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This is an open access book. The Faculty of Creative Multimedia (FCM), Multimedia University will hold the 2nd International Conference on Creative Multimedia 2022 (ICCM2022) on 25-27 July 2022 (Virtual Conference). ICCM2022 invites prospective authors to take part by submitting research papers in pursuing the vibrant discourse of creative multimedia. ICCM2022 aims to bring together related research scholars, educators, practitioners, policymakers, enthusiasts, fellow students, and design entrepreneurs from various perspectives, disciplines, and fields to share and exchange their research experiences and results on all aspects of arts, design, and creative media technologies. ICCM2022 embraces possibilities, provides an interdisciplinary forum for all stakeholders to present and discuss current trends, innovations, and concerns, as well as practical issues and solutions in the field of creative multimedia. We welcome high-quality research contributions dealing with original and unpublished results on fundamental, conceptual, empirical and experimental work in all areas of arts, design and creative media technologies.

Multimedia (Art) --- Multi media (Art) --- Arts

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The title of the publication Art and New Media defines both the collective author's field of interest and tactics of movement within the field. The term is constituted from two names - art and new media. This way we refer towards research focusing of mutual influences, references and fusions of artistic creativity and technology, especially with information and communication technologies (from radio, through first computer graphics, to virtual words and world wide web) following their development during 20th and the beginning of 21st century. Special attention is dedicated to the moments when the individual media were new and thus hopes and fears projected into them can be clearly detected in their reception. The presented collective monograph completes the work of the Musicology department of Faculty of Arts Masaryk University research team on the subject described as "function of technology in the development and in the production of performing arts", which was made possible thanks to the support of the Center of the Fundamental Research AMU&MU.

Multimedia (Art) --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Multi media (Art) --- Arts

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Filled with practical, step-by-step instructions and clear explanations for the most important and useful tasks. "Instant BrainShark" is a step-by-step guide to creating online presentations using BrainShark. The book covers digital marketing best practices alongside tips for sales conversions. The book is written in an easy-to-read style for anybody to easily pick up and get started with BrainShark.Instant BrainShark is for anyone who wants to use BrainShark to create presentations online and share them around the community. The book is also useful for developers who are looking to explore BrainShark as a possible way to market their existing presentations or podcasts.

Cloud computing. --- Business presentations. --- Presentations, Business --- Business communication --- Electronic data processing --- Web services --- Distributed processing --- Multi-media Presentations.

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In the late nineteenth century, the development of a relatively new invention& the moving picture& dramatically changed visual culture. Films not only captured the public imagination, they altered the way the world was represented to and received by the eager viewing audience. This groundbreaking book explores the history of visual media in Britain during this key period, when the nineteenth century was closing and the twentieth just beginning. Lynda Nead shows in this original study how the period witnessed a transformation from stasis to movement across the entire range of visual media, including painting, photography, and film as well as stage magic, lantern pictures, early film posters, and astronomy. She looks at the effects of this transformation from a wide variety of perspectives, demonstrating how the idea of motion haunted all visual media and altered both viewers' expectations of the image and their modes of perception. Nead portrays a fascinating cultural landscape in the midst of change, filling in the details with a rich selection of illustrations.

film --- fotografie --- schilderkunst --- precinema --- animatie --- negentiende eeuw --- twintigste eeuw --- 7.035/036 --- 77.035 --- 791.03 --- 7 <09> --- Kunstgeschiedenis. Kunsthistorie --- Arts, Modern --- Motion in art. --- Multimedia (Art) --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Multimedia (Art). --- Motion in art --- Multi media (Art) --- Arts

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Julian Stubbe aims at characterizing what novelty is in the becoming of objects and how the new becomes part of a shared reality. The study’s method is comparative and concerned with technological practice in science as well as in art. It draws on a detailed comparison of two cases: the becoming of a robotic hand made from silicon, and the genesis of a media art installation that renders visible changes in the earth’s magnetic field. In contrast to the canon of sociological innovation studies, which regard novelty as what actors in the field label as new or innovation, the author attempts to delineate certain shifts in an object’s becoming that individuate an object and render its difference visible. This entails attending the enactment of novelty through cultural imaginaries and narratives about technologies, as well as acknowledging the shifts in technical forms that make loose elements enter a new kind of circularity. From this perspective, novelty is an articulation: when differences are not contradicting, but when differing characteristics are aligned, fitted, and click in so as to appear and behave as a distinct entity. Contents • Novelty and technological objects • Three articulations of novelty: identity, form, and difference • The aesthetic reflexivity of material practice Target Groups • Lecturers and students of sociology, especially of sociology of technology  The Author Dr. Julian Stubbe currently works as scientific consultant in the field of demographic change and future research.

Installations (Art) --- Multimedia (Art) --- Multi media (Art) --- Arts --- Installation art --- Art, Modern --- Environment (Art) --- Social sciences. --- Sociology. --- Social Sciences. --- Knowledge - Discourse. --- Social theory --- Social sciences --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization