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Unlike other books on architecture and film, Architecture Filmmaking investigates how the now-expanded field of architecture utilizes the practice of filmmaking (feature/short film, stop motion animation and documentary) or video/moving image in research, teaching and practice, and what the consequences of this interdisciplinary exchange are. While architecture and filmmaking have clearly distinct disciplinary outputs and filmmaking is a much younger art than architecture, the intersection between them is less defined. This book investigates the ways in which architectural researchers, teachers of architecture, their students and practising architects, filmmakers and artists are using filmmaking uniquely in their practice.

Motion pictures and architecture. --- Cinéma et architecture

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The book investigates speculative filmic architectural projects and animations that go beyond representing buildings, touching upon issues concerning medium, act of representation, or conducting criticism on history, culture, society, or urban politics, along with the mediated character of contemporary spatial experience – interpreting it primarily through protocols of architectural imaging. The book centres on the influence of simulation and cinematic design on visionary or speculative architecture. It outlines the impact of film and animation in architectural representation through key projects. The opening analysis is useful in contextualizing speculative architectural projects, while the later chapters link the theory to the imagery. Stasiowski uses a diverse collection of interesting case studies that are easy to read and well-chosen to support his argument. This is a well-researched work and comprehensive review of speculative architecture and various media that describe it. Stasiowski makes a thorough argument about the use of cinema and animation as a method of architectural visualization. Stasiowki’s book sets itself apart from other work in the same area by in discussing speculative projects in relation to cinema. and specifically, the effect that modern technologies are having on the subject now and in its potential futures. The borderline between material environment and spatialized imagery becomes progressively more blurred, while demand for visionary works that would make sense of this merging, has never been greater. It will appeal primarily to architects and designers, filmmakers and academics. It may also be of interest to artists, set designers, and film production designers.

Architectural design. --- Motion pictures and architecture --- Design architectural --- Cinéma et architecture --- Mass communications --- Architecture --- Film

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Film und Raum, Bewegtbild und Architektur, Installation und Projektion bilden in den künstlerischen Kon-zepten der Gegenwartskunst ästhetische Amalgamierungen. Dabei sind die Praktiken der Aneignung kinematographischer Verfahren so vielgestaltig wie die Semantiken und Raumkonfigurationen, die sie reflektieren. Bedeutet dies nun, dass sich in der Kunst nur die Rezeptionsbedingungen des Films abbilden? Oder generieren die Verfransungen zwischen den installativen und filmischen Räumen neue Wahrnehmungs-modalitäten im Feld der Kunst? Lässt sich der kulturelle Wirkungshorizont des Films überhaupt als neues Erfahrungsmodell ästhetischer Räume seit der Moderne begreifen? In mehreren Themenfeldern, die globale Perspektivierungen einziehen, widmen sich die Beiträge der Ana-lyse kinematographischer Raumkonfigurationen mit ihren semantischen Bezügen zur Architektur, zur Mise-en-Scène des Präsentationsrahmens sowie zum Illusionsraum im Film und in der inszenierten Fotografie. Im Zentrum stehen die genealogischen Beziehungen der installativen Praxisformen zu filmischen Raumkonzep-ten mit ihren Hybridisierungen in gegenwärtigen (Bild)Raumkonstruktionen.

Installations (Art) --- Film installations (Art) --- Cinematography --- Motion pictures --- Motion pictures and architecture. --- History. --- Aesthetics.

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"Cine-scapes explores the relationship between urban space, architecture and the moving image. While an impressive amount of research has been done with regards to the study of architecture portrayed in film, this book will offer a new perspective. There is little doubt that film can 'reflect' a postmodern condition, however, what this book demonstrates is that the postmodern, architectural condition in which we live is in fundamental terms filmic. We daily engage with spaces and places that are essentially cine-tectural. Drawing on the author's knowledge derived from architectural and film practice, Cine-scapes will: offer insight into architecture and urban debates through the eyes of a practitioner working in both fields - film and architectural design emphasise how cine-tectural tendencies are taking place or finding their way into urban practices can be used as a tool for educators, students and practitioners in architecture and urban design to communicate and discuss design issues with regard to contemporary architecture and cities. Cine-scapes ignites new ways of seeing, thinking and debating the nature of architecture and urban spaces"--

Space (Architecture) --- Motion pictures and architecture. --- Cities and towns --- Psychological aspects.

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À travers des scènes minutieusement décrites et sublimées par les illustrations de l'auteur, cet ouvrage s'intéresse à un grand thème de l'architecture et à son traitement par le cinéma : l'ombre et la lumière. Comme en architecture, chaque élément a une fonction bien précise : telle ombre provoque le suspense, tel éclairage révèle un sentiment...

Architecture et cinéma --- Cinéma -- Thèmes, motifs --- Thèmes, motifs --- Architecture et cinéma. --- Cinéma --- Thèmes, motifs. --- Motion pictures and architecture --- Motion pictures and architecture. --- Motion pictures --- Plots, themes, etc.