- 78.34.8 --- Muziek --- Cultuur --- Kroatië --- music [performing arts genre] --- muziekgeschiedenis --- Croatia

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Music --- muziekinstrumenten --- muziekgeschiedenis --- Renaissance --- muziekleven --- Musicians --- France --- Music in art --- Musique dans l'art --- Muziek in de kunst --- Musical instruments --- Music, Renaissance --- Instruments de musique --- Musique de la Renaissance --- History --- Histoire --- 16th-18th centuries --- History and criticism --- 78.24 --- 78.40

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Music --- anno 1400-1499 --- anno 1500-1599 --- -Music --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Josquin des Prez --- -Criticism and interpretation --- -Josquin des Prez --- Josquinus Pratensis --- Jodocus Pratensis --- Jodocus a Prato --- Josquin Desprez --- des Prez, Josquin --- Desprez, Josquin --- Des Prés, Josquin --- Després, Josquin --- Lebloitte, Jossequin --- Lebloitte, Josquin --- Criticism and interpretation --- Medieval music --- Music, Medieval --- Music, Renaissance --- Renaissance music --- Josquin, --- De Pres, Josquin, --- Deprès, Josquin, --- Des Prés, Josquin, --- Des Prez, Josquin, --- Després, Josquin, --- Desprez, Josquin, --- Dupré, Josquin, --- Jodocus, --- Josse, --- Jusquin, --- Pres, Josquin de, --- Pres, Josquin des, --- Prez, Josquin des, --- Criticism and interpretation.

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This study is based on newly recovered documentation pertaining to music and the patronage of music in the court of René d'Anjou, especially on the singers of his chapel. The book includes unpublished notarial records of Josquin Desprez and other musicians. These findings -- some of which alter our assessment of musicians' biographies and service, primary sources, and repertoire -- are considered in the context the literary program, theatrical productions, visual culture, liturgical observance, and ceremonial of the court.

Music patronage --- Music --- René --- Josquin, --- Provence (France) --- History --- Medieval music --- Music, Medieval --- Music, Renaissance --- Renaissance music --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- René --- De Pres, Josquin, --- Deprès, Josquin, --- Des Prés, Josquin, --- Des Prez, Josquin, --- Després, Josquin, --- Desprez, Josquin, --- Dupré, Josquin, --- Jodocus, --- Josse, --- Jusquin, --- Pres, Josquin de, --- Pres, Josquin des, --- Prez, Josquin des, --- History. --- Josquin des Prez --- Josquinus Pratensis --- Jodocus Pratensis --- Jodocus a Prato --- Josquin Desprez --- des Prez, Josquin --- Desprez, Josquin --- Des Prés, Josquin --- Després, Josquin --- Lebloitte, Jossequin --- Lebloitte, Josquin --- Music patronage - France - Provence - 15th century --- Music - 15th century --- René - I, - King of Naples and Jerusalem, - 1409-1480 --- Josquin, - des Prez, - -1521 --- Provence (France) - History