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gouden eeuw (Napels) --- Art --- Capodimonte Museum [Naples] --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Naples --- Museo di Capodimonte (Napels) --- renaissance --- barok --- 16de eeuw --- 17de eeuw --- 18de eeuw --- Napels --- Exhibitions --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Napels, school of --- Museo di Capodimonte (Napels). --- barok. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Napels.

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Art --- 7 <017> <45 NAPOLI> --- 7 <017> <45 NAPOLI> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--?<017>--Italië--NAPOLI --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--?<017>--Italië--NAPOLI --- Museo e gallerie nazionali di Capodimonte --- Naples. --- Museo di Capodimonte --- Museo nazionale di Capodimonte --- Galleria nazionale di Capodimonte --- Palazzo di Capodimonte (Museum : Naples, Italy) --- National Museum of Capodimonte --- Museum of Capodimonte --- Museo e Real Bosco di Capodimonte --- Museo nazionale di Napoli --- Capodimonte Museum [Naples]

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In this visually stunning and much anticipated book, acclaimed art historian Joseph Leo Koerner casts the art of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its opposite: depictions of a foe hellbent on destroying us. Probing deeply the visual cunning of these Renaissance masters, Koerner uncovers art history's unexplored underside: the visual image as enemy. An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through art. Koerner guides readers through all the major paintings, drawings, and prints of these two towering artists, including Bosch's elusive Garden of Earthly Delights, which forms the mesmerizing center of the historical tour de force. Elegantly written and abundantly illustrated the book is based on Koerner's A.W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington. ; Inside jacket flap.

Peinture de genre hollandaise --- Genre painting, Dutch --- Bruegel, Pieter, --- Bosch, Hieronymus, --- Bruegel, Pieter --- Bosch, Hieronymus --- Bruegel, Pieter, --- Bosch, Hieronymus, --- Bruegel, Pieter, --- Bosch, Hieronymus, --- Bruegel, Pieter, --- Bosch, Hieronymus, --- Criticism and interpretation. --- Criticism and interpretation. --- Critique et interpretation. --- Critique et interpretation. --- Criticism and interpretation. --- Criticism and interpretation. --- Achievement (heraldry). --- Allegory. --- Allusion. --- Altarpiece. --- Ambiguity. --- Anathema. --- Anime. --- Art history. --- Beauty. --- Beret. --- Bruegel (institution). --- Caricature. --- Chapter 2. --- Chiaroscuro. --- Christian martyrs. --- Class action. --- Class conflict. --- Conflagration. --- Crime against nature. --- Cristofano Allori. --- Description. --- Early Netherlandish painting. --- Emblem. --- Embroidery. --- Engraving. --- Everyday life. --- Futures studies. --- Genre painting. --- Georgius Agricola. --- Gluttony. --- Hatred. --- Hieronymus Bosch. --- High Art. --- Holy Roman Empire. --- Humility. --- Hyle. --- James Strachey. --- Jan van Eyck. --- Jewish hat. --- Judeo-Christian. --- Karel van Mander. --- Library. --- Literature. --- Mass of Saint Gregory. --- Michael Wolgemut. --- Museo del Prado. --- Museo di Capodimonte. --- Mussel. --- Natural and legal rights. --- Nobility. --- Picture plane. --- Pieter Bruegel the Elder. --- Pity. --- Pogrom. --- Poiesis. --- Proverb. --- Royal Library of Belgium. --- Second Letter (Plato). --- Self-control. --- Self-portrait. --- Self-preservation. --- Spontaneous generation. --- Symptom. --- Tavern. --- The Hay Wain. --- The Land of Cockaigne (Bruegel). --- The Seven Deadly Sins and the Four Last Things. --- Wallraf-Richartz Museum. --- Woodcut. --- Writing.