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Examines the gaze in Lacanian film theory.

Motion pictures --- Film criticism. --- Motion picture criticism --- Moving-picture criticism --- Criticism --- Philosophy. --- Evaluation --- Pedagogiek en onderwijskunde --.

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Film criticism. --- Motion pictures --- Motion picture criticism --- Moving-picture criticism --- Criticism --- Aesthetics --- Aesthetics. --- Evaluation

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Film --- Aesthetics --- Film criticism --- Philosophy --- Mental philosophy --- Humanities --- Motion picture criticism --- Motion pictures --- Moving-picture criticism --- Criticism --- Evaluation

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791.41 --- CDL --- Film criticism. --- Motion pictures --- Philosophy. --- Film criticism --- Motion picture criticism --- Moving-picture criticism --- Criticism --- Philosophy --- Evaluation

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Once derided as senseless entertainment, movies have gradually assumed a place among the arts. Raymond Haberski's provocative and insightful book traces the trajectory of this evolution throughout the twentieth century, from nickelodeon amusements to the age of the financial blockbuster.Haberski begins by looking at the barriers to film's acceptance as an art form, including the Chicago Motion Picture Commission hearings of 1918--1920, one of the most revealing confrontations over the use of censorship in the motion picture industry. He then examines how movies overcame the stigma attached to

Culture in motion pictures. --- Motion pictures --- Film criticism --- Motion picture criticism --- Moving-picture criticism --- Criticism --- Social aspects --- Evaluation