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Exposition collective regroupant: Artschwager, Richard, 1923- ; Beuys, Joseph, 1921-1986 ; Broodthaers, Marcel, 1924-1976 ; Büttner, Werner, 1954- ; Christo, 1935- ; Duchamp, Marcel, 1887-1968 ; Fritsch, Katharina, 1956- ; Förg, Günther, 1952- ; Gerz, Jochen, 1940- ; Herold, Georg, 1947- ; Hesse, Eva, 1936-1970 ; Horn, Rebecca, 1944- ; Judd, Donald, 1928-1994 ; Kessler, Jon, 1957- ; Kippenberger, 1953-1997 ; Klein, Yves, 1928-1962 ; Landy, Michael, 1963- ; Lewitt, Sol, 1928- ; Merz, Gerhard, 1947- ; Merz, Mario, 1925- ; Nauman, Bruce, 1941- ; Oldenburg, Claes, 1929- ; Paolini, Giulio, 1940- ; Polke, Sigmar, 1941- ; Rauschenberg, Robert, 1925- ; Ray, Man, 1890-1976 ; Steinbach, Haim, 1944- ; Warhol, Andy, 1928-1987.
Multiple art --- Multiples (Art) --- Exhibitions --- Expositions
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Art, Modern --- Multiple art --- Art --- Multiples (Art) --- Exhibitions. --- Expositions --- Expositions
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Art, Italian --- Multiple art --- Art italien --- Multiples (Art) --- 7.036 --- Moderne kunststijlen --- 7.036 Moderne kunststijlen
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Conceptual art --- Art, Modern --- Multiple art --- Art conceptuel --- Art --- Multiples (Art) --- Exhibitions. --- Themes, motives --- Exhibitions. --- Exhibitions --- Expositions --- Thèmes, motifs --- Expositions --- Expositions
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La 4ème de couverture indique : "Cette enquête a trait au multiple (objet) et aux " autres " multiples (imprimés et enregistrements) d'artistes. Ces éditions ont été déterminées historiquement à la fin des années 1950, en particulier en Europe et en Amérique du Nord. Par leur intermédiaire, les acteurs de la scène artistique tentent de démocratiser l'art. Mais dès la fin des années 1960, les premiers éléments historiographiques révèlent l'échec de cette démarche. Lorsque la pratique et le marché du multiple et des " autres " multiples connaissent un nouvel essor à partir du milieu des années 1980, les spécialistes de la question analysent d'abord leurs caractéristiques internes et omettent une partie du corpus existant en choisissant surtout des éditions limitées et confidentielles. En cela, ils répètent d'abord l'impossibilité des artistes à offrir aux publics de larges accès à l'art. Pourtant, une partie de la pratique artistique révèle de nouveaux modes de production et de diffusion du multiple et des " autres " multiples depuis le milieu des années 1980, en France comme à l'international. Ils sont aidés par la diversification des moyens d'expression des artistes, l'essaimage des pratiques et des espaces de diffusion des éditions et de nouvelles relations entre oeuvre d'art originale et production industrielle. Bref, ils concourent à une forme de vulgarisation du multiple et des " autres " multiples, même si les acteurs de la scène artistique ont pris la mesure des échecs des décennies précédentes et tiennent plus que jamais compte des prérogatives du marché de l'art et de ses protagonistes."
