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Durchkreuzte Helden : Das »Nibelungenlied« und Fritz Langs Film »Die Nibelungen« im Licht der Intersektionalitätsforschung
Authors: --- ---
ISBN: 3839426472 9783839426470 9783837626476 3837626474 Year: 2014 Publisher: Bielefeld transcript Verlag

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Abstract

Die Intersektionalitätsforschung befasst sich mit der Überschneidung von Merkmalen der Privilegierung und Marginalisierung wie Geschlecht, Klasse, ›Rasse‹, Nation, Religion, Sexualität, Behinderung und Alter. Diese Studie, ein Gemeinschaftswerk von zehn Literaturwissenschaftler_innen, hat zwei Ziele: zum einen die Erschließung der bislang vor allem soziologisch geprägten Intersektionalitätsforschung für die Literatur- und Kulturwissenschaft, zum anderen ihre Erweiterung um eine historische Perspektive. Als Fallbeispiel dienen drei Zeugnisse der deutschen Literatur- und Filmgeschichte: das mittelalterliche »Nibelungenlied«, Thea von Harbous Roman »Das Nibelungenbuch« (1923) und Fritz Langs zweiteiliger Film »Die Nibelungen« (1924). »Bedekovic, Kraß und Lembke legen einen Sammelband vor, der erstens beweist, dass eine theoriegeleitete Lektüre eine echte epistemologische Erweiterung darstellen kann [...]. Zweitens schafft er es so, bekannte Gegenstände in neue Kontexte zu bringen und mit Fragen an die untersuchten Texte und Filme heranzutreten, die bislang in dieser Form noch nicht gestellt wurden. Und drittens schließlich wird deutlich, dass Mediävistik selbst als Kulturwissenschaft verstanden werden kann, die auch außerhalb rein philologischer Kategorien beachtliche Erkenntnispotenziale birgt.« Martin Mann, literaturkritik.de, 5 (2015) »Informative Einführung.« Hans Helmut Prinzler, www.hhprinzler.de, 7 (2014) Besprochen in: GERMANISTIK, 55/3-4 (2014)

Richard Wagner, Fritz Lang, and the Nibelungen
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ISBN: 0691049718 132260827X 1400866693 0691026211 9781400866694 9780691049717 9780691026213 Year: 2014 Publisher: Princeton, NJ

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This highly original book draws on narrative and film theory, psychoanalysis, and musicology to explore the relationship between aesthetics and anti-Semitism in two controversial landmarks in German culture. David Levin argues that Richard Wagner's opera cycle Der Ring des Nibelungen and Fritz Lang's 1920s film Die Nibelungen creatively exploit contrasts between good and bad aesthetics to address the question of what is German and what is not. He shows that each work associates a villainous character, portrayed as non-Germanic and Jewish, with the sometimes dramatically awkward act of narration. For both Wagner and Lang, narration--or, in cinematic terms, visual presentation--possesses a typically Jewish potential for manipulation and control. Consistent with this view, Levin shows, the Germanic hero Siegfried is killed in each work by virtue of his unwitting adoption of a narrative role. Levin begins with an explanation of the book's theoretical foundations and then applies these theories to close readings of, in turn, Wagner's cycle and Lang's film. He concludes by tracing how Germans have dealt with the Nibelungen myths in the wake of the Second World War, paying special attention to Michael Verhoeven's 1989 film The Nasty Girl. His fresh and interdisciplinary approach sheds new light not only on Wagner's Ring and Lang's Die Nibelungen, but also on the ways in which aesthetics can be put to the service of aggression and hatred. The book is an important contribution to scholarship in film and music and also to the broader study of German culture and national identity.

Keywords

Motion pictures --- Music --- Social aspects --- Lang, Fritz, --- Wagner, Richard, --- Criticism and interpretation. --- Nibelungen : Siegfried (Motion picture : 1924) --- Germany --- Civilization --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism --- Lang, Friedrich Christian Anton, --- Nibelungen : Siegfrieds Tod (Motion picture : 1924) --- Siegfried (Motion picture : 1924) --- Siegfrieds Tod (Motion picture : 1924) --- Siegfried's death (Motion picture : 1924) --- Nibelungen (Motion picture : 1924) --- Weimar Republic --- Germanii︠a︡ --- Германия --- BRD --- FRN --- Jirmānīya --- جرمانيا --- Nimechchyna --- Gjermani --- Federalʹna Respublika Nimechchyny --- Veĭmarskai︠a︡ Respublika --- Ashkenaz --- Germanyah --- Bundesrepublik Deutschland --- Federal Republic of Germany --- Deutschland --- Repoblika Federalin'i Alemana --- República Federal de Alemania --- Alemania --- República de Alemania --- Bu̇gd Naĭramdakh German Uls --- Kholboony Bu̇gd Naĭramdakh German Uls --- KhBNGU --- ХБНГУ --- German Uls --- Germania --- Republika Federal Alemmana --- Deutsches Reich --- Grossdeutsches Reich --- Weimarer Republik --- Vācijā --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (East) --- Germany (West) --- Holy Roman Empire --- ドイツ --- Doitsu --- ドイツ連邦共和国 --- Doitsu Renpō Kyōwakoku --- Wagner, Richard --- Lang, Fritz --- Criticism and interpretation --- Music and society --- 19th century --- 20th century --- Wagner, Richard, - 1813-1883. - Ring des Nibelungen. --- Lang, Fritz, - 1890-1976 - Criticism and interpretation. --- Music and society - Germany. --- Motion pictures - Social aspects - Germany. --- Germany - Civilization - 19th century. --- Nibelungen : Kriemhilds Rache (Motion picture : 1924) --- Kriemhilds Rache (Motion picture : 1924) --- Kriemhild's revenge (Motion picture : 1924) --- ドイツ レンポウ キョウワコク --- Mort de Siegfried (Motion picture : 1924) --- Nibelungen: la mort de Siegfried (Motion picture : 1924) --- Deguo --- 德国 --- Gėrman --- Герман Улс

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