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Art and outrage : provocation, controversy and the visual arts
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ISBN: 1783718226 1783718773 9781783718771 0745313590 9780745313597 074531354X 9780745313542 9781783718221 Year: 1999 Publisher: London, England : Pluto Press,

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When art hits the headlines, it is usually because it has caused offence or is perceived by the media to have shock-value. Over the last fifty years many artists have been censored, vilified, accused of blasphemy and obscenity, threatened with violence, prosecuted and even imprisoned. Their work has been trashed by the media and physically attacked by the public. In Art & Outrage, John A. Walker covers the period from the late 1940s to the 1990s to provide the first detailed survey of the most prominent cases of art that has scandalised. The work of some of Britain's leading, and less well known, painters and sculptors of the post-war period is considered, such as Richard Hamilton, Bryan Organ, Rachel Whiteread, Reg Butler, Damien Hirst, Jamie Wagg, Barry Flanagan and Antony Gormley. Included are works made famous by the media, such as Carl Andre's Tate Gallery installation of 120 bricks, Rick Gibson's foetus earrings, Anthony-Noel Kelly's cast body-parts sculptures and Marcus Harvey's portrait of Myra Hindley. Walker describes how each incident emerged, considers the arguments for and against, and examines how each was concluded. While broadly sympathetic to radical contemporary art, Walker has some residual sympathy for the layperson's bafflement and antagonism. This is a scholarly yet accessible study of the interface between art, society and mass media which offers an alternative history of post-war British art and attitudes.

Making a social body : British cultural formation 1830-1864.
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ISBN: 0226675246 0226675238 Year: 1995 Publisher: Chicago (Ill.) : University of Chicago press,

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Autobiographical Recollections : With a Prefatory Essay on Leslie as an Artist, and Selections from his Correspondence.
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ISBN: 110745011X 1108074480 Year: 1860 Publisher: Place of publication not identified : Cambridge : publisher not identified, Cambridge University Press

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The Royal Academician Charles Leslie (1794-1859) also wrote biographies of fellow painters. His life of John Constable and a two-volume work on Sir Joshua Reynolds are also reissued in this series. On his death, the Reynolds work was completed by the journalist and dramatist Tom Taylor (1817-80), who also edited Leslie's two-volume autobiography, published in 1860. Though born in London, Leslie was an American, a child prodigy in drawing, who returned to Britain in 1811 to study painting with Benjamin West and Washington Allston. He had enormous admiration for the paintings of his contemporaries and of the previous generation, and his reminiscences are intended to preserve 'some recollections of those chiefly whom I could praise'. Volume 1 of this lively and self-deprecating work, full of good-humoured anecdotes, is prefaced by an introductory essay by Taylor on Leslie and his art.


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Automatism and creative acts in the age of new psychology
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ISBN: 1108594042 1108552978 1108686648 110842855X 1108450407 9781108686648 9781108552974 9781108428552 9781108450409 Year: 2018 Publisher: Cambridge : Cambridge University Press,

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The late nineteenth century saw a re-examination of artistic creativity in response to questions surrounding the relation between human beings and automata. These questions arose from findings in the 'new psychology', physiological research that diminished the primacy of mind and viewed human action as neurological and systemic. Concentrating on British and continental culture from 1870 to 1911, this unique study explores ways in which the idea of automatism helped shape ballet, art photography, literature, and professional writing. Drawing on documents including novels and travel essays, Linda M. Austin finds a link between efforts to establish standards of artistic practice and challenges to the idea of human exceptionalism. Austin presents each artistic discipline as an example of the same process: creation that should be intended, but involving actions that evade mental control. This study considers how late nineteenth-century literature and arts tackled the scientific question, 'Are we automata?'


Book
The arts
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ISBN: 0117017426 Year: 1993 Publisher: London : HMSO,


Book
British romantic art
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ISBN: 0520054849 9780520054844 Year: 1986 Publisher: Berkeley (Calif.): University of California press,


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The Aesthetes : a sourcebook
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ISBN: 0710001452 0710001460 9780710001467 9780710001450 Year: 1979 Publisher: London: Routledge & Kegan Paul,


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L'art dans l'art : littérature, musique et arts visuels (monde anglophone)
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ISBN: 2878541553 2878548388 9782878541557 Year: 2000 Publisher: [Paris]: Presses de la Sorbonne Nouvelle,

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Cet ouvrage s'interroge sur les différents modes de présence d'un art dans un autre: citation, montage, appropriation, greffes, etc. Parmi les formes d'interaction exa-minées: la photographie et la musique dans l'écriture, l'architecture et la sculpture dans le roman, le poétique travaillé par le pictural. D'après trois colloques organisés entre 1995 et 1997 par le Centre de recherche "Littératures, arts et cultures de la Grande-Bretagne et des Etats-Unis", Université de la Sorbonne nouvelle, Paris


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The thirties : a dream revolved
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ISBN: 0837166020 Year: 1975 Publisher: Westport (Conn.): Greenwood


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Transatlantic Romanticism : British and American art and literature, 1790-1860
Authors: ---
ISBN: 1613763506 9781613763506 9781625341143 1625341148 Year: 2015 Publisher: Amherst, [Massachusetts] ; Boston, [Massachusetts] : University of Massachusetts Press,

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