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Les conservateurs depuis les années 1980 se sont dotés de règles d'activité, de formations spécifiques, d'une organisation professionnelle, d'un code de déontologie et d'une protection légale du monopole, tout en transformant les politiques culturelles, à l'échelle locale et nationale. Certaines évolutions récentes semblent néanmoins bouleverser ces acquis et cette position dominante. De fait, les conservateurs de musées connaissent une déstabilisation inédite de leur autorité professionnelle. A côté de la nomination d'autres professionnels à la tête des musées, tant nationaux que territoriaux, l'apparition de nouveaux professionnels et de nouveaux services serait susceptible de "reléguer" les conservateurs à des "référents scientifiques" - une crainte exacerbée par la chute spectaculaire de la démographie du corps des conservateurs du patrimoine.
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Museum curators --- Museums --- Curatorship
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The first comprehensive biography of pioneering archaeologist and museum curator Winnifred Lamb, who was honorary keeper of Greek antiquities at the Fitzwilliam Museum, Cambridge in the four decades immediately following the First World War.
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Museum curators --- Museums --- Museum curators. --- Museums --- Curatorship --- Curatorship.
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Museum curators --- Museums --- Museum curators. --- Museums --- Curatorship --- Curatorship.
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Through her co-founding of the magazine Parkett in 1984 and her curatorial work, Bice Curiger has been one of the central protagonists of the international art world since the 1980s. The work biography illuminates the various stations and diverse activities of the Swiss curator, editor and author. All of Curiger's exhibitions, from "Frauen sehen Frauen" (Zurich, 1975) to the 2011 Venice Biennale to her current work at the Fondation Vincent van Gogh in Arles, are documented, explained in depth, and commented on by contemporary witnesses. Curiger's career is situated in the development of contemporary art, the history of curating, and the internationalization, globalization, and institutionalization of the art world.
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The book 'From a History of Exhibitions Towards a Future of Exhibition-Making: China and Southeast Asia' is the result of various ongoing assembly platforms linked together under the same name, all organized and initiated by Biljana Ciric and hosted by St Paul St Gallery AUT (2013), Rockbund Art Museum (2018), and Guangdong Times Museum (2019). The texts presented in this book are the result of research undertaken by different writers, curators, and art practitioners in Southeast Asia, revisiting the importance of exhibitions as a form and medium presented at assemblies. The book's contributions explore how exhibitions can be read and understood across different social and cultural contexts, highlighting differences within the region, whilst also inviting new approaches and methodologies to pinpoint areas for comparative forms of research. The book draws further awareness towards the specificity and diversity of practices found within Asia--thereby looking to contribute decisively towards a (re)mapping of exhibition practices and histories using the different perspectives and local contexts found in this region.
Art museum curators --- Art museum curators --- Art museum curators. --- Art --- Ausstellung. --- Geschichtsschreibung. --- Kunst. --- Museumskunde. --- Exhibitions --- Philosophy. --- China. --- China. --- Southeast Asia. --- Südostasien.
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Etudes sur les conservateurs de musées en France, l'évolution de leur statut, leur formation, leur positionnement face à d'autres métiers, etc. ©Electre 2015
Museum curators --- Conservateurs de musées --- Conservateurs de musées
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