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Films With Legs: Crossing Borders with Foreign-Language Films addresses the ways in which international cinematic traditions both erect borders and blur them or tear them down. Each chapter of this book examines both real and perceived borders, their representation on the screen and the ways in which they manifest in filmic texts that can also be cultural documents and political statements. The fifteen articles included here discuss films made by twenty-four directors, with dialogue in nine f...
Foreign films --- Foreign language films --- Motion pictures --- Films, Foreign --- Motion pictures, Foreign
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Largely shut out of American theaters since the 1920s, foreign films such as Open City, Bicycle Thief, Rashomon, The Seventh Seal, Breathless, La Dolce Vita and L'Avventura played after World War II in a growing number of art houses around the country and created a small but influential art film market devoted to the acquisition, distribution, and exhibition of foreign-language and English-language films produced abroad. Nurtured by successive waves of imports from Italy, Great Britain, France, Sweden, Japan, and the Soviet Bloc, the renaissance was kick-started by independent distributors working out of New York; by the 1960s, however, the market had been subsumed by Hollywood. From Roberto Rossellini's Open City in 1946 to Bernardo Bertolucci's Last Tango in Paris in 1973, Tino Balio tracks the critical reception in the press of such filmmakers as François Truffaut, Jean-Luc Godard, Federico Fellini, Michelangelo Antonioni, Tony Richardson, Ingmar Bergman, Akira Kurosawa, Luis Buñuel, Satyajit Ray, and Milos Forman. Their releases paled in comparison to Hollywood fare at the box office, but their impact on American film culture was enormous. The reception accorded to art house cinema attacked motion picture censorship, promoted the director as auteur, and celebrated film as an international art. Championing the cause was the new "cinephile" generation, which was mostly made up of college students under thirty. The fashion for foreign films depended in part on their frankness about sex. When Hollywood abolished the Production Code in the late 1960s, American-made films began to treat adult themes with maturity and candor. In this new environment, foreign films lost their cachet and the art film market went into decline.
Film --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- United States --- Foreign films --- Films, Foreign --- Motion pictures, Foreign --- Motion pictures --- United States of America
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The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions - national, regional and global - all of which are in need of introduction, investigation and, in some cases, critical reassessment. Topics include: German expressionism, Italian neorealism, French New Wave, British new wave, Czech new wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-revolutionary African traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, and so on.
Motion pictures. --- Fine Arts. --- Film --- Music, Dance, Drama & Film --- Cinéma --- Caractère national --- Cinéma. --- Caractère national. --- Foreign films. --- Films, Foreign --- Motion pictures, Foreign --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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ondertiteling --- Translation science --- Film --- Subtitling. Supertitling --- Motion pictures --- Foreign films --- Titling --- Foreign films. --- Ondertiteling --- Titling. --- #KVHA:Ondertiteling --- Edited by Atom Egoyan and Ian Balfour --- film --- filmtheorie --- ondertitels --- taal --- Banks Russell --- Egoyan Atom --- Denis Claire --- Béhar Henri --- Enns Kent U. --- filmgeschiedenis --- filmmuziek --- geluid --- Borges Jorge Luis --- Naficy Hamid --- Sinha Amresh --- Baronian Marie-Aude --- Rich B. Ruby --- Jameson Fredric --- tijd --- Doane Mary Ann --- Zizek Slavoj --- Kiarostami Abbas --- Hitchcock Alfred --- Lynch David --- Mottahedeh Negar --- etnografie --- etnografie en film --- Longfellow Brenda --- Mowitt John --- Ottinger Ulrike --- 791.41 --- Cinéma --- Titrage --- Film. --- Ondertiteling. --- Cinéma --- Langue --- Enns Kent U --- Motion picture titling --- Titling of motion pictures --- Films, Foreign --- Motion pictures, Foreign --- Ondertiteling. Boventiteling --- Motion picture subtitling --- Subtitling --- Motion pictures - Titling
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