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Motion pictures --- Motion picture producers and directors --- Motion Pictures --- CDL --- 791.471 DREYER --- Cinema --- Films --- Films as Topic --- Movies --- Movies as Topic --- Film --- Motion Picture --- Movie --- Cinemas --- Films as Topics --- Movies as Topics --- Picture, Motion --- Pictures, Motion --- Photography --- Feature films --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Biography --- History and criticism --- Dreyer (carl theodor), cineaste danois, 1889-1968
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Cet ouvrage s'adresse aux futurs professionnels de l'équipe image d'un film, deuxième assistant opérateur, premier assistant opérateur (ou pointeur), cadreur (ou cameraman), chef opérateur (ou directeur de la photographie), ainsi qu'aux autres futurs professionnels, réalisateurs, décorateurs, monteurs. Chacun y trouvera, répertoriées et expliquées par l'auteur, toutes les notions de base, dont la connaissance est indispensable pour acquérir la maîtrise technique et artistique nécessaire à la fabrication de l'image de film
Motion pictures&delete& --- Cinematography --- Motion picture film --- CDL --- 791.42 --- Motion Pictures --- Cinema --- Films --- Films as Topic --- Movies --- Movies as Topic --- Film --- Motion Picture --- Movie --- Cinemas --- Films as Topics --- Movies as Topics --- Picture, Motion --- Pictures, Motion --- Photography --- Cinematographic film --- Film, Cinematographic --- Film, Motion picture --- Films, Cinematographic --- Motion pictures --- Moving-picture film --- Equipment and supplies&delete& --- Equipment and supplies --- Lighting
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Deleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film? David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.
Motion pictures --- Cinéma --- Philosophy. --- Philosophie --- Deleuze, Gilles, --- Criticism and interpretation. --- Bild. --- Film. --- Taxonomie. --- Cinéma (Deleuze, Gilles). --- Motion pictures. --- Photography --- Cinema --- Films --- Films as Topic --- Movies --- Movies as Topic --- Film --- Motion Picture --- Movie --- Cinemas --- Films as Topics --- Movies as Topics --- Picture, Motion --- Pictures, Motion --- Audio-visual materials --- Mass media --- Performing arts --- Feature films --- Moving-pictures --- History and criticism --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- Delezi, Jier, --- دولوز، جيل
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Cinematografie --- Cinematography --- Cinématographie --- Home movies --- Photography--Animated pictures --- Photography--Motion pictures --- Motion pictures --- Cinéma --- Philosophy --- Production and direction --- Philosophie --- Production et réalisation --- Cinéma --- Production et réalisation --- CDL --- 791.41 --- Motion Pictures --- Cinema --- Films --- Films as Topic --- Movies --- Movies as Topic --- Film --- Motion Picture --- Movie --- Cinemas --- Films as Topics --- Movies as Topics --- Picture, Motion --- Pictures, Motion --- Photography --- Chronophotography --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Animated pictures --- Direction --- Film theory and criticism --- Cinema industry
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Motion Pictures as Topic. --- Psychoanalytic Interpretation. --- Popular culture --- Psychoanalysis --- Psychoanalysis and motion pictures --- Motion pictures and psychoanalysis --- Motion pictures --- Psychology --- Psychology, Pathological --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Interpretation, Psychoanalytic --- Psychoanalytical Interpretation --- Interpretation, Psychoanalytical --- Interpretations, Psychoanalytic --- Interpretations, Psychoanalytical --- Psychoanalytic Interpretations --- Psychoanalytical Interpretations --- Cinema --- Films --- Films as Topic --- Movies --- Movies as Topic --- Motion Pictures --- Cinemas --- Film --- Films as Topics --- Motion Picture --- Movies as Topics --- Picture, Motion --- Pictures, Motion --- Photography --- Psychological aspects. --- Lacan, Jacques --- Culture in motion pictures. --- Psychoanalysis and motion pictures. --- Psychoanalysis. --- Psychoanalytic Interpretation --- Culture in motion pictures --- Motion Pictures as Topic --- Culture --- Psychological aspects --- Lacan, Jacques, --- Motion Pictures. --- Movie
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Film --- History --- Motion Pictures --- Motion pictures and history --- Motion pictures --- Cinéma et histoire --- Cinéma --- Periodicals --- Périodiques --- Histoire --- Motion pictures and history. --- Arts and Humanities --- Performing Arts, Travel and Leisure --- Literature --- Arts and Humanities. --- Performing Arts, Travel and Leisure. --- Historischer Film --- History. --- Motion Pictures as Topic. --- Umschulungswerkstätten für Siedler und Auswanderer --- Cinema --- Films --- Films as Topic --- Movies --- Movies as Topic --- Cinemas --- Films as Topics --- Motion Picture --- Movies as Topics --- Picture, Motion --- Pictures, Motion --- Aspects, Historical --- Historical Aspects --- Aspect, Historical --- Historical Aspect --- Histories --- Geschichtsfilm --- Geschichte --- Historienfilm --- Historische Filme --- History and motion pictures --- Moving-pictures and history --- Umschulungswerkstätte für Siedler und Auswanderer --- USA --- Motion Pictures. --- Photography --- Bitterfeld --- USA. --- Filmkunst. --- Geschiedenis. --- Umschulungswerkstätte für Siedler und Auswanderer --- Movie --- Historischer Film.