Perception de l'art --- Pratique artistique --- Artiste, rôle --- Marché de l'art --- Copie --- Multiple art --- Art --- Art, Modern --- Reproduction --- 20e siècle --- 21e siècle --- Multiples (art) --- Arts graphiques --- Reproduction (art) --- Art - Reproduction --- Art, Modern - 20th century --- Art, Modern - 21st century
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Judd, Donald --- houtsneden --- Ed. by Jörg Schellmann and Mariette Josephus Jitta --- Judd Donald --- grafiek --- twintigste eeuw --- 76.071 JUDD --- Donald Judd --- prints [visual works] --- prentkunst --- Multiple art --- Prints --- Art, Multiple --- Multiples (Art) --- Art, Modern --- Exhibitions --- Judd, Donald, --- Judd, Don, --- Jaddo, Donarudo, --- Catalogues raisonnés. --- 7.071 --- kunstenaars --- moderne kunst --- Art
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Available for a limited time, this artist's book by renowned visual artist Tacita Dean explores her chance encounters with objects in the archives of the Getty Research Institute. As the Getty Research Institute artist in residence in 2014-15, Tacita Dean was asked to define a subject and identify a path of research. What she proposed instead was a project titled "The Importance of Objective Chance as a Tool of Research." Her idea was to allow chance to be her guide. Dean researched randomly, picking out boxes from the collections without knowing their contents, meandering through objects and images from sources as varied as medieval alchemy books to twentieth-century artist letters. Monet Hates Me features reproductions of fifty artworks she created from Getty's archival holdings along with enlightening texts that expand on her method of research and illustrate her encounters with the archives.https://www.amazon.com/Monet-Hates-Me-Tacita-Dean/dp/160606777X
Assemblage (Art) --- Multiple art --- kunst --- fotografie --- archieven --- archivering --- onderzoek in de kunsten --- artistiek onderzoek --- Dean Tacita --- eenentwintigste eeuw --- 7.071 DEAN --- Art, Multiple --- Multiples (Art) --- Art, Modern --- Dadaism --- Found objects (Art) --- Dean, Tacita, --- Getty Research Institute --- Getty Research Institute for the History of Art and the Humanities --- Library resources
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Multiple art --- 7.038 --- Armleder John M --- Bijl Guillaume --- Bousema Anne --- Brannagan Dean --- de Ville Nick --- eindred. Q.S. Serafijn --- Engelen William --- Graham Rodney --- Hoffmann Stefan --- Hohenbüchler Christine --- Jonas Per --- Kive Helena --- Kleerebezem Jouke --- kunst --- Meyers Rick --- Mortimer Edward --- Mullican Matt --- multiples --- Mundt Wilhelm --- Murray Alan --- Oorebeek Willem --- Palemn Désirée --- Pollack Linda --- Rikken Miranda --- twintigste eeuw --- van Lieshout Joep --- Weibel Peter --- Art, Multiple --- Multiples (Art) --- Art, Modern --- Congresses --- Art --- art [fine art] --- Bousema, Anna --- Brannagan, Dean --- De Ville, Nick --- Groot, Paul --- Hoffmann, Stefan --- Jonas, Per --- Kive, Helena --- Kleerebezem, Jouke --- Meijers, Rik --- Mortimer, Edward --- Mundt, Wilhelm --- Palmen, Désirée --- Pollack, Linda --- Rikken, Miranda --- Armleder, John M. --- Engelen, William --- Graham, Rodney --- Mullican, Matt --- Herold, Georg --- Hohenbüchler, Christine --- Weibel, Peter --- Bijl, Guillaume --- Atelier Van Lieshout [Rotterdam] --- anno 1900-1999 --- art [discipline] --- Bousema, Anne
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Over the past two decades, geopolitical borders have shifted and new technologies have forged channels of communication around the world. The Western art world has become part of a much broader field, opening itself to new continents and allowing for a significant crosspollination of post-Conceptual strategies and vernacular modes. Printed materials, in both innovative and traditional forms, have played a key role in the exchange of ideas and sources. Print/Out, published in conjunction with an exhibition at The Museum of Modern Art, examines the evolution of artistic practices related to printmaking, from a recent resurgence of traditional printing techniques — often used alongside digital technologies — to the proliferation of self-published artists' projects. Print/Out features focused sections on ten artists and publishers — Ai Weiwei, Ellen Gallagher, Martin Kippenberger, Lucy McKenzie, Aleksandra Mir, museum in progress, Edition Jacob Samuel, SUPERFLEX, Robert Rauschenberg, and Rirkrit Tiravanija — as well as rich illustrations of printed projects from the last twenty years by major artists such as Trisha Donnelly, Felix Gonzalez-Torres, Thomas Schütte, and Kelley Walker.
