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This informative guide helps readers combine their love of movies with their desire to grow closer to God. Foremost experts on faith and film, all connected with the Reel Spirituality Institute at Fuller Seminary, explore forty leading movies from the last four decades to encourage movie lovers and small groups to reflect critically and theologically on their film choices. God in the Movies introduces and analyzes the spiritual content of top films from the 1980s through the 2010s, opening viewers up to a conversation about life, faith, and God.Following a format similar to Barsotti and Johnston's successful Finding God in the Movies, this completely new book covers different films spanning four decades. This engaging resource contains production notes and film synopses, relevant Scripture texts, theological reflection, discussion questions, film stills, recommended film clips, and more, serving as a treasure chest for hours of film viewing, discussion, and ministry. Clips from the movies referenced in each chapter are available online.
Sociology of religion --- Film --- Christianity in motion pictures. --- Motion pictures --- Religious aspects. --- Motion pictures - Religious aspects.
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Choice Outstanding Academic Title 2003. Film as Religion argues that popular films perform a religious function in our culture. Like more formal religious institutions, films can provide us with ways to view the world and values to confront it. Lyden contends that approaches which interpret films only ideologically or theologically miss the mark in understanding their appeal to viewers. He develops an alternative method which shows how films can be understood as representing a "religious" worldview in their own right. Lyden surveys the state of the study of religion and film, offering an overv
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Entre art et industrie, vérité et artifice, discours et émotion, d'où vient le pouvoir spirituel du cinéma ? Quel mystère révèle-t-il ? Au cours d'un dialogue parfois contradictoire, souvent animé, toujours enrichissant, Jean Collet et Michel Cazenave entrent en débat. Tout film, en ouvrant sur l'inattendu, sur l'inouï, sur l'autre, sur le jeu miroitant des valeurs, montre que, loin du religieux, le spirituel n'est jamais là où on l'attend. De Renoir à Bresson, de Murnau à Fellini en passant par Bunuel, sans oublier des agnostiques tels que Dreyer, Bergman ou Rossellini, et en s'attardant sur Ford ou Hitchcock aux fortes convictions catholiques, cette initiation invite à découvrir l'invisible, à décrypter le sens du sens, à lire le grand théâtre animé où se rejoue, dans la magie de l'image, l'éternelle dramaturgie de la perte ou du salut qui, acteur ou spectateur, fait l'intimité de nos vies
Motion pictures - Religious Aspects - Religion in motion pictures --- Cinéma --- Spiritualité --- Aspect religieux --- Au cinéma --- Aspect religieux. --- Au cinéma. --- Au cinéma. --- Religion --- Théorie de l'art
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Motion pictures --- Religious aspects --- Christianity. --- #GGSB: Dogmatiek --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Religious aspects&delete& --- Christianity --- History and criticism --- Dogmatiek --- Motion pictures - Religious aspects - Christianity.
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Sociology of religion --- Film --- Films religieux --- Motion pictures --- Religious films --- Religious aspects. --- History and criticism. --- Cinéma --- Aspect religieux --- Histoire et critique --- Motion pictures - Religious aspects. --- Religious films - History and criticism.
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Cet essai analyse les diverses significations du terme iconoclasme dont il esquisse une brève histoire, avant de formuler l'hypothèse de l'existence d'un iconoclasme cinématographique, avec ses caractères propres. Cette affirmation en apparence paradoxale trouve sa justification à travers des développements théoriques et des analyses de films.
Motion pictures --- Film criticism --- Iconoclasm --- Cinéma --- Critique cinématographique --- Iconoclasme --- History --- Religious aspects --- Histoire --- Aspect religieux --- Iconoclasm in motion pictures --- Iconoclasme dans l'art. --- Idéologie au cinéma. --- Au cinéma --- Histoire et critique --- Cinéma --- Critique cinématographique --- Au cinéma. --- Aspect religieux. --- Histoire et critique. --- Histoire du cinéma. --- Motion pictures - Religious aspects
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Cinema --- Spiritualite au cinema --- Motion pictures --- Aspect religieux --- Eglise catholique --- Religious aspects --- Moral and ethical aspects --- film --- filmtheorie --- film en religie --- 791.41 --- Religion and motion pictures --- Film --- 791.43 --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- Cinema - Aspect religieux - Eglise catholique --- Motion pictures - Religious aspects --- Motion pictures - Moral and ethical aspects
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Film is now widely studied in theology and religious studies departments. This volume explores key topics including, early responses to film, directors, films and audiences, cultural and social contexts, biblical connections, theological approaches and religious studies perspectives, amongst others.
Motion pictures --- Religion in motion pictures. --- Religious aspects. --- Religious films. --- #SBIB:309H520 --- #SBIB:309H1320 --- #SBIB:316.331H537 --- Religious films --- Religion and motion pictures --- Religion in motion pictures --- Audiovisuele communicatie: algemene werken --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Godsdienstige praktijken: massamedia --- Religious aspects --- Motion pictures - Religious aspects.
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The study of theology and film is fewer than three decades old. What, then, does the future hold for this evolving subject ? In Reframing Theology and Film, Robert Johnston has drawn together more than a dozen scholars who regularly write and teach on the topic ; their contributions explore how the discipline of theology and film can flourish and mature. The book also emphasizes the overlooked and undervalued aspects of theology and film.
Motion pictures --- Religious aspects --- -791.43:2 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film en religie. Film en godsdienst --- History and criticism --- 791.43:2 Film en religie. Film en godsdienst --- 791.43:2 --- Religion and motion pictures --- Motion pictures - Religious aspects
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"How plausible is it to examine the medium of film through a Christian lens? Are there any grounds for supposing that, in 'going to the movies', one is participating in a religious activity? Faith in Film identifies and explores these key questions." "From the unprecedented and innovative perspective of Christian theology, this book investigates how cinema audiences wrestle with religious beliefs and values. Through a reading of films as diverse as Groundhog Day, Billy Liar, Fight Club, Nobody's Fool and The Passion of the Christ, Christopher Deacy reveals that the movies raise vital questions about the spiritual landscape and normative values of western society today."--Résumé de l'éditeur.
Motion pictures --- Cinema --- Religious aspects --- Christianity. --- Aspect religieux --- Christianisme --- -791.43:2 --- 791.43:2 Film en religie. Film en godsdienst --- Film en religie. Film en godsdienst --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- -Christianity --- History and criticism --- Cinéma --- Christianity --- 791.43:2 --- Religious aspects&delete& --- Motion pictures - Religious aspects - Christianity. --- Cinema - Aspect religieux - Christianisme
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