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"Parasite", "Mademoiselle", "Burning"… autant de films qui, du fait de leur succès international, ont mis la lumière sur la production cinématographique coréenne et son incroyable diversité. Depuis ses prémices, quand des extraits filmés étaient diffusés lors de spectacles, au début du XXe siècle, jusqu'à l'engouement qu'il connaît aujourd'hui, le cinéma coréen a traversé des crises et des périodes de créativité superbes. S'inspirant d'ailleurs, inventant des genres et créant des esthétiques qui lui sont propres il est l'un des plus inventifs du monde. Cette monographie exceptionnelle propose une plongée dans l'histoire de la Corée et de son septième art, donnant des clefs pour la comprendre, et des envies de salles obscures.

Motion pictures, Korean --- Cinéma --- History --- Histoire. --- History.

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At the start of the twenty-first century challenges to the global hegemony of U.S. culture are more apparent than ever. Two of the contenders vying for the hearts, minds, bandwidths, and pocketbooks of the world's consumers of culture (principally, popular culture) are India and South Korea. "Bollywood" and "Hallyu" are increasingly competing with "Hollywood"-either replacing it or filling a void in places where it never held sway. This critical multidisciplinary anthology places the mediascapes of India (the site of Bollywood), South Korea (fountainhead of Hallyu, aka the Korean Wave), and the United States (the site of Hollywood) in comparative dialogue to explore the transnational flows of technology, capital, and labor. It asks what sorts of political and economic shifts have occurred to make India and South Korea important alternative nodes of techno-cultural production, consumption, and contestation. By adopting comparative perspectives and mobile methodologies and linking popular culture to the industries that produce it as well as the industries it supports, Pop Empires connects films, music, television serials, stardom, and fandom to nation-building, diasporic identity formation, and transnational capital and labor. Additionally, via the juxtaposition of Bollywood and Hallyu, as not only synecdoches of national affiliation but also discursive case studies, the contributors examine how popular culture intersects with race, gender, and empire in relation to the global movement of peoples, goods, and ideas.

Motion pictures, Indic. --- Motion pictures, Korean. --- Motion picture industry --- Culture in motion pictures. --- Motion pictures and transnationalism.

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In this ground-breaking investigation into the seldom-studied film culture of colonial Korea (1910-1945), Dong Hoon Kim brings new perspectives to the associations between colonialism, modernity, film historiography and national cinema. By reconstructing the lost intricacies of colonial film history, Eclipsed Cinema explores under-investigated aspects of colonial film culture, such as the representational politics of colonial cinema, the film unit of the colonial government, the social reception of Hollywood cinema, and Japanese settlers' film culture. Filling a significant void in Asian film history, [this book] greatly expands the critical and historical scopes of early cinema and Korean and Japanese film histories, as well as modern Asian culture, and colonial and postcolonial studies.

K9790 --- K9741.70 --- Korea: Performing and media arts -- cinema --- Korea: Performing and media arts -- history -- Japanese annexation period (1905-1945) --- Motion pictures, Japanese --- Japanese motion pictures --- Foreign films --- History and criticism. --- Korea --- Japan --- History --- Motion pictures, Korean --- Social conditions --- Korean motion pictures