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Monsters abound in Old and Middle English literature, from Grendel and his mother in Beowulf to those found in medieval romances such as Sir Gowther. Through a close examination of the way in which their bodies are sexed and gendered, and drawing from postmodern theories of gender, identity, and subjectivity, this book interrogates medieval notions of the body and the boundaries of human identity. Case studies of Wonders of the East, Beowulf, Mandeville's Travels, the Alliterative Morte Arthure, and Sir Gowther reveal a shift in attitudes toward the gendered and sexed body, and thus toward identity, between the two periods: while Old English authors and artists respond to the threat of the gendered, monstrous form by erasing it, Middle English writers allow transgressive and monstrous bodies to transform and therefore integrate into society. This metamorphosis enables redemption for some monsters, while other monstrous bodies become dangerously flexible and invisible, threatening the communities they infiltrate. These changing cultural reactions to monstrous bodies demonstrate the precarious relationship between body and identity in medieval literature.
Monsters in literature. --- English literature --- Human body in literature. --- Gender identity in literature. --- History and criticism. --- Body, Human, in literature --- Human figure in literature --- Alliterative Morte Arthure. --- Assistant Professor of English. --- Beowulf. --- DANA M. OSWALD. --- Gender. --- Grendel. --- Mandeville's Travels. --- Medieval English Literature. --- Monsters. --- Sexuality. --- Sir Gowther. --- University of Wisconsin-Parkside. --- Wonders of the East. --- body and identity. --- cultural reactions. --- gendered. --- identity. --- medieval romances. --- monstrous body. --- subjectivity.
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"Throughout history, the religious imagination has attempted to control nothing so much as our bodies: what they are and what they mean; what we do with them, with whom, and under what circumstances; how they may be displayed-or, more commonly, how they must be hidden. Religious belief and mandate affect how our bodies are used in ritual practice, as well as how we use them to identify and marginalize threatening religious Others. This book examines how horror culture treats religious bodies that have stepped (or been pushed) out of their 'proper' place. Unlike most books on religion and horror, This book explores the dark spaces where sex, sexual representation, and the sexual body come together with religious belief and scary stories. Because these intersections of sex, horror, and the religious imagination force us to question the nature of consensus reality, supernatural horror, especially as it concerns the body, often shows us the religious imagination at work in real time. It is important to note that the discussion in this book is not limited either to horror cinema or to popular fiction, but considers a wide range of material, including literary horror, weird fiction, graphic storytelling, visual arts, participative culture, and aspects of real-world religious fear. It is less concerned with horror as a genre (which is mainly a function of marketing) and more with the horror mode, a way of storytelling that finds expression across a number of genres, a variety of media, and even blurs the boundary between fiction and non-fiction. This expanded focus not only deepens the pool of potential examples, but invites a much broader readership in for a swim"--
Horror. --- Human body --- Popular culture --- Religious aspects. --- Alien invasion. --- Ambiguity. --- Anthropology. --- Anti-Catholic nativism. --- Anti-Pagan activism. --- B movies. --- Censorship. --- Clive Barker. --- Clovis Trouille. --- Cosmic horror. --- Cosmic indifference. --- Cthulhu Mythos. --- Devil. --- Dracula. --- Edward Lee. --- Enigma. --- Evolutionary psychology. --- Exploitation. --- Fear. --- Graphic novels. --- H. P. Lovecraft. --- Horror genre. --- Horror mode. --- Human sacrifice. --- Interpretive drift. --- King Kong. --- Legion of Decency. --- Lustmord. --- Margaret Brundage. --- Maria Monk. --- Marquis de Sade. --- Matthew Lewis. --- Monstering. --- Monstrous body. --- Morality. --- Motion Picture Association of America. --- Motion Picture Production Code. --- Nudity. --- Numinous. --- Nun fetish. --- Nunsploitation. --- Pulp fiction. --- Queer horror. --- Realization. --- Religion. --- Religious Imagination. --- Religious imagination. --- Religious questions. --- Riddle. --- Ritual rarity. --- Roger Corman. --- Rudolf Otto. --- Sadeian horror. --- Sex. --- Sexual bodies. --- Sexualized advertising. --- Sigmund Freud. --- Skepticism. --- Spatter horror. --- Stephen King. --- Tanya Luhrmann. --- The Exorcist. --- The Wicker Man. --- The Witch. --- Thomas Rowlandson. --- Weird Tales. --- Witchcraft. --- Wrath James White. --- Sex --- Horror --- Religious aspects
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