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Dit boek wil een kritiek leveren op de stellingen van de feministische filmtheoreticae die de binaire oppositie tussen de geslachten, gerepresenteerd in films, rechtstreeks koppelen aan de theorieën van Sigmund Freud. De auteur stelt dat zij die dit doen zelf met binaire en rigide concepten werken die geweld doen aan de nuances en de complexiteit van de psychoanalytische concepten van de Oostenrijkse psycholoog.
Film --- Depth psychology --- Motion Pictures as Topic. --- Psychoanalytic Theory. --- Sex Factors. --- 791.43.01 --- Film criticism --- Psychoanalysis --- Sex differences (Psychology) --- #SBIB:309H526 --- Sex (Psychology) --- Psychology --- Psychology, Pathological --- Motion picture criticism --- Motion pictures --- Moving-picture criticism --- Criticism --- Factor, Sex --- Factors, Sex --- Sex Factor --- Psychoanalytical Theory --- Theory, Psychoanalytic --- Oral Character --- Character, Oral --- Characters, Oral --- Oral Characters --- Psychoanalytic Theories --- Psychoanalytical Theories --- Theories, Psychoanalytic --- Theories, Psychoanalytical --- Theory, Psychoanalytical --- Cinema --- Films --- Films as Topic --- Movies --- Movies as Topic --- Motion Pictures --- Cinemas --- Films as Topics --- Motion Picture --- Movies as Topics --- Picture, Motion --- Pictures, Motion --- Photography --- Filmologie. Filmtheorie. Esthetica van de film --- Psychologie van de audiovisuele boodschap --- Evaluation --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Psychoanalytic Theory --- Sex Factors --- CDL --- 791.41 --- Cinema films --- Feminist theories --- Films (Motion pictures) --- Related to --- Motion Pictures as Topic --- Developmental psychology --- Mass communications --- Motion Pictures. --- Movie --- Movie review --- Identification --- Viewing habits --- Masculinity --- Féminité --- Book
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Film --- Philosophy --- Film criticism --- Motion pictures --- Critique cinématographique --- Cinéma --- #SBIB:309H1320 --- #SBIB:309H520 --- #SBIB:309H524 --- film --- filmtheorie --- marxisme --- film en politiek --- psychoanalyse --- film en psychoanalyse --- semiotiek --- semiologie --- film en semiotiek --- Metz Christian --- Baudry Jean-Louis --- Althusser Louis --- Lacan Jacques --- narratologie --- 791.41 --- 791.43.01 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Motion picture criticism --- Moving-picture criticism --- Criticism --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Audiovisuele communicatie: algemene werken --- Audiovisuele communicatie: semiotiek --- Filmologie. Filmtheorie. Esthetica van de film --- History and criticism --- Evaluation --- Film criticism. --- Motion pictures. --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Critique cinématographique --- Cinéma --- Motion Pictures --- CDL --- Photography --- Films as Topic --- Movies as Topic --- Motion Picture --- Movie --- Cinemas --- Films as Topics --- Movies as Topics --- Picture, Motion --- Pictures, Motion --- Theorie cinematographique contemporaine
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Motion pictures --- Cinéma --- Plots, themes, etc --- Intrigues, thèmes, etc --- Aesthetics --- #SBIB:309H301 --- #SBIB:309H520 --- #SBIB:309H1323 --- S.M. Eisenstein --- film --- filmgeschiedenis --- filmtheorie --- twintigste eeuw --- Eisenstein Sergei --- Sovjet-Unie --- Rusland --- 791.471 EISENSTEIN --- De communicator in de verschillende media (pers, omroep, film, boekenindustrie, ...) --- Audiovisuele communicatie: algemene werken --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- Cinéma --- Intrigues, thèmes, etc --- Plots, themes, etc. --- Motion Pictures --- CDL --- Cinema --- Films --- Films as Topic --- Movies --- Movies as Topic --- Film --- Motion Picture --- Movie --- Cinemas --- Films as Topics --- Movies as Topics --- Picture, Motion --- Pictures, Motion --- Photography --- Feature films --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Motion pictures - Aesthetics --- CINEMA --- THEORIE CINEMATOGRAPHIQUE --- UNION SOVIETIQUE
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Motion Pictures as Topic. --- Psychoanalytic Interpretation. --- Popular culture --- Psychoanalysis --- Psychoanalysis and motion pictures --- Motion pictures and psychoanalysis --- Motion pictures --- Psychology --- Psychology, Pathological --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Interpretation, Psychoanalytic --- Psychoanalytical Interpretation --- Interpretation, Psychoanalytical --- Interpretations, Psychoanalytic --- Interpretations, Psychoanalytical --- Psychoanalytic Interpretations --- Psychoanalytical Interpretations --- Cinema --- Films --- Films as Topic --- Movies --- Movies as Topic --- Motion Pictures --- Cinemas --- Film --- Films as Topics --- Motion Picture --- Movies as Topics --- Picture, Motion --- Pictures, Motion --- Photography --- Psychological aspects. --- Lacan, Jacques --- Hollywood (Los Angeles, Calif.) --- Culture in motion pictures. --- Psychoanalysis and motion pictures. --- Psychoanalysis. --- Motion Pictures. --- Psychoanalyse --- klinische beschouwingen --- klinische beschouwingen. --- Klinische beschouwingen. --- Culture in motion pictures --- Motion Pictures as Topic --- Psychoanalytic Interpretation --- Culture --- Psychological aspects --- Lacan, Jacques, --- Movie --- Hūlīwūd (Los Angeles, Calif.) --- Hollywood (Calif.)
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