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History. --- Histoire --- Johnson, Samuel, --- Addison, Joseph, --- Burney, Fanny, --- Montgomery, Robert,
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Dear Jonas, You Can Do Better is a performative artwork and graphic novel. The project is also a meditation on loss and heartbreak through contemporary art history. It is the artist’s way of dealing with the harsh reality of a broken relationship with her ex. She invites strangers of all genders, sexual orientations and backgrounds to participate in the re-enactment of unfulfilled promises and interrupted memories with her ex. Through this journey that culminates in short graphic stories, the collective empathy and relation to the idea of loss gently finds its way into the master narrative. The artist discovers similar feelings of heartache and longing in the strangers she meets and in the imaginary conversations with contemporary artists Abramovi?, Emin, and Calle. Interleaves with an almost art historical look at visual works inspired by loss and heartbreak provide an accompaniment to each graphic story. The artist delves into subjective and objective consequences of a heartache, and hopes to bring the viewer to their own private reconciliation of their unmet desires.
Abramovic, Marina --- Calle, Sophie --- Emin, Tracey --- Sasnal, Wilhelm --- Gonzalez Torres, Felix --- Mendieta, Ana --- Hodges, Jim --- Montgomery, Robert --- Kahlo, Frida
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Art --- language [general communication] --- light [energy] --- community art --- street art --- public art --- fires [events] --- kunst in de openbare ruimte --- Montgomery, Robert
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Didactics of the arts --- art appreciation --- Montgomery, Robert --- Costantino, Nicola --- Frohman, Mark --- Grover, Andrea --- Marrin, Kristina --- Phipps, Patrick --- Sikander, Shahzia --- Whittington, Lea --- Wiese, Charles --- anno 1900-1999 --- Houston [Texas] --- United States of America
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Painting --- Regional documentation --- mural paintings [visual works] --- street art --- graffiti [casual notations] --- ROA --- Cordal, Isaac --- Faith 47 --- Jaz --- Tenten/1010 --- Montgomery, Robert --- Pixel Pancho --- Elian --- Magee, Fintan --- Eversiempre --- Ella & Pitr --- Iacurci, Agostino --- Helten, Van, Guido --- Jaune --- Cosmo, Pol --- Mister Fiksit --- Scarpulla, Sam --- Jeps & Jucte --- Cyrcle --- Ziegler, Zio --- Smates & Locatelli --- Vynck, Siegfried --- DisorderLine --- Ostend
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Painting --- Regional documentation --- mural paintings [visual works] --- street art --- graffiti [casual notations] --- ROA --- Cordal, Isaac --- Faith 47 --- Jaz --- Tenten/1010 --- Montgomery, Robert --- Pixel Pancho --- Elian --- Magee, Fintan --- Eversiempre --- Ella & Pitr --- Iacurci, Agostino --- Helten, Van, Guido --- Jaune --- Cosmo, Pol --- Mister Fiksit --- Scarpulla, Sam --- Jeps & Jucte --- Cyrcle --- Ziegler, Zio --- Smates & Locatelli --- Vynck, Siegfried --- DisorderLine --- Ostend
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Films --- Films cinématographiques --- 791.43:82 --- Academic collection --- #SBIB:012.AANKOOP --- #SBIB:309H1324 --- Jan Marie Peters --- film --- literatuur --- narratologie --- regie --- adaptaties --- découpage --- montage --- cadrering --- film en literatuur --- Tsjechow Anton --- Heifitz Joseph --- De dame met het hondje --- Chandler Raymond --- Montgomery Robert --- Lady in the Lake --- Hartley L.P. --- The Go-Between --- Losey Joseph --- Ishiguro Kazuo --- Ivory James --- The Remains of the Day --- Staudte Wolfgang --- Der Untertan --- Mann Heinrich --- 791.41 --- Film en literatuur --- Films met een amusementsfunctie en/of esthetische functie: film en literatuur --- 791.43:82 Film en literatuur --- Hartley L.P
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