Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Drawing --- Drawing. --- Gamburd, Moissei, --- Gamburd, Moisei, --- Israel.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Ginzburg, Moisei --- Milinis, Ignaty --- Prokhorov, Sergej --- Rusland --- U.S.S.R.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Bibliophiles --- Bibliothèques privées --- Book collectors --- Book collectors. --- Libraries. --- Private libraries --- Private libraries. --- Lesman, Moiseĭ Semenovich, --- Library --- Russia (Federation) --- Soviet Union.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The House of the Narkomfin was built, or better, "montage"--As the Constructivist Moisej J. Ginzburg (1986-1946) preferred to call it - between 1928 and 1931. It is therefore contemporaneous with Le Corbusier's Villa Savoye, as well as with Le Corbusier's visit to Moscow. On a superficial level, they both share a common aesthetic that in France was nicknamed "le style paquebot," while the Narkomfin was soon called the "The Steamer," or even the "Agit-Steamer" in a symbolic reference to the boats of the Agit-Prop movement that carried the message of the Revolution along the rivers of the Soviet Union. On a deeper level, the Narkomfin is more than a housing block with a recognizable style. It is the converging point of the history of Constructivism. It is the most sophisticated expression of a "social condenser," in Ginzburg's words, where purposefully reassembled functional spaces are given an active role in transforming everyday social life. Echoing the Russian Formalist method of analytic editing, like the cinematic "montage of attractions" - to use Eisenstein's expression - it stems from reconfigured semantic series of the notion of traditional abode, intended to transform everyday life - the "byt." In this sense, the Narkomfin - a building without precedent - is more than a symbol; it is, in a nutshell, the very program of Constructivism. It is also the zenith of five years of intensive experimentation under Soviet Russian government sponsorship, from 1926 and 1930, with new ways of dwelling, boasting emancipatory social relationships for women in particular. Intended for the working class, these industrialized dwelling types sought ways to raise numbers without sacrificing quality. Widely transcending the confines of Soviet architectural practice itself, the Narkomfin anticipated by twenty years Le Corbusier's own experimental housing block in Marseille, which resulted directly from his visit

Apartment houses --- Constructivism (Architecture) --- Socialist realism and architecture --- Ginzburg, Moisey, --- Milinis, Ignatiĭ Frantsevich, --- Architecture, Domestic --- 72.07 --- Ginzburg, Moisei & Ignaty Milinis --- Architectuur ; Russisch Constructivisme --- Vhutemas --- Appartementsgebouwen ; Rusland ; Moskou ; 20ste eeuw --- Apartment buildings --- Multi-family housing --- Multifamily housing --- Multiple dwellings --- Dwellings --- Architecture, Rural --- Domestic architecture --- Home design --- Houses --- One-family houses --- Residences --- Rural architecture --- Villas --- Architecture --- Architecten. Stedenbouwkundigen A - Z --- Ginzburg, M. I︠A︡. --- Milinis, Ignatiĭ Frant︠s︡evich, --- Ginzburg, Moiseĭ I︠A︡kovlevich, --- Ginsburg, M., --- Ginsburg, Moissey Jakowlewitsch, --- Ginzburg, Moisei, --- Ginzburg, Moisej Jakovlevic, --- Ginzburg, Moisey Yakovlevich, --- Guinsbourg, M., --- Ginzburg, M. Ja., --- Ginzburg, Moisej Ja., --- Ginzburg, Moisej, --- Guinzbourg, Moïsseï, --- Guinzbourg, Moisseï Iakovlévitch, --- Ginzburg, Moisei Yakovlevich, --- Ginzburg, Moisej Akovlevic, --- Ginzburg, Moissej Akovlevic, --- Ginzburg, Mojsej Jakovlevic, --- Ginsburg, M. I︠A︡., --- Ginsburg, Moiseĭ I︠A︡kovlevich, --- Гинзбург, Моисей Яковлевич,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The present volume is the result of a team research which gathered biblical scholars, philologists, and historians of religions, on the issue of the multiple 'Interpretations of Moses' inherited from the ancient mediterranean cultures. The concrete outcome of this comparative inquiry is the common translation and commentary of the fragments from the works of the mysterious Artapanus. The comparative perspective suggested here is not so much methodological, or thematic. It is first of all an invitation to cross disciplinary boundaries and to take account of the contributions of diverse cultures to the formation of a single mythology, in the case, a Moses mythology. With respect to Judea, Greece, Egypt or Rome, and further more an emerging christianity and its 'gnostic' counterpart, the figure of Moses is at the heart of a cross-cultural dialogue the pieces of which, if they can be seperated for the confort of their specific study, mostly gain by being put together. Ce volume est le fruit d’un travail d’équipe, qui a réuni des biblistes, des philologues, et des historiens des religions autour des multiples « Interprétations de Moïse » que nous ont léguées les cultures de la Méditerranée antique. Le résultat pratique de cette enquête comparatiste culmine dans la traduction et le commentaire à « douze mains » des fragments du mystérieux Artapan, qui ouvrent le volume. Le comparatisme proposé dans le présent volume ne se veut ni méthodologique ni thématique, mais vise d’abord à franchir les frontières disciplinaires, tout en envisageant les apports culturels respectifs contribuant à la formation d’une mythologie, en l’occurrence celle de Moïse. Entre la Judée, l’Egypte, la Grèce, Rome, et bien-sûr le christianisme naissant et l’univers « gnostique » qui l’accompagne, la figure de Moïse est au cœur d’un dialogue, dont les pièces, si elles peuvent être disjointes pour la commodité de l’étude, gagnent surtout à être rapprochées.

Moses --- Moses, --- Moïse --- Moiseĭ --- Moisés --- Mosè --- Mosheh --- Mosheh, --- Mosis --- Moyshe, --- Mózes --- Mūsá --- Nabī Mūsá --- משה --- משה, --- Moses - (Biblical leader) --- Moïse (personnage biblique) --- Littérature antique --- Dans la littérature --- Thèmes, motifs