printmaking --- prentkunst --- hedendaagse kunst --- Graphic arts --- grafische vormgeving --- Contemporary [style of art] --- drukkunst --- graphic design --- anno 2000-2009 --- anno 1990-1999 --- Prints --- Multiple art --- Estampe --- Multiples (Art) --- Exhibitions. --- Expositions --- Museum of Modern Art (New York, N.Y.) --- 76.039 --- 7.05 --- Grafiek ; 21ste eeuw ; 1995-2012 --- Tentoonstellingscatalogi ; New York ; MOMA --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- grafiek --- Abramovic Marina --- Weiwei Ai --- Burden Chris --- Donnelly Trisha --- Dunham Carroll --- Samuel Jacob --- Gallagher Ellen --- General idea --- Gillick Liam --- Gonzalez-Torres Felix --- Hirst Damien --- Kippenberger Martin --- Kuitca Guillermo --- Marclay Christian --- Martinez Daniel Joseph --- Mckenzie Lucy --- Mehretu Julie --- Mir Aleksandra --- Mullican Matt --- Museum in progress --- Nara Yoshimoto --- Pardo Jorge --- Parreno Philippe --- Permanent food --- Rauschenberg Robert --- Schütte Thomas --- Siena James --- Slavs and Tatars --- Smith Josh --- Superflex --- Tiravanija Rirkrit --- Tobias Gert --- Tobias Uwe --- Walker Cara --- Walsh Dan --- West Franz --- White Pae --- Wool Christopher --- Xu Bing --- Yuskavage Lisa --- 76.036/039 --- Grafische kunst ; 2000 - 2050 --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- Exhibitions --- prints [visual works] --- MAD-faculty 14 --- hedendaagse schilderkunst --- hedendaagse tekenkunst
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Arman ; Armleder, John ; Arp, Hans (Jean) ; Artschwager, Richard ; Baj, Enrico ; Balkenhol, Stephan ; Beuys, Joseph ; Bijl, Guillaume ; Bleckner, Ross ; Bloom, Barbara ; Blume, Bernhard Johannes ; Boetti, Alighiero ; Boriani, Davide ; Boto, Martha ; Bourgeois, Louise ; Brecht, George ; Broodthaers, Marcel ; Bury, Pol ; Büttner, Werner ; Cage, John ; Ceroli, Mario ; Christo ; Chryssa ; Darboven, Hanne ; Demarco, Hugo Rodolfo ; Diamond, Jessica ; Dion, Mark ; Duchamp, Marcel ; Eichhorn, Maria ; Feldmann, Hans-Peter ; Filliou, Robert ; Fischli & Weiss ; Flatz, Wolfgang ; Fleury, Sylvie ; Fontana, Lucio ; Förg, Gunther ; Fritsch, Katharina ; General Idea ; Gerstner, Karl ; Gerz, Jochen ; Gilardi, Piero ; Gonzalez-Torres, Felix ; Graham, Rodney ; Finlay, Ian Hamilton ; Hamilton, Richard ; Herold, Georg ; Hirst, Damien ; Hörl, Ottmar ; Horn, Rebecca ; Kabakov, Ilya ; Kaprow, Allan ; Kelley, Mike ; Kessler, Jon ; Kiecol, Hubert ; Kippenberger, Martin ; Klein, Yves ; Knizak, Milan ; Knoebel, Imi ; Koons, Jeff ; Kosuth, Joseph ; Landers, Sean ; Lawler, Louise ; Lemieux, Annette ; Levine, Sherrie ; LeWitt, Sol ; Lichtenstein, Roy ; Mack, Heinz ; Man Ray ; Manzoni, Piero ; Mayer, Hans-Jörg ; McCarthy, Paul ; Metzel, Olaf ; Miller, John ; Morellet, François ; Mullican, Matt ; Nannucci, Maurizio ; Nauman, Bruce ; Oates, Daniel ; Oehlen, Markus ; Oldenburg, Claes ; Oppenheim, Meret ; Otterness, Tom ; Paik, Nam June ; Palermo, Blinky ; Panamarenko ; Parc, Julio Le ; Penone, Giuseppe ; Peterman, Dan ; Pezzo, Lucio Del ; Polke, Sigmar ; Raynaud, Patrick ; Rivers, Larry ; Rotella, Mimmo ; Roth, Dieter ; Rühm, Gerhard ; Ruppersberg, Allen ; Ruthenbeck, Reiner ; de Saint-Phalle, Niki ; Schoeffer, Nicolas ; Schulze, Andreas ; Sherman, Cindy ; Smithson, Robert ; etc.
