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Considered one of the most prominent actors of the Victorian era, William Morris (1843-1896) was a poet, artist, designer, and editor, and did not hesitate to express his socialist political views, which at the time were frowned upon by the estalishment. His encounters with Rossetti and Burne-Jones, as well as his religious studies, made him a man of manifold talents. From this mixture of genres, William Morris would go on to construct a remarkable career, applying his ideas through various enterprises he established under the name of the "William Morris Companies," revolutionizing both interi

Morris, William, --- Morisu, Wiriamu, --- Morris, Uilʹi︠a︡m, --- Morris, William M., --- Moris, V., --- Морис, В., --- Criticism and interpretation. --- Influence.

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William Morris (1834-1896), par son éclectisme, fut l'une des personnalités emblématiques du XIXe siècle.Peintre, architecte, poète et ingénieur, maniant avec autant de talent la plume que le pinceau, il bouleversa la société victorienne en refusant les standards instaurés par l'industrie conquérante. Son engagement dans la rédaction du manifeste socialiste fut la suite naturelle de cette révolution qu'il incarna dans l'habitat, les formes et les couleurs. Précurseur des designers du XXe siècle, il fut le co-fondateur, avec John Ruskin, du mouvement des Arts and Crafts.

Artists --- Persons --- Criticism and interpretation. --- Morris, William, --- Morisu, Wiriamu, --- Morris, Uilʹi︠a︡m, --- Morris, William M., --- Moris, V., --- Морис, В.,

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Seine eklektische Art machte William Morris (1834-1896) zueinem der eigenwilligsten und einflussreichsten Künstler des 19.Jahrhunderts. Er war gleichzeitig Maler, Architekt, Dichter,Kunstgewerbler, Ingenieur und Drucker und verstand es, denFederkiel genau so gut handzuhaben wie den Pinsel. Er brüskiertedie viktorianische Gesellschaft mit ihrem industriellenFortschrittsglauben und war keineswegs nur Erneuerer der Kunstund des Handwerks, sondern auch überzeugter Sozialreformerund Mitbegründer der sozialistischen Bewegung in England. SeinLebensstil, seine Zugehörigkeit zu den Präraffaeliten, sein

Communities in literature. --- Community in literature --- Morris, William, --- Morisu, Wiriamu, --- Morris, Uilʹi︠a︡m, --- Morris, William M., --- Moris, V., --- Морис, В., --- Criticism and interpretation. --- Influence.

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‘William Morris and the Uses of Violence, 1856–1890’ combines a close reading of Morris’s work with historical and philosophical analysis in order to argue, contrary to prevailing critical opinion, that his writings demonstrate an enduring commitment to an ideal of violent battle. The work examines Morris’s representations of violence in relation to the wider cultural preoccupations and political movements with which they intersect, including medievalism, Teutonism, and the visionary, fractured socialism of the ‘fin de siècle’.

Violence in literature. --- Morris, William, --- Morisu, Wiriamu, --- Morris, Uilʹi︠a︡m, --- Morris, William M., --- Moris, V., --- Морис, В., --- Criticism and interpretation.

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The great polymath William Morris and his contemporaries and followers - from H. Rider Haggard to H. G. Wells - are the focus of this study. Anna Vaninskaya draws widely on primary sources to explore the many ways Victorians and Edwardians talked about community and modernity.

English literature --- Communities in literature. --- Civilization, Modern, in literature. --- Civilization, Modern --- Nineteenth century --- Community in literature --- Twentieth century --- History and criticism. --- Morris, William, --- Morisu, Wiriamu, --- Morris, Uilʹi︠a︡m, --- Morris, William M., --- Moris, V., --- Морис, В.,