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Feminism and literature --- Women and literature --- Psychological fiction, English --- Feminist fiction, English --- Creation (Literary, artistic, etc) --- Femininity in literature --- History --- History and criticism --- Ward, Humphry, --- Criticism and interpretation --- Creation (Literary, artistic, etc.) --- -Feminism and literature --- -Feminist fiction, English --- -Women and literature --- -Literature --- English feminist fiction --- English fiction --- Literature --- English psychological fiction --- Femininity (Psychology) in literature --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Creative ability --- Originality --- -Bibliography --- Women authors --- Ward, Humphry Mrs. --- -Criticism and interpretation --- Femininity in literature. --- History and criticism. --- -History and criticism --- Arnold, Mary Augusta, --- Mrs. Humphry Ward, --- Ward, Mary Augusta Arnold, --- Criticism and interpretation. --- Ward, Mary Augusta, --- Ward, Humphrey, --- Ward, T. H., --- Feminism and literature - Great Britain - History - 19th century --- Women and literature - Great Britain - History - 19th century --- Psychological fiction, English - History and criticism --- Feminist fiction, English - History and criticism --- Creation (Literary, artistic, etc) - History - 19th century --- Ward, Humphry, - Mrs, - 1851-1920 - Criticism and interpretation --- Grande-bretagne --- Femmes --- 19e siecle --- Conditions sociales --- Ward, Humphry, - Mrs, - 1851-1920

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This study seeks to develop a new context for reading later Victorian fiction, specifically the work of George Eliot, Thomas Hardy, Mary Ward and Rider Haggard. With Eliot and her successors the Victorian novel acquired greater cultural centrality, just as the authority of the scriptures and of traditional religious teaching seemed to be declining. The book considers whether serious, allegedly secular novelists supplanted the Bible or whether they anticipated some of the insights of contemporary theologians and writers of fiction by reimagining and reformulating rather than abandoning essentially religious themes and insights.

Bible and literature --- English fiction --- Religion and literature --- History --- History and criticism. --- Eliot, George, --- Hardy, Thomas, --- Ward, Humphry, --- Haggard, H. Rider --- Criticism and interpretation. --- Bible and literature. --- Christianity and literature. --- Literature and Christianity --- Literature --- Christian literature --- Literature and the Bible --- Haggard, Rider --- Khaggard, Raĭder --- Haggard, Henry Rider, --- Ha-ko-te --- Hagacđơ, Henri --- Hagard, Henry Rider --- Hagacđơ, Henry --- Hagard, Raider --- Hōkārṭ, Ec. Reyiṭa --- Хаггард, Генри Райдер --- Хаггард, Генри --- הגרד, הרני רידר --- הגרד, רידר --- הגרד, ריידר, --- H. R. H. --- H., H. R. --- Arnold, Mary Augusta, --- Mrs. Humphry Ward, --- Ward, Mary Augusta Arnold, --- Author of Desperate remedies, --- Author of Under the greenwood tree, --- Desperate remedies, Author of, --- Gardi, Tomas, --- Ha-tai, --- Ha-tai, Tʻo-ma-ssu, --- Hārdī, Tūmās, --- Hardy, Tomás, --- Hardy, Tomasz, --- Khardi, Tomas, --- Under the greenwood tree, Author of, --- 哈代托瑪斯, --- Ward, Mary Augusta, --- Ward, Humphrey, --- Ward, T. H., --- Cross, Marian Evans, --- Evans, Marian, --- Eliot, Džordž, --- Ėliot, Dzhordzh, --- Cross, Mary Ann, --- Lewes, M. E. --- Lewes, Marian Evans, --- Elliŏtʻū, Choji, --- Eliyaṭ, Jārj, --- Evans, Mary Anne, --- אליוט, ג׳ַַורג׳ --- אליוט, ג׳ורג׳, --- עליאט, דזשארדזש --- עליאט, דזשארדזש, --- עליוט ג׳יארג׳, --- עליוט, גי׳ארג׳, --- עליוט, ג׳רארג׳, --- Hārḍī, Thômasa,