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Compiled by eminent Africanist film scholar Roy Armes, Dictionary of African Filmmakers is an inclusive, comprehensive treatment of films and filmmaking on the African continent. The dictionary covers African feature filmmaking from the first locally produced films to today's thriving film industry, listing 5,415 films made by 1,253 filmmakers in 37 countries. Part 1 includes information on filmmakers and provides date and place of birth, training or film experience, other creative activities, and a li
Motion picture producers and directors --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Credits.
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At most recent count, there are no fewer than 45 women in Brazil directing or codirecting feature-length fiction or documentary films. In the early 1990's, women filmmakers in Brazil were credited for being at the forefront of the rebirth of filmmaking, or retomada, after the abolition of the state film agency and subsequent standstill of film production. Despite their numbers and success, films by Brazilian women directors are generally absent from discussions of Latin American film and published scholarly works. Filling this void, this work focuses on women's film production in Brazil from the mid-1970's to the current era.
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Danny Boyle is one of contemporary filmmaking's most exciting talents. Since the early 1990's he has steadily created a body of work that crosses genres and defies easy categorisation, from black humour (Shallow Grave), gritty realism (Trainspotting), screwball comedy (A Life Less Ordinary), cult adaptations (The Beach), and horror (28 Days Later), to science fiction (Sunshine), children's drama (Millions), love stories (Slumdog Millionaire) and tales of personal redemption (127 Hours). Unl...
Motion picture producers and directors --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Boyle, Danny.
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This book deepens the understanding of the work carried out by professional women in Spanish film and television since the arrival of democracy, a period of radical changes that saw an emergence of female talent. Although most of the literature on women and media deals with female film directors, this book also addresses television, a medium where the presence of women was significant throughout this period. This book makes an important contribution to the study of the history of women in Spanish media, focusing on the work of some well-known names, while also rescuing from oblivion others now
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Motion picture producers and directors. --- Hughes, Bronwen. --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons
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This volume considers for the first time in a single collection this acclaimed, award-winning director's entire oeuvre, addressing and analysing themes such as identity, family, and masculinity, supported by in-depth coverage of the generic and aesthetic aspects of DiCillo's distinctive and influential film style. Through detailed chapters on each of DiCillo's feature films, presented here is a candid look behind-the-scenes of both the American independent film industry - from the No Wave movement of the 1980s, through the Indie boom of the 1990s, to the contemporary milieu - and the Hollywood studio system. This study documents the writing, production, and release of every DiCillo picture, each followed by an extensive Q&A with the director. Also featured are exclusive interviews and commentary with many cast members and collaborators, and members of legendary rock group, The Doors. Films covered include Johnny Suede, Living In Oblivion, Box of Moonlight, The Real Blonde, Double Whammy, Delirious, When You're Strange, and Down in Shadowland.
Motion picture producers and directors. --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons
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Examines the work of film director Céline SciammaOffers a close analyses of Sciamma's four feature filmsFocuses on the relation of Sciamma's works to the visual artsPerspectives drawn from Feminist theoryCéline Sciamma is the most visible and important feminist, and lesbian, director in contemporary international filmmaking. Her fourth feature, Portrait of a Lady on Fire, competed for the Palme d'Or at Cannes in 2019, and intervened directly in debates about the female gaze, sexuality, and specifically how to look at and make a portrait of young women. In her approach to female, non-binary and queer identities, she has focused on the need for agency, binding this imperative into her aesthetic choices and modes of filmmaking. This is the first book-length study of Sciamma's films, focusing on the relationship of her work to the visual arts, and exploring the relevance of feminist theory to her unique perspective.
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L'histoire du cinéma italien à travers les films des principaux réalisateurs de la période concernée. Les analyses des films sont groupées par réalisateur ou par thème. Il s'agit de la réédition d'un ouvrage publié en 1979 : ##Le cinéma italien, 1945-1979##. Il comporte une partie supplémentaire couvrant la période 1980-1990. [SDM].
Motion pictures --- Cinéma --- Cinéma --- Motion picture producers and directors --- CDL --- 791.43 --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- History
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