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À la Recherche du temps perdu ist ein künstlerisch gestaltetes Universum von unvergleichlicher Größe. Vielfältige Bewegungen durchziehen und gliedern diese Welt – nicht nur als Formen ästhetischer Erfahrung, sondern auch als Modelle literarischer Hermeneutik. Die Kategorie der Bewegung ist unumgänglich, um die Poetik der Recherche zu verstehen. Dies beginnt bei erzählerischen Modellierungen von Bewegung an Schlüsselstellen und führt zu Erkundungen des ästhetischen Potenzials verschiedener Bewegungsarten. Analysiert wird dies vor dem Hintergrund zahlreicher einschlägiger Diskurse: die moderne Kinästhetik, die Philosophie Henri Bergsons, die medizinische Theorie der Nervosität, die Theorie fotografischer Stillstellung. Ebenso wichtig sind die intertextuellen Bezüge, die von Anspielungen auf Ovid und Hans Christian Andersen bis zu generischen Referenzen auf die moderne Lyrik, die avantgardistischen Formen des Theaters und die Ästhetik des Kinos reichen.
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This collection of essays is a critical reexamination of Joyce’s famed book of short stories, Dubliners. Despite the multifaceted critical attention Dubliners has received since its publication more than a century ago, many readers and teachers of the stories still rely on and embrace old, outdated readings that invoke metaphors of paralysis and stagnation to understand the book. Challenging these canonical notions about mobility, paralysis, identity, and gender in Joyce’s work, the ten essays here suggest that Dubliners is full of incredible movement. By embracing this paradigm shift, current and future scholars can open themselves up to the possibility of seeing that movement, maybe even noticing it for the first time, can yield surprisingly fresh twenty-first-century readings. .
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El libro estudia la relación de la literatura con distintos conceptos de desplazamiento. Así, trata sobre autores, como George Steiner, que por circunstancias históricas deben abandonar su lugar de origen, aunque vuelven siempre a él mediante la lectura de sus clásicos. También estudia obras escritas en una lengua distinta a la materna porque están destinadas a un público externo (los libros de escritoras árabes que publican en inglés). Igualmente un trabajo, dedicado a una poeta social española, analiza la presencia de personajes desplazados. También se incluyen dos capítulos sobre literatura de viajes, en género lírico (los Cuadernos de Rusia de Ridruejo) y en narrativa (testimonios de viajeros alemanes por Extremadura).
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European literature --- Facial expression in literature --- Gesture in literature --- Literature, Medieval --- Movement in literature --- History and criticism
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Tout au long du XXe siècle, la modernité et le progressisme ont été les deux pôles de la légitimité. Les écrivains qui ont voulu jouer sur les deux tableaux ont dû un jour ou l'autre faire un choix délicat. Modernistes et progressistes se sont décriés, combattus et au bout du compte mutuellement affaiblis. Il est question, dans ce livre, des surréalistes, de Malraux, des revues Eur ope et Esprit, de la Nouvelle Revue française, de Sartre et de Camus, des brechtiens, du Nouveau Roman et du Nouveau Théâtre, de Tel Quel mais aussi de la démocratie et du totalitarisme
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Literature as cultural discourse has always courted mobility. From the nomadic wanderings of the heroes of Homer and Virgil through the adventures of the medieval knight-errants to the travellers of modern times, movement and mobility have been constitutive elements of story-telling. Since writers have begun to explore the experiential dimension of movement their texts have embraced the essential changeability and instability of ‘mobile worlds’. In this sense literature reflects and processes the transformative force of movement on the perception of the world and is part of the broader cultural discourses of mobility. From the 1936 film Night Mail to the rapid movements of the dime novel detective and the metaphorical coding of automobility in Futurist poetry, the essays in this volume offer new perspectives on the phenomenon of mobility at the intersection between the literary imagination and cultural experience. They explore movement as a decisive force of change in the history of modernity and show how literature in its representation of mobility simultaneously aims both to mirror and to grasp the phenomenon.
Movement in literature. --- Emigration and immigration in literature. --- Literature --- History and criticism. --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- Appraisal --- Evaluation
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Anti-Nazi movement in literature. --- Modernism (Literature) --- English fiction --- American fiction --- History and criticism. --- Isherwood, Christopher, --- Barnes, Djuna --- Woolf, Virginia, --- Criticism and interpretation.
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Dance in literature --- Movement in literature --- Dancing in literature --- German literature --- Movement in literature. --- Dance in literature. --- Tanz --- Ästhetik --- Tanz (Motiv) --- Erzähltechnik --- Bewegung --- Metapher --- Literarische Technik --- History and criticism. --- Nietzsche, Friedrich --- Schiller, Friedrich --- Kleist, Heinrich von --- Heine, Heinrich --- Tanz. --- Ästhetik. --- Tanz (Motiv). --- Erzähltechnik. --- Bewegung. --- Metapher. --- Literarische Technik. --- Heine, Heinrich. --- Kleist, Heinrich von. --- Nietzsche, Friedrich. --- Schiller, Friedrich. --- Young Germany --- History and criticism
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