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Women artists --- Lesbianism in art --- Feminism in art --- Photography, Artistic --- Installations (Art) --- Women --- Art, Modern --- Attitudes. --- Biography --- Portraits --- Cahun, Claude, --- Moore, Marcel,

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Qui connaît aujourd'hui Aveux non avenus, Dons des féminines, Hexentexte, La Dame ovale, La Maison de la Peur, Le Cœur de Pic, Le Livre de Leonor Fini, Le Poids d'un oiseau, Oiseaux en péril ou Oracles et spectacles, autant d'œuvres hybrides réalisées entre 1930 et 1975 selon l'idéal surréaliste du travail collaboratif, à l'instigation d'une écrivaine ? Véritable changement de paradigme éditorial, le Livre surréaliste, objet à part entière, qui prend son origine dans l'écriture à quatre mains, n'a presque jamais un seul auteur. Il déploie des rapports texte/image d'une grande variabilité et appelle une lecture croisée entre l'écrit et le pictural.Cet ouvrage se propose de combler une lacune de recherche en s'intéressant à un corpus à tort négligé par la critique littéraire et artistique. Dix cas de figure emblématiques sont analysés quant aux modalités de démarche collaborative (« au féminin », « mixte » ou « en dualité créatrice ») afin de répondre à la question suivante : qu'en est-il d'une esthétique avantgardiste au féminin, d'une communauté d'auteures et d'artistes qui s'est constituée malgré elle grâce au livre, espace de rencontre et creuset de partage ? [source éditeur]

Surréalisme féminin --- Surréalisme --- Écrits de femmes --- Livres d'art --- art et littérature --- Littérature --- Histoire et critique --- Deharme, Lise --- Cahun, Claude --- Moore, Marcel --- Carrington, Leonora --- Ernst, Max --- Tanning, Dorothea --- Zürn, Unica --- Penrose, Valentine --- Fini, Leonor

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What does it mean to look like a lesbian? Though it remains impossible to conjure a definitive image that captures the breadth of this highly nuanced term, today at least we are able to consider an array of visual representations that have been put into circulation by lesbians themselves over the last six or seven decades. In the early twentieth century, though, no notion of lesbianism as a coherent social or cultural identity yet existed. In Women Together/Women Apart, Tirza True Latimer explores the revolutionary period between World War I and World War II when lesbian artists working in Paris began to shape the first visual models that gave lesbians a collective sense of identity and allowed them to recognize each other. Flocking to Paris from around the world, artists and performers such as Romaine Brooks, Claude Cahun, Marcel Moore, and Suzy Solidor used portraiture to theorize and visualize a "new breed" of feminine subject. The book focuses on problems of feminine and lesbian self-representation at a time and place where the rights of women to political, professional, economic, domestic, and sexual autonomy had yet to be acknowledged by the law. Under such circumstances, same-sex solidarity and relative independence from men held important political implications. Combining gender theory with visual, cultural, and historical analysis, Latimer draws a vivid picture of the impact of sexual politics on the cultural life of Paris during this key period. The book also illuminates the far-reaching consequences of lesbian portraiture on contemporary constructions of lesbian identity.

Arts, French --- Lesbians --- Lesbian artists --- Female gays --- Female homosexuals --- Gay females --- Gay women --- Gayelles --- Gays, Female --- Homosexuals, Female --- Lesbian women --- Sapphists --- Women, Gay --- Women homosexuals --- Gays --- Women --- Artists --- Paris (France) --- Intellectual life --- Sociology of culture --- Sociology of the family. Sociology of sexuality --- Sexology --- Art --- Brooks, Romaine --- Moore, Marcel --- Solidor, Suzy --- Cahun, Claude --- anno 1920-1929 --- anno 1930-1939 --- France --- LGBTQIA culture --- Homosexuality --- Interbellum --- Female homosexuality --- Book

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surrealisme --- 20ste eeuw --- 7.037.5 --- 7.037 --- Beeldende kunst ; 20ste eeuw ; Surrealisme ; naslagwerken --- Adorno Theodor W. --- Agar Eileen --- Aragon Louis --- Arp Hans --- Arp Jean --- Artaud Antonin --- Bachelard Gaston --- Bataille Georges --- Bellmer Hans --- Benjamin Walter --- Blanchot Maurice --- Boiffard Jacques-André --- Brassaï --- Brauner Victor --- Breton André --- Brunius Jacques --- Bunuel Luis --- Cahun Claude --- Caillois Roger --- Camus Albert --- Carrington Leonora --- Char René --- Cornell Joseph --- Crevel René --- Césaire Aimé --- Césaire Suzanne --- Dali Salvador --- Delvaux Paul --- Desnos Robert --- Dominguez Oscar --- Ducasse Isidore --- Duchamp Marcel --- Eluard Nusch --- Eluard Paul --- Ernst Max --- Fini Léonor --- Foucault Michel --- Francés Esteban --- Freddie Wilhelm --- Giacometti Alberto --- Gorky Arshile --- Hare David --- Heine Maurice --- Heisler Jindrich --- Hugo Valentine --- Hénein Georges --- Ivsic Radovan --- Jean Marcel --- Kahlo Frida --- Kahn Simone --- Kertész André --- Knutson-Tzara Greta --- Lam Wifredo --- Lamba Jacqueline --- Le Brun Annie --- Leiris Michel --- Lye Len --- Lély Gilbert --- Maar Dora --- Mabille Pierre --- Magritte René --- Malkine Georges --- Man Ray --- Mary Ann Caws --- Masson André --- Matta Roberto --- McWilliam F.E. --- Michaux Henri --- Miller Lee --- Miro Joan --- Molinier Pierre --- Moore Henry --- Moore Marcel --- Morise Max --- Motherwell robert --- Muzard Suzanne --- Ménil René --- Nadja --- Naville Pierre --- Newman barnett --- Nezval Vitezslav --- Nougé Paul --- Onslow Ford Gordon --- Oppenheim meret --- Paalen Wolfgang --- Parry Roger --- Penrose Benjamin --- Picasso Pablo --- Prassinos Gisèle --- Péret Benjamin --- Ray Man --- Read Herbert --- Sage Kay --- Seligmann Kurt --- Soupault Philippe --- Styrsky Jindrich --- Sédar Senghor Léopold --- Tabard Maurice --- Tanguy Yves --- Tanning Dorothea --- Toyen --- Tzara Tristan --- Ubac Raoul --- Vara Remedios --- Vitrac Roger --- Wols --- Zürn Unica --- beeldhouwkunst --- de Chirico Giorgio --- de Mandiargues Bona --- fotografie --- installaties --- kunst --- literatuur --- schilderkunst --- twintigste eeuw --- 735.8 --- Alvarez Bravo, Manuel --- Aragon, Louis --- Arp, Jean --- Bellmer, Hans --- Brauner, Victor --- Breton, Andre --- Cahun, Claude --- Cornell, Joseph --- Dali, Salvador (1904-1989) --- Ernst, Max --- Giacometti, Alberto --- Magritte, René (1898-1967) --- Masson, Andre --- Miro, Joan --- Oppenheim, Meret --- Picasso, Pablo (1881-1973) --- Ray, Man (Man Ray) --- Tanguy, Yves --- Tanning, Dorothea --- kunstgeschiedenis --- Kunststijlen: surrealisme --- Kunstgeschiedenis ; 1900 - 1950 --- geschiedenis der schilder- en tekenkunst, 20e eeuw, algemene stromingen --- Surrealism. --- Schilderkunst. --- Surrealisme. --- 7.037.5 Kunststijlen: surrealisme --- Surrealism --- McWilliam F.E --- Adorno Theodor W --- Superrealism --- Surrealism in art --- Arts, Modern --- Themes, motives --- surrealisme. --- 20ste eeuw.