Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

With its generous image ?ow, this book celebrates Daido Moriyama as the 2019 Hasselblad Award winner and his highly influential, lifelong radical and authentic approach to photography. "A Diary" points to his continuous, daily photographic expeditions, resulting in an oeuvre charged with fragments, repetitions, chance and chaos. His production of images is enormous, and whereas some photographs have become iconic and reappear in numerous books and exhibitions, it is always possible to encounter more unknown works. In order to exemplify the long term and wide range impact of Daido Moriyama's photography, this publication not only presents an overview and analysis of his work by Sandra Phillips, but it also includes shorter personal notes from people who has encountered and worked with him over the years: Simon Baker, Mark Holborn, Hervé Chandès, Nick Rhodes and Ishiuchi Miyako.

Moriyama, Daidō,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Moriyama, Daido --- Japan

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Throughout his career, Daido Moriyama has sought new ways of recasting his images through the use of different printing techniques, installation, or by re-editing and re-formatting them. For this volume, Moriyama has returned to his contact sheets from the past five decades, selecting both classic and previously unpublished images. Included here are reproductions of original contact sheets; sequences of new contact sheets made from recombined negative strips that juxtapose images from the 1950s with those from the past ten years; and selections of individual images, both familiar and newly discovered. Together, they offer a comprehensive assembly of Moriyama's oeuvre, tracing recurring motifs and proposing startling new interpretations of some of his most iconic photographs. In opening up this private process of reexamination to a wider public, Moriyama continues to challenge the viewer, his own practice and the larger mechanisms by which photography makes meaning"--Amazon.com, viewed December 18, 2012.

Photography, Artistic --- Moriyama, Daidō,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Inspired by the work of an earlier generation of Japanese photographers, especially by Shomei Tomatsu, and by William Klein's seminal photographic book on New York, Daido Moriyama moved from Osaka to Tokyo in the early sixties to become a photographer. He became the leading exponent of a fierce new photographic style that corresponded perfectly to the abrasive and intense climate of Tokyo during a period of great social upheaval. His black and white pictures were marked by fierce contrast and fragmentary, even scratched, frames, which concealed his virtuoso printing. Between June 1972 and July 1973 he produced his own magazine publication, Kiroku, which was then referred to as Record. It became a diaristic journal of his work as it developed. Ten years ago he was able to resume publication of Record, which gradually expanded in extent. To date he has published thirty issues, a number of them including colour. The publication of Record as a book enables work from all thirty issues to be edited into a single sequence, punctuated by Moriyama's own text as it appeared in the magazines.

MORIYAMA, D. --- Photography --- Street photography. --- Moriyama, Daidō, --- Moriyama, Daidō, --- Moriyama, Daido

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Moriyama, Daido --- Documentary photography --- 77.071 MORIYAMA --- fotografie --- Japan --- Kazuo Nishii --- Moriyama Daido --- stad --- stadsfotografie --- straatfotografie --- twintigste eeuw --- Photography, Documentary --- Photography --- Moriyama, Daidō, --- Moriyama, Hiromichi, --- 森山大道,