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Book
Year: 2013 Publisher: Londen Tate Publishing
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beeldenstorm --- geschiedenis --- politiek --- vrouwenemancipatie --- esthetica --- Skaer, Lucy --- Chapman, Jake --- Chapman, Dinos --- Richardson, Mary --- Charles I (Koning van Engeland) --- Culmer, Richard --- Gibbons, Grinling --- Wilton, Joseph --- Chantrey, Francis --- Pitt, William --- Butler, Reg --- Andre, Carl --- Jones, Allen --- Montañez Ortiz, Raphael --- Groot-Brittannië
Book
ISBN: 9781849760300 Year: 2013 Publisher: London Tate
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Art --- iconoclasm --- United Kingdom --- beeldenstorm. --- geschiedenis. --- politiek. --- vrouwenemancipatie. --- esthetica. --- Skaer, Lucy. --- Chapman, Jake. --- Chapman, Dinos. --- Richardson, Mary. --- Charles I (Koning van Engeland). --- Culmer, Richard. --- Gibbons, Grinling. --- Wilton, Joseph. --- Chantrey, Francis. --- Pitt, William. --- Butler, Reg. --- Andre, Carl. --- Jones, Allen. --- Montañez Ortiz, Raphael. --- Groot-Brittannië.
ISBN: 0585339929 9780585339929 0520919386 9780520919389 9780585339924 0520087054 0520209435 Year: 1998 Publisher: Berkeley London University of California Press
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A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, Orlando, in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8mm filmmaking. Ken Jacobs discusses the "Nervous System" apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his Vortex Concerts, ancestors of modern laser light shows; and Elias Merhige talks about going beneath the "rational structure of meaning" in Begotten.A Critical Cinema 3 presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, A Critical Cinema (California, 1988) and A Critical Cinema 2 (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English.
film --- filmgeschiedenis --- Verenigde Staten --- experimentele film --- Vogel Amos --- Greaves William --- Belson Jordan --- Peleshian Arthur --- Burnett Charles --- Kazuo Hara --- Watkins Peter --- Jacobs Ken --- Deocampo Nick --- Kaul Mani --- Baldwin Craig --- Nelson Gunvor --- Choy Christine --- Lowder Rose --- Hutton Peter --- Export Valie --- Bokanowski Patrick --- Gianikian Yervant --- Ricci Lucchi Angela --- Merhige Elias --- Mare Aline --- Smith Cauleen --- Porter John --- Montañez Ortiz Raphael --- Arnold Martin --- Potter Sally --- Jacobs Flo --- 791.43 --- Filmologie. Filmtheorie. Esthetica van de film --- Experimental films --- History and criticism.
ISBN: 0262515172 9780262515177 9780262195669 0262195666 Year: 2008 Publisher: Cambridge : M.I.T. Press,
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Introduction: The audiovisual medium. ##pt. I. Video, a technology, a medium. ##Media-theoretical considerations ; The visualization debate ; Preconditions of the technology and the apparatus ; Matrix phenomena -- ##pt. II. The reflexive medium. ##Experimental phase ; Guerilla television ; Artistic video ; Excursus on the relationship of film, video and computer ; Experimental video ; Video cultures -- ##pt. III. Video aesthetics. ##Apparatus, self-reflection and performance : Vito Acconci and Dennis Oppenheim ; Picture, reproduction, media images : Ulrike Rosenbach, Joan Jonas and Valie Export ; Video/TV : Nam June Paik and Dara Birnbaum ; Video, photo and film : Klaus vom Bruch and Peter Campus ; Structural video : Michael Langoth, Les Levine, Jean-François Guiton, Richard Serra and Dieter Kiessling ; Musicalisation in video : Robert Cahen ; Layering and condensing : Peter Callas ; Video scratching : Martin Arnold and Raphael Montañez Ortiz ; Video void : David Larcher ; Micro/macro dimensions : Nan Hoover ; Picture, text, voice and writing : Gary Hill ; Video and computers : Steina and Woody Vasulka ; Video and virtual environment : Lynn Hershman ; Video, poetics and hypermedia : Bill Seaman ; Video installations : Eija-Liisa Ahtila, Chantal Akerman, Gillian Wearing -- ##Outlook : complexity and Interactivity.
Video art --- Video recordings --- Video recordings. --- 791.43.098 --- Valie Export --- Birnbaum Dara --- vom Bruch Klaus --- Campus Peter --- Langoth Michael --- Levine Les --- Guiton Jean-François --- Kiessling Dieter --- Cahen Robert --- Callas Peter --- Arnold Martin --- Montañez Ortiz Raphael --- Larcher David --- Hill Gary --- Vasulka Woody --- Vasulka Steina --- Hershman Lynn --- Seaman Bill --- Ahtila Eija-Liisa --- Akerman Chantal --- 791.45 --- Video's. Videofilms. Videoclips. Videokunst --- 791.43.098 Video's. Videofilms. Videoclips. Videokunst --- Acconci Vito --- Hoover Nan --- Jonas Joan --- kunst --- Oppenheim Dennis --- Paik Nam June --- Rosenbach Ulrike --- Serra Richard --- video --- video-installaties --- videokunst --- Wearing Gillian --- 778.5 --- Videorecordings --- Videos --- Audio-visual materials --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- 778.5 Filmfotografie. Filmkunst --- Filmfotografie. Filmkunst --- Art --- Mass communications --- Video art. --- Time-based art
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