hrsg. von Zdenek Felix ; mit Beitr. von Stefan Germer, Claus Pias, Katerina Vatsella --- multiples --- Gerstner Karl --- Zimmermann Peter --- Yvaral Jean-Pierre --- Woodrow Bill --- Wesselmann Tom --- Walther Franz Erhard --- Walle Jeff --- Vostell Wolf --- de la Villeglé Jacques Mahé --- Vasarely Victor --- Vardanega Gregorio --- Vaisman Meyer --- Tilson Joe --- Talman Paul --- Staeck Klaus --- Soto Jesus Rafael --- Sobrino Francisco --- Schulze Andreas --- Schoeffer Nicolas --- Ruthenbeck Reiner --- Ruppersberg Allen --- Rühm Gerhard --- Rotella Mimmo --- Rivers Larry --- Raynaud Patrick --- del Pezzo Lucio --- Otterness Tom --- Oppenheim Meret --- Oehlen Markus --- Oates Daniel --- Nannucci Maurizio --- Mullican Matt --- Miller John --- Metzel Olaf --- Mayer Hans-Jörg --- Mack Heinz --- Le Parc Jules --- Lemieux Annette --- Landers Sean --- Kosuth Joseph --- Knoebel Imi --- Kiecol Hubert --- Kessler Jon --- Kabakov Ilya --- Horn Rebecca --- Hörl Ottmar --- Herold Georg --- Gilardi Piero --- Gerz Jochen --- Flatz Wolfgang --- Finlay Ian Hamilton --- Feldmann Hans-Peter --- Eichhorn Maria --- Demarco Hugo R. --- Chryssa --- Ceroli Mario --- Bury Pol --- Büttner Werner --- Boto Martha --- Boriani Davide --- Blume Bernhard Johannes --- Bleckner Ross --- Balkenhol Stephan --- Baj Enrico --- Armleder John M. --- Kinetic [style] --- kinetische kunst --- Art --- Multiple art --- Nauman Bruce --- Oldenburg Claes --- Paik Nam June --- Palermo Blinky --- Panamarenko --- Penone Giuseppe --- Peterman Dan --- Polke Sigmar --- Ray Man --- Roth Dieter --- Sherman Cindy --- Smithson Robert --- Spoerri Daniel --- Steinbach Haim --- Tiravanija Rirkrit --- Tobier Lincoln --- Trockel Rosemarie --- Tuttle Richard --- twintigste eeuw --- Uecker Günther --- Weiner Lawrence --- Weiss David --- Zobernig Heimo --- 7.036 --- Arman --- Armleder John M --- Arp Hans --- Arp Jean --- Artschwager Richard --- Beuys Joseph --- Bijl Guillaume --- Bloom Barbara --- Boetti Alighiero --- Bourgeois Louise --- Brecht George --- Broodthaers Marcel --- Cage John --- Christo --- Darboven Hanne --- Demarco Hugo R --- de Saint-Phalle Niki --- Diamond Jessica --- Dion Mark --- Duchamp Marcel --- Filliou Robert --- Fischli Peter --- Fleury Sylvie --- Fontana Lucio --- Förg Günther --- Fritsch Katharina --- General Idea --- Gonzalez-Torres Felix --- Graham Rodney --- Hamilton Richard --- Hirst Damien --- Kaprow Allan --- Kelley Mike --- Kippenberger Martin --- Klein Yves --- Knizak Milan --- Koons Jeff --- kunst --- Lawler Louise --- Levine Sherrie --- LeWitt Sol --- Lichtenstein Roy --- Man Ray --- Manzoni Piero --- McCarthy Paul --- Morellet François --- Art, Multiple --- Multiples (Art) --- Art, Modern --- Exhibitions --- Kinetic Art
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