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Morgan, Claire

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Claire Morgan's (*1980) sculptures shake up our notion of a world neatly separated into nature and culture. She allows nature to break into the context of art by creating minimalist arrangements of plastic bits, seeds, and corpses. The artist uses taxidermy animals to fracture this supposed geometrical clarity, intermingling the artificial and the constructed with life and death. With her spaces and eco-poetic sculptures, Morgan creates a refuge for nature as still life, deftly bringing us closer to the endangered beauty and fragility of her fauna.

sculpture [visual works] --- installations [visual works] --- Gross, Sabine --- Taxidermy in art --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Morgan, Claire,

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Art --- prints [visual works] --- sculpture [visual works] --- installations [visual works] --- geometric figures --- Kinetic Art --- trees [woody plants] --- Nature --- flora [plants] --- Artaker, Anna --- Licari, Giuseppe --- Morgan, Claire --- Flaig, Angela M. --- Strauss, Anja Maria

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Digital technology now mediates much of our interaction with the world, and a vast majority of the images that we absorb daily come through a screen. The digital comes with its own aesthetic framework that cannot help but colour our experience of the world, and change our expectations of the objects that surround us. As the digital becomes ever more pervasive however, there is also a return to physical experiences that technology cannot satisfy. This is true across sectors, from immersive theatre to vinyl records, and although digital will undoubtedly dominate our future, there are pockets of resistance. This book will look at contemporary artisans who are deeply influenced by the digital world in which we live, but who reject processes such as 3D printing as a final output. Inspired by the internet and a screen-based aesthetic, they choose to craft things by hand, rendering a postdigital mindset in tactile materials, such as metal, glass and wood. It represents a return to the physical in the digital age.

7.039 --- Beeldende kunst ; artisanaal ; 2010-2015 --- Ambachtelijke producten en hun makers ; 21ste eeuw --- Post-digitale kunst ; met gebruik van digitale ontwerptechnieken --- 705.9 --- Lichaam (Menselijk lichaam) --- van der Wiel, Jolan --- Shotz, Alyson --- Berrada, Hicham --- Carnovsky --- Mann, Geoffrey --- Henze, Eno --- Kahn, Ned --- Sungfeel, Yun --- Nakanishi, Nobuhiro --- The Unseen --- Krisar, Anders --- Hess, Bart --- Demetz, Gehard --- Piensa, Jaume --- Recht, Sruli --- Ball, Barry X --- Takeda, Maiko --- Oliver, Marilene --- Hongbo, Li --- Dupont, Richard --- Zawada, Jonathan --- Brener, Amy --- Tolino, Aldo --- Crabtree and Evans --- Novitskova, Katja --- Staniak, Michael --- de Joode, Rachel --- Seidel, Robert --- Libertiny, Tomas --- Jerram, Luke --- ArandaLasch --- Morgan, Claire --- Ahmed, Faig --- Ghi Bahk, Seon --- Nawa, Kohei --- Miebach, Nathalie --- Nucleo --- Stearns, Phillip --- Wolfe, Thaddeus --- Choi, Jeongmoon --- DiMichele, David --- Art+Com Studios --- Ho Suh, Do --- Shiota, Chiharu --- Loop.pH --- Numen/For Use --- Roxy Pain --- Zimoun --- Kempinas, Zilvinas --- Oliveira, Henrique --- Arsham, Daniel --- Audi, Flavie --- Yoshioka, Tokujin --- Verhoeven, Jeroen --- Mori, Junko --- Matter Design --- Walsh, Joseph --- Brown, Rogan --- Wang, Zhan --- Kunstgeschiedenis ; 2000 - 2050 --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- ArandaLasch

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Sculpture --- sculpture [visual works] --- found objects --- recycling --- refuse --- social criticism --- Varda, Agnès --- César --- Tinguely, Jean --- Cragg, Tony --- Turk, Gavin --- Hazoumè, Romuald --- Tayou, Pascale Marthine --- Baude, Laurent --- Beloufa, Neïl --- Blazy, Michel --- Bossut, Etienne --- Callan, Jonathan --- Caminiti, Martin --- Coindet, Delphine --- Fatmi, Mounir --- Firman, Daniel --- Pistoletto, Michelangelo --- Johansson, Michael --- Loder, Konrad --- Magor, Liz --- Delvoye, Wim --- Mauger, Vincent --- Mercier, Mathieu --- Mérida, Manuel --- Millagou, Olivier --- Molinero, Anita --- Mundt, Wilhelm --- Navarro, Iván --- Pousttchi, Bettina --- Reyle, Anselm --- Sabatier, Benjamin --- Schabus, Hans --- Sharif, Hassan --- Trouvé, Tatiana --- François, Michel --- Lamarche, Maxime --- Frateur, Jeroen --- Zinkpè, Dominique --- Bordalo II --- Tixador, Laurent --- Creuzet, Julien --- Paul, Zoë --- Morgan, Claire --- Dumont, Henri-François --- Guiran, Stéphane --- Pharel, André --- Claverie, Anne --- Laval, Jean-René --- Anyaeji, Ifeoma U. --- Cabantous, Guillaume --- Canseco, Valentina --- Chaiderov, Alina --- Chalendar, de, Yves --- Chouvellon, Boris --- Clérino, Côme --- Cozannet, Awena --- Debouzie, Karine --- Eussen, Anneke --- Grande, Andie --- Havel, Marie --- Hippolyte Hentgen --- Husky, Suzanne --- Joussaume, Bastien --- Lapraye, Luc --- López Mesa, Julia María --- Matheus, Rodrigo --- Medeiros, Manoela --- Mercier, Théo --- Mijares, Pascale --- Mougas, Samir --- Murigneux, Bernard --- Musekiwa, Terrence --- Pasquali, Francesca --- Rouillard, Kevin --- Takadiwa, Moffat --- Wolska, Tatiana --- Buggenhout, Peter --- Chamberlain, John --- Dine, Jim --- Nevelson, Louise --- Culbert, Bill --- Dezeuze, Daniel --- Lavier, Bertrand --- Arman --- Présence panchounette