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Film. --- Literatur. --- Literature and photography. --- Motiv (Film). --- Motiv (Literatur). --- Photographie (Motiv). --- Photographie --- Photographie. --- Photography in literature. --- Photography in motion pictures. --- Repräsentation. --- Rezeption. --- Vergleichende Literaturwissenschaft. --- Ästhetik. --- (Motiv).
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Genie (Motiv).
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Genie
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"Ecology and Popular Film examines representations of nature in mainstream film while also looking at film itself as a form of nature writing. Considering a selection of mainstream movies that embrace a wide variety of environmental themes, Robin L. Murray and Joseph K. Heumann explore such themes as environmental politics, eco-terrorism, ecology and home, tragic and comic eco-heroes, the spectacular, and evolutionary narrative, in a manner that is both accessible and fun. The book also includes a comprehensive filmography of films that deal with environmental themes and issues."--BOOK JACKET.
Natur
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Argues that after violation of human rights has occurred, the realm of representation - actual & fictional - is precisely the ground upon which struggles for justice & peace are waged in legal, emotional & cultural terms.
Film
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Film.
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Folter
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Frau
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Geschlechterrolle.
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Grundrechte
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Human rights in motion pictures.
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Human rights.
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Literatur.
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Menschenrecht.
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Menschenrechtsverletzung
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Film
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Roman history
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Altertum
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Antiken på film.
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Film.
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Geschichtsschreibung.
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Motion pictures.
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Motiv (Film).
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Rom på film.
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Römisches Reich.
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Motiv
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Altertum.
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Marcus Aurelius,
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Fall of the Roman Empire (Film).
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Fall of the Roman Empire (Motion picture).
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Fall of the Roman Empire
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"The first American animators drew on popular black representations, many of which were caricatures rooted in the culture of southern slavery. During the 1920s, the advent of the sound-synchronized cartoon inspired animators to blend antebellum-era black stereotypes with the modern black cultural expressions of jazz musicians and Hollywood actors. When the film industry set out to desexualize movies through the imposition of the Hays Code in the early 1930s, it regulated the portrayal of African Americans largely by segregating black characters from others, especially white females. At the same time, animators found new ways to exploit the popularity of African American culture by creating animal characters like Bugs Bunny who exhibited characteristics associated with African Americans without being identifiably black." "Drawing on a wide range of sources, including interviews with former animators, archived scripts for cartoons, and the films themselves, Lehman illustrates the intimate and unmistakable connection between African Americans and animation."--Jacket.
Animated films --- Animated films. --- Animerad film --- Blacks in motion pictures. --- Kurzfilm. --- Motiv (Film). --- Schwarze --- Schwarzenbild. --- Svarta i filmen. --- Svarta på film. --- Trickfilm. --- Zeichentrickfilm. --- History and criticism --- St. Cloud State University --- Faculty --- Geschichte 1900-1950. --- Geschichte 1907-1954. --- Schwarze. --- USA. --- United States. --- Drawing --- Film --- beeldverhalen --- animatiefilms
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Deutsch. --- Emigration and immigration in literature. --- Emigration and immigration in motion pictures. --- Erzähltechnik. --- Film. --- Fremdbild. --- German literature --- German literature. --- Identity (Philosophical concept) in literature. --- Identität. --- Kulturelle Identität (Motiv). --- Migrantenliteratur. --- Motiv (Film). --- Motiv (Literatur). --- Soziale Integration (Motiv). --- Türken. --- History and criticism --- Turkish authors --- History and criticism. --- Turkish authors. --- Akin, Fatih. --- Arslan, Thomas. --- Zaimoglu, Feridun, --- Zaimoglu, Feridun. --- Özdamar, Emine Sevgi, --- Özdamar, Emine Sevgi. --- Şenocak, Zafer, --- Şenocak, Zafer. --- Gefährliche Verwandtschaft. --- Gegen die Wand. --- Geschwister - Kardesler. --- Liebesmale, scharlachrot. --- Die Brücke vom Goldenen Horn. --- 1900-2099. --- Geschichte 1950-2000. --- Geschichte 1965-2005. --- Geschichte 2000-2050. --- Deutschland.
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