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What role do man-eating monsters - vampires, zombies, werewolves and cannibals - play in contemporary culture? This book explores the question of whether recent representations of humans as food in popular culture characterizes a unique moment in Western cultural history and suggests a new set of attitudes toward people, monsters, animals, and death.This volume analyzes how previous epochs represented man-eating monsters and cannibalism. Cultural taboos across the world are explored and brought into perspective whilst we contemplate how the representations of humans as commodities can create a global atmosphere that creeps towards cannibalism as a norm.This book also explores the links between the role played by the animal rights movement in problematizing the difference between humans and nonhuman animals. Instead of looking at the relations between food, body, and culture, or the ways in which media images of food reach out to various constituencies and audiences, as some existing studies do, this collection is focused on the crucial question, of how and why popular culture representations diffuse the borders between monsters, people, and animals, and how this affects our ideas about what may and may not be eaten.
Monsters in popular culture. --- Cannibalism --- Monsters --- Animal rights. --- Social aspects.
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Criminology --- Goth culture (Subculture) --- Monsters in popular culture. --- Law --- Social aspects. --- Philosophy.
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Monstrous Beings and Media Cultures examines the monsters and sinister creatures that spawn from folk horror, Gothic fiction, and from various sectors of media cultures. The collection illuminates how folk monsters form across different art and media traditions, and interrogates the twenty-first century revitalization of 'folk' as both a cultural formation and aesthetic mode. The essays explore how combinations of vernacular and institutional creative processes shape the folkloric and/or folkoresque attributes of monstrous beings, their popularity, and the contexts in which they are received.
While it focuses on twenty-first-century permutations of folk monstrosity, the collection is transhistorical in approach, featuring chapters that focus on contemporary folk monsters, historical antecedents, and the pre-twenty-first century art and media traditions that shaped enduring monstrous beings. The collection also illuminates how folk monsters and folk 'horror' travel across cultures, media, and time periods, and how iconic monsters are tethered to yet repeatedly become unanchored from material and regional contexts.
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Companion volumes 'Classic Readings on Monster Theory' and 'Primary Sources on Monsters' gather a wide range of readings and sources to enable us to see and understand what monsters can show us about what it means to be human. The first volume introduces important modern theorists of the monstrous and aims to provide interpretive tools and strategies for students to use to grapple with the primary sources in the second volume, which brings together some of the most influential and indicative monster narratives from the West.
Monsters. --- Monsters in mass media. --- Monsters in literature. --- Mass media --- Freaks --- Monsters, Double --- Monstrosities --- Animals --- Curiosities and wonders --- Folklore --- Abnormalities --- Monsters in popular culture. --- Popular culture
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'Classic Readings on Monster Theory' and 'Primary Sources on Monsters' gather a wide range of readings and sources to enable us to see and understand what monsters can show us about what it means to be human. The first volume introduces important modern theorists of the monstrous and aims to provide interpretive tools and strategies for students to use to grapple with the primary sources in the second volume, which brings together some of the most influential and indicative monster narratives from the West.
Monsters. --- Monsters in mass media. --- Monsters in literature. --- Mass media --- Freaks --- Monsters, Double --- Monstrosities --- Animals --- Curiosities and wonders --- Folklore --- Abnormalities --- Monsters in popular culture. --- Popular culture
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Zombies and vampires, banshees and basilisks, demons and wendigos, goblins, gorgons, golems, and ghosts. From the mythical monstrous races of the ancient world to the murderous cyborgs of our day, monsters have haunted the human imagination, giving shape to the fears and desires of their time. And as long as there have been monsters, there have been attempts to make sense of them, to explain where they come from and what they mean. This book collects the best of what contemporary scholars have to say on the subject, in the process creating a map of the monstrous across the vast and complex terrain of the human psyche.Editor Jeffrey Andrew Weinstock prepares the way with a genealogy of monster theory, traveling from the earliest explanations of monsters through psychoanalysis, poststructuralism, and cultural studies, to the development of monster theory per se-and including Jeffrey Jerome Cohen's foundational essay "Monster Theory (Seven Theses)," reproduced here in its entirety. There follow sections devoted to the terminology and concepts used in talking about monstrosity; the relevance of race, religion, gender, class, sexuality, and physical appearance; the application of monster theory to contemporary cultural concerns such as ecology, religion, and terrorism; and finally the possibilities monsters present for envisioning a different future. Including the most interesting and important proponents of monster theory and its progenitors, from Sigmund Freud to Julia Kristeva to J. Halberstam, Donna Haraway, Barbara Creed, and Stephen T. Asma-as well as harder-to-find contributions such as Robin Wood's and Masahiro Mori's-this is the most extensive and comprehensive collection of scholarship on monsters and monstrosity across disciplines and methods ever to be assembled and will serve as an invaluable resource for students of the uncanny in all its guises.
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This book raises important questions and presents important findings on socio-cultural representations and embodiments of the child and childhood. At the start of the twenty-first century, new anxieties constellate around the child and childhood, while older concerns have re-emerged, mutated, and grown stronger. But as historical analysis shows, they have been ever-present concerns. This innovative and interdisciplinary collection of essays considers examples of monstrous children since the sixteenth century to the present, spanning real-life and popular culture, to exhibit the manifestation of the Western cultural anxiety around the problematic, anomalous child as naughty, dangerous, or just plain evil.
The linkage between children and horror, or horror-full children, would seem an almost natural connection to make given its popularity in contemporary horror films and novels. However, the intersection between the two categories has a long history going back beyond the more obvious Gothic reimaginings of the nineteenth century with its under-age ghostly terrors revealing that the idea of the 'little horror' is seemingly an inherent demarcation within society between adults and those that are viewed as 'not adults'.
However, the anomalous child can also be seen in a positive light, and that resistance to easy categorization can be embraced by wider society as a force for change. Greta Thunberg, a singularly focused individual, 16 years old at the time of writing, has consistently refused to act as desired by the adult society around her in pursuit of gaining recognition of the urgent need for action in regard to environmental change.
The book takes an inter- and multidisciplinary approach, drawing upon fields as diverse as sociology, psychology, film, and literature, to study the role of the child and childhood within contemporary Western culture and to see the ways in which each discipline intersects and influences the other, all through a historical lens.
Children in literature. --- Children in motion pictures. --- Children --- History. --- Childhood in motion pictures --- Motion pictures --- Childhood in literature --- Children in poetry --- Monsters in popular culture. --- Good and evil. --- Evil --- Wickedness --- Ethics --- Philosophy --- Polarity --- Religious thought --- Popular culture
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"Uses a range of subjects and disciplines, including queer theory, popular culture, childhood studies, and comics studies to chart the relationship between monstrosity and child/adolescent bodies and identities. Connects monsters and their consumption to changing reflection, interpretation, and shaping of the social discourses of identity within US children's culture"--
Children --- Children's literature --- Children's literature. --- Enfants --- Monsters in literature. --- Monsters in popular culture. --- Monsters --- Monstres dans la culture populaire. --- Monstres dans la littérature. --- Monstres --- Social conditions --- Social conditions. --- History and criticism. --- Conditions sociales --- Symbolic aspects. --- Aspect symbolique. --- United States.
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Monsters --- Monsters in art. --- Monsters in popular culture. --- Monsters in literature. --- Ontologies (Information retrieval) --- Monstres --- Monstres dans l'art. --- Monstres dans la culture populaire. --- Monstres dans la littérature. --- Ontologies (Recherche de l'information) --- Philosophy. --- Symbolic aspects. --- Social aspects. --- Mythology. --- Philosophie. --- Aspect symbolique. --- Aspect social. --- Mythologie.
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