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When art hits the headlines, it is usually because it has caused offence or is perceived by the media to have shock-value. Over the last fifty years many artists have been censored, vilified, accused of blasphemy and obscenity, threatened with violence, prosecuted and even imprisoned. Their work has been trashed by the media and physically attacked by the public. In Art & Outrage, John A. Walker covers the period from the late 1940s to the 1990s to provide the first detailed survey of the most prominent cases of art that has scandalised. The work of some of Britain's leading, and less well known, painters and sculptors of the post-war period is considered, such as Richard Hamilton, Bryan Organ, Rachel Whiteread, Reg Butler, Damien Hirst, Jamie Wagg, Barry Flanagan and Antony Gormley. Included are works made famous by the media, such as Carl Andre's Tate Gallery installation of 120 bricks, Rick Gibson's foetus earrings, Anthony-Noel Kelly's cast body-parts sculptures and Marcus Harvey's portrait of Myra Hindley. Walker describes how each incident emerged, considers the arguments for and against, and examines how each was concluded. While broadly sympathetic to radical contemporary art, Walker has some residual sympathy for the layperson's bafflement and antagonism. This is a scholarly yet accessible study of the interface between art, society and mass media which offers an alternative history of post-war British art and attitudes.
Arts, British --- Public opinion --- British arts --- Caribbean Artists Movement (Group of artists) --- Public opinion.
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Arts, British --- National characteristics, British --- History --- British national characteristics --- British arts --- Caribbean Artists Movement (Group of artists) --- Great Britain --- Civilization --- Social conditions
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The Royal Academician Charles Leslie (1794-1859) also wrote biographies of fellow painters. His life of John Constable and a two-volume work on Sir Joshua Reynolds are also reissued in this series. On his death, the Reynolds work was completed by the journalist and dramatist Tom Taylor (1817-80), who also edited Leslie's two-volume autobiography, published in 1860. Though born in London, Leslie was an American, a child prodigy in drawing, who returned to Britain in 1811 to study painting with Benjamin West and Washington Allston. He had enormous admiration for the paintings of his contemporaries and of the previous generation, and his reminiscences are intended to preserve 'some recollections of those chiefly whom I could praise'. Volume 1 of this lively and self-deprecating work, full of good-humoured anecdotes, is prefaced by an introductory essay by Taylor on Leslie and his art.
Painters --- Arts, British --- British arts --- Caribbean Artists Movement (Group of artists) --- Leslie, Charles Robert, --- Leslie, C. R. --- Leslie, Robert, --- Robert, Charles,
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The late nineteenth century saw a re-examination of artistic creativity in response to questions surrounding the relation between human beings and automata. These questions arose from findings in the 'new psychology', physiological research that diminished the primacy of mind and viewed human action as neurological and systemic. Concentrating on British and continental culture from 1870 to 1911, this unique study explores ways in which the idea of automatism helped shape ballet, art photography, literature, and professional writing. Drawing on documents including novels and travel essays, Linda M. Austin finds a link between efforts to establish standards of artistic practice and challenges to the idea of human exceptionalism. Austin presents each artistic discipline as an example of the same process: creation that should be intended, but involving actions that evade mental control. This study considers how late nineteenth-century literature and arts tackled the scientific question, 'Are we automata?'
Arts, British --- Automatism (Art movement) --- Arts, European --- Automatic art (Art movement) --- Arts, Canadian --- British arts --- Caribbean Artists Movement (Group of artists)
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Arts --- Arts, British --- Arts britanniques --- -Arts --- -#KVHA:Kunst; Groot-Brittannie --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- British arts --- Caribbean Artists Movement (Group of artists) --- Finance --- #KVHA:Kunst; Groot-Brittannie --- Arts, Primitive
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Romanticism in art --- Arts, British --- -Arts, British --- -British arts --- Caribbean Artists Movement (Group of artists) --- Idealism in art --- Naturalism in art --- Realism in art --- -Romanticism in art --- Romanticism (Art) --- British arts --- Art romantique anglais. --- Kunst (Romantische) (Engelse). --- Romanticism in art - Great Britain --- Arts, British - 19th century
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Aesthetic movement (Art) --- Arts, British --- Aesthetic movement (Art). --- Aesthetic movement (British art) --- -British arts --- Caribbean Artists Movement (Group of artists) --- Movement, Aesthetic --- Aesthetics --- Art --- -Aesthetic movement (British art) --- British arts --- Arts, British - 19th century --- Esthétisme (mouvement artistique) --- Critique --- Anthologies --- Grande-Bretagne --- 19e siècle --- Esthétisme (mouvement artistique) --- 19e siècle
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Cet ouvrage s'interroge sur les différents modes de présence d'un art dans un autre: citation, montage, appropriation, greffes, etc. Parmi les formes d'interaction exa-minées: la photographie et la musique dans l'écriture, l'architecture et la sculpture dans le roman, le poétique travaillé par le pictural. D'après trois colloques organisés entre 1995 et 1997 par le Centre de recherche "Littératures, arts et cultures de la Grande-Bretagne et des Etats-Unis", Université de la Sorbonne nouvelle, Paris
Arts, British --- Arts, American --- Arts, Modern --- Algonquin Round Table --- Catharctic Circle (Group of artists) --- British arts --- Caribbean Artists Movement (Group of artists) --- citation --- musique --- littérature anglo-saxonne --- arts visuels --- interactions --- Littérature américaine --- Littérature anglaise --- Art --- Arts et littérature --- Art et cinéma --- Cinéma et arts --- Mise en abyme (art) --- Arts --- Mise en abyme (littérature) --- Thèmes, motifs --- Congrès --- Dans la littérature --- Pays de langue anglaise
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English literature --- -Arts, British --- -British arts --- Caribbean Artists Movement (Group of artists) --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- History and criticism --- Great Britain --- Social life and customs --- -English literature --- -History and criticism --- Arts, British
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Arts, American. --- Arts, British. --- Romanticism in art --- Romanticism --- American arts --- British arts --- Caribbean Artists Movement (Group of artists) --- Romanticism (Art) --- Idealism in art --- Naturalism in art --- Realism in art --- Romanticism in art. --- Romanticism. --- Romantiek. --- Great Britain. --- United States. --- Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland. --- Verenigde Staten